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| Author | : Michael Walzler |
| Publisher | : Basic Books |
| Total Pages | : 276 |
| Release | : 1990-05-14 |
| Genre | : Political Science |
| ISBN | : 9780465013302 |
Now reissued in paperback: A classic consideration, with new material, of the life and work of eleven of the twentieth century's most important social critics and political philosophers
| Author | : Michael Walzer |
| Publisher | : |
| Total Pages | : 286 |
| Release | : 2002-07-04 |
| Genre | : Political Science |
| ISBN | : 0786752408 |
The Company of Critics provides a fascinating survey of the terrain of social criticism in the last century. Organizing the book as a series of eleven intellectual biographies, Michael Walzer tells not just the dramatic story of the cultural and political radical but also the more personal story of the meaning of criticism to the critic. By looking at the life and work of Julien Benda, Randolph Bourne, Martin Buber, Antonio Gramsci, Ignazio Silone, George Orwell, Albert Camus, Simone de Beauvoir, Herbert Marcuse, Michel Foucault, and Breyten Breytenbach, Walzer explains the role of the public intellectual in the context of what he identifies as "the triumphs and catastrophes of our time: the two world wars, the struggles of the working class, national liberation, feminism, totalitarian politics."The new edition, featuring a new preface, contains Walzer's thoughts on his own role as a public intellectual and, most important, the challenges that lie ahead for the engaged social critic. With its unique emphasis on life as a proving ground for thought, The Company of Critics is a necessary addition to the literature of social and political engagement both within and outside of the academy.
| Author | : Michael Walzer |
| Publisher | : |
| Total Pages | : 260 |
| Release | : 1989 |
| Genre | : Political sociology |
| ISBN | : 9781870015202 |
A classic reissue with new material of the life and work of 11 of the 20th century's most important social critics and political philosophers, providing a terrain of social criticism in the last century. Organized as a series of eleven intellectual biographies, Michael Walzer tells not just the dramatic story of the cultural and political radical but also the more personal story of the meaning of criticism to the critic. By looking at the life and work of Julien Benda, Randolph Bourne, Martin Buber, Antonio Gramsci, Ignazio Silone, George Orwell, Albert Camus, Simone de Beauvoir, Herbert Marcuse, Michel Foucault, and Breyten Breytenbach, Walzer explains the role of the public intellectual in the context of what he identifies as the triumphs and catastrophes of our time: the two world wars, the struggles of the working class, national liberation, feminism, totalitarian politics.
| Author | : Michael Walzer |
| Publisher | : |
| Total Pages | : 260 |
| Release | : 1988 |
| Genre | : |
| ISBN | : |
| Author | : Michael Walzer |
| Publisher | : Harvard University Press |
| Total Pages | : 114 |
| Release | : 1987 |
| Genre | : Ethics |
| ISBN | : 9780674459717 |
In succinct and engaging fashion Michael Walzer demystifies the activity of the social critic, providing a philosophical framework for understanding social criticism as social practice.
| Author | : Matt Windman |
| Publisher | : McFarland |
| Total Pages | : 242 |
| Release | : 2016-04-27 |
| Genre | : Performing Arts |
| ISBN | : 1476624690 |
What will happen to the theater when there are no more critics? With the decline of print media and the rise of online journalism, theater critics are facing hard times. As their influence fades, will the industry they cover be adversely affected or can bloggers and message boards fill the void? Can a new economic model be created for theater criticism? How can critics lucky enough to still have jobs stay relevant in the age of social media? Speaking of which, what does a theater critic really do, and how do you become one? In this book, Matt Windman, a theater critic himself, interviews more than 50 critics from New York and around the country, including Ben Brantley, Charles Isherwood, John Lahr, Terry Teachout, Linda Winer, Chris Jones, David Cote, John Simon and Peter Filichia. They discuss their long careers and the nightly process of evaluating plays and musicals, and offer their thoughts on the future of the profession.
| Author | : Michael Bryson |
| Publisher | : Open Book Publishers |
| Total Pages | : 380 |
| Release | : 2017-07-10 |
| Genre | : Literary Criticism |
| ISBN | : 1783743514 |
This book is a history of love and the challenge love offers to the laws and customs of its times and places, as told through poetry from the Song of Songs to John Milton’s Paradise Lost. It is also an account of the critical reception afforded to such literature, and the ways in which criticism has attempted to stifle this challenge. Bryson and Movsesian argue that the poetry they explore celebrates and reinvents the love the troubadour poets of the eleventh and twelfth centuries called fin’amor: love as an end in itself, mutual and freely chosen even in the face of social, religious, or political retribution. Neither eros nor agape, neither exclusively of the body, nor solely of the spirit, this love is a middle path. Alongside this tradition has grown a critical movement that employs a 'hermeneutics of suspicion', in Paul Ricoeur’s phrase, to claim that passionate love poetry is not what it seems, and should be properly understood as worship of God, subordination to Empire, or an entanglement with the structures of language itself – in short, the very things it resists. The book engages with some of the seminal literature of the Western canon, including the Bible, the poetry of Ovid, and works by English authors such as William Shakespeare and John Donne, and with criticism that stretches from the earliest readings of the Song of Songs to contemporary academic literature. Lively and enjoyable in its style, it attempts to restore a sense of pleasure to the reading of poetry, and to puncture critical insistence that literature must be outwitted. It will be of value to professional, graduate, and advanced undergraduate scholars of literature, and to the educated general reader interested in treatments of love in poetry throughout history.
| Author | : William Dalrymple |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 577 |
| Release | : 2020-11-12 |
| Genre | : History |
| ISBN | : 1526634015 |
THE TOP 5 SUNDAY TIMES BESTSELLER ONE OF BARACK OBAMA'S BEST BOOKS OF 2019 THE TIMES HISTORY BOOK OF THE YEAR FINALIST FOR THE CUNDILL HISTORY PRIZE 2020 LONGLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTION 2019 A FINANCIAL TIMES, OBSERVER, DAILY TELEGRAPH, WALL STREET JOURNAL AND TIMES BOOK OF THE YEAR 'Dalrymple is a superb historian with a visceral understanding of India ... A book of beauty' – Gerard DeGroot, The Times In August 1765 the East India Company defeated the young Mughal emperor and forced him to establish a new administration in his richest provinces. Run by English merchants who collected taxes using a ruthless private army, this new regime saw the East India Company transform itself from an international trading corporation into something much more unusual: an aggressive colonial power in the guise of a multinational business. William Dalrymple tells the remarkable story of the East India Company as it has never been told before, unfolding a timely cautionary tale of the first global corporate power.
| Author | : Rosa A. Eberly |
| Publisher | : University of Illinois Press |
| Total Pages | : 228 |
| Release | : 2000 |
| Genre | : American fiction |
| ISBN | : 9780252068676 |
The condition of our public discussions about literary and cultural works has much to say about the condition of our democracy and the author argues for more public discourse--in classrooms, newspapers, magazines, etc. to reclaim a public voice on national artistic matters. In this revealing study of the links among literature, rhetoric, and democracy, Rosa A. Eberly explores the public debate generated by amateur and professional readers about four controversial literary works: two that were censored in the United States and two that created conflict because they were not censored. In Citizen Critics Eberly compares the outrage sparked by the publication of James Joyce's Ulysses and Henry Miller's Tropic of Cancer with the relative quiescence that greeted the much more violent and sexually explicit content of Bret Easton Ellis's American Psychoand Andrea Dworkin's Mercy. Through a close reading of letters to the editor, reviews, media coverage, and court cases, Eberly shows how literary critics and legal experts defused censorship debates by shifting the focus from content to aesthetics and from social values to publicity. By asserting their authority to pass judgments--thus denying the authority of citizen critics--these professionals effectively removed the discussion from literary public spheres. A passionate advocate for treating reading as a public and rhetorical enterprise rather than solely as a private one, Eberly suggests the potential impact a work of literature may have on the social polity if it is brought into public forums for debate rather than removed to the exclusive rooms of literary criticism. Eberly urges educators to use their classrooms as protopublic spaces in which students can learn to make the transition from private reader to public citizen.
| Author | : Peter Cain |
| Publisher | : Routledge |
| Total Pages | : 394 |
| Release | : 2022-01-27 |
| Genre | : Reference |
| ISBN | : 1000560686 |
The eight books reprinted in this set played an important role in defining attitudes and expectations about imperialism on the British Left in the twentieth century. They are vital in understanding the transition from the liberal anti-imperialism of the nineteenth century to the more overtly socialist critiques of the twentieth.
