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The Classic Era of American Pulp Magazines

The Classic Era of American Pulp Magazines
Author: Peter Haining
Publisher:
Total Pages: 232
Release: 2001
Genre: Antiques & Collectibles
ISBN:

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The period between the World Wars—the era of sexual liberation, Prohibition, the rise of organized crime, and the Great Depression—was also the classic era of American pulp magazines, the subject of this fascinating volume. Pulps, with their lurid color covers depicting the thrills of sex and violence, and with stories to match inside, fuelled America’s dreams—and nightmares. For a few cents they offered everything young men wanted: sex, action, adventure. But they also fostered the talents of some of the greatest popular writers of the century—Arthur C. Clarke, Isaac Asimov, Raymond Chandler, James M. Cain, and Dashiell Hammett, among others—and virtually invented the genres of science fiction and hard-boiled crime. From the cheap thrills of the “hot” and “spicy” pulps and the sexual sadism of the “shudder” pulps to the weird worlds of the fantasy, sci-fi, and horror pulps, this book displays their art and tells their history, capturing the original magazines in all their sleazy, sensational glory.


The Classic Era of the American Pulp Magazine

The Classic Era of the American Pulp Magazine
Author: Peter Haining
Publisher:
Total Pages: 224
Release: 2000
Genre: American periodicals
ISBN: 9781853753886

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The era between the wars in America was on of dramatic change and uncertainty, a time of sexual liberation, Prohibition, organized crime and the Great Depression. At such times of flux people look to escapism and fantasy to fill out their humdrum and troubled lives. Along with movies and radio, came the spectacular rise of the pulp magazines.


Pulp Art

Pulp Art
Author: Robert Lesser
Publisher:
Total Pages: 0
Release: 2005
Genre: Art
ISBN: 9781402730351

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The term pulp fiction has always had a certain resonance; but it is the artwork--bold, energized, dramatic, garishly colorful, and frequently grotesque--that has made pulp magazines memorable to so many people. Pulp Art is the groundbreaking--and ultimate--book on one of America's most important and spectacular forms of illustration art. At last, preserved in this volume are most of the still-existing originals created for the pulp covers, never before seen in all their sharply focused, vibrantly colored brilliance. Robert Lesser, a pioneering collector of this work and an expert on American popular culture, has assembled a gallery of these now-priceless originals. The dynamically pulp-flavored text is a complete historical survey of the pulps and their most important cover artists--Virgil Finlay, J. Allen St. John, Rafael de Soto, Hannes Bok, George and Jerome Rozen, Frank R. Paul, and many others. Also offered are critical discussions of individual paintings, as well as the major themes of the pulp magazines.


Storytelling in the Pulps, Comics, and Radio

Storytelling in the Pulps, Comics, and Radio
Author: Tim DeForest
Publisher: McFarland
Total Pages: 236
Release: 2004-05-20
Genre: Literary Criticism
ISBN: 0786419024

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The first half of the twentieth century was a golden age of American storytelling. Mailboxes burgeoned with pulp magazines, conveying an endless variety of fiction. Comic strips, with their ongoing dramatic storylines, were a staple of the papers, eagerly followed by millions of readers. Families gathered around the radio, anxious to hear the exploits of their favorite heroes and villains. Before the emergence of television as a dominant--and stifling--cultural force, storytelling blossomed in America as audiences and artists alike embraced new mediums of expression. This examination of storytelling in America during the first half of the twentieth century covers comics, radio, and pulp magazines. Each was bolstered by new or improved technologies and used unique attributes to tell dramatic stories. Sections of the book cover each medium. One appendix gives a timeline for developments relative to the subject, and another highlights particular episodes and story arcs that typify radio drama. Illustrations and a bibliography are included.


The Pulps

The Pulps
Author: Tony Goodstone
Publisher:
Total Pages: 306
Release: 1976
Genre: Fiction
ISBN:

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Detective, sci-fi, Western, supernatural, jungle, pirate, aviation, war, sports, horror, super hero, love, sex - these and more are the fantastic array of categories for the wonderful stories, features, articles, poems collected here from 50 years of pulp magazines ... the cradle and school of sensationalism for American pop culture.


It's a Man's World

It's a Man's World
Author: Adam Parfrey
Publisher:
Total Pages: 0
Release: 2015
Genre: Antiques & Collectibles
ISBN: 9781627310116

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Expanded edition covering the Adventure Magazine genre of Cold-War masculinity including new material wartime xenophobic American magazine articles and advertisements.


The Shudder Pulps

The Shudder Pulps
Author: Robert Kenneth Jones
Publisher: Wildside Press LLC
Total Pages: 258
Release: 2007-09-01
Genre: American periodicals
ISBN: 1434486249

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The shudder pulps published some of the grisliest, goriest, most outrageous mystery-terror fiction ever sold on the American newsstand, during the golden age of the pulp magazines. This volumes chronicles the authors, artists, and publishers of those classic thrill-fests!


The Black Lizard Big Book of Pulps

The Black Lizard Big Book of Pulps
Author: Otto Penzler
Publisher: Vintage Crime/Black Lizard
Total Pages: 1170
Release: 2008-12-24
Genre: Fiction
ISBN: 0307494160

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The biggest, the boldest, the most comprehensive collection of Pulp writing ever assembled. Weighing in at over a thousand pages, containing over forty-seven stories and two novels, this book is big baby, bigger and more powerful than a freight train—a bullet couldn’t pass through it. Here are the best stories and every major writer who ever appeared in celebrated Pulps like Black Mask, Dime Detective, Detective Fiction Weekly, and more. These are the classic tales that created the genre and gave birth to hard-hitting detectives who smoke criminals like packs of cigarettes; sultry dames whose looks are as lethal as a dagger to the chest; and gin-soaked hideouts where conversations are just preludes to murder. This is crime fiction at its gritty best. Including: • Three stories by Raymond Chandler, Cornell Woolrich, Erle Stanley Gardner, and Dashiell Hammett. • Complete novels from Carroll John Daly, the man who invented the hard-boiled detective, and Fredrick Nebel, one of the masters of the form. • A never before published Dashiell Hammett story. • Every other major pulp writer of the time, including Paul Cain, Steve Fisher, James M. Cain, Horace McCoy, and many many more of whom you’ve probably never heard. • Three deadly sections–The Crimefighters, The Villains, and Dames–with three unstoppable introductions by Harlan Coben, Harlan Ellison, and Laura Lippman Featuring: • Plenty of reasons for murder, all of them good. • A kid so smart–he’ll die of it. • A soft-hearted loan shark’s legman learning–the hard way–never to buy a strange blonde a hamburger. • The uncanny “Moon Man” and his mad-money victims.


Black Pulp

Black Pulp
Author: Walter Mosley
Publisher: Createspace Independent Pub
Total Pages: 306
Release: 2013-04-17
Genre: Fiction
ISBN: 9781484135716

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A collection of stories featuring characters of African origin, or descent, in stories that run the gamut of genre fiction.


The Age of Dimes and Pulps

The Age of Dimes and Pulps
Author: Jeremy Agnew
Publisher: McFarland
Total Pages: 243
Release: 2018-07-25
Genre: Language Arts & Disciplines
ISBN: 147663257X

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From the dime novels of the Civil War era to the pulp magazines of the early 20th century to modern paperbacks, lurid fiction has provided thrilling escapism for the masses. Cranking out formulaic stories of melodrama, crime and mild erotica--often by uncredited authors focused more on volume than quality--publishers realized high profits playing to low tastes. Estimates put pulp magazine circulation in the 1930s at 30 million monthly. This vast body of "disposable literature" has received little critical attention, in large part because much of it has been lost--the cheaply made books were either discarded after reading or soon disintegrated. Covering the history of pulp literature from 1850 through 1960, the author describes how sensational tales filled a public need and flowered during the evolving social conditions of the Industrial Revolution.