The Cloister And The Hearth A Tale Of The Middle Ages Volume 1 PDF Download

Excerpt from The Cloister and the Hearth, Vol. 1 of 2: A Tale of the Middle Ages The reader already knows how much these two had to tell one another. It was a sweet yet bitter day for Margaret, since it brought her a true friend, and ill news: for now first she learned that Gerard was all alone in that strange land. She could not think with Denys that he would come home; indeed he would have arrived before this. Denys was a balm. He called her his she-comrade, and was always cheering her up with his formula and hilarities, and she petted him and made much of him, and feebly hectored it over him as well as over Martin, and would not let him eat a single meal out of her house, and forbade him to use naughty words. "It spoils you, Denys. Good lack, to hear such ugly words come forth so comely a head: forbear, or I shall be angry: so be civil." Whereupon Denys was upon his good behaviour, and ludicrous the struggle between his native politeness and his acquired ruffianism. And as it never rains but it pours, other persons now solicited Margaret's friendship. She had written to Margaret Van Eyck a humble letter telling her she knew she was no longer the favourite she had been, and would keep her distance; but could not forget her benefactress's past kindness. She then told her briefly how many ways she had battled for a living, and, in conclusion, begged earnestly that her residence might not be betrayed, "least of all to his people. I do hate them, they drove him from me. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.