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| Author | : Suffrage League of Boston and Vicinity. Garrison Centenary Committee |
| Publisher | : |
| Total Pages | : 86 |
| Release | : 1906 |
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| Author | : Suffrage League Of Boston And Committee |
| Publisher | : Hardpress Publishing |
| Total Pages | : 86 |
| Release | : 2012-01 |
| Genre | : |
| ISBN | : 9781290136006 |
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
| Author | : |
| Publisher | : |
| Total Pages | : 75 |
| Release | : 1906 |
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| ISBN | : |
| Author | : Lindsay Swift |
| Publisher | : |
| Total Pages | : 424 |
| Release | : 1911 |
| Genre | : Biography & Autobiography |
| ISBN | : |
| Author | : |
| Publisher | : |
| Total Pages | : 16 |
| Release | : 1905 |
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| ISBN | : |
| Author | : Garrison Centenary Committee |
| Publisher | : Wentworth Press |
| Total Pages | : 72 |
| Release | : 2019-03-11 |
| Genre | : History |
| ISBN | : 9780530781297 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
| Author | : |
| Publisher | : The Library Company of Phil |
| Total Pages | : 76 |
| Release | : |
| Genre | : |
| ISBN | : 9781422361252 |
| Author | : Amanda Brickell Bellows |
| Publisher | : UNC Press Books |
| Total Pages | : 321 |
| Release | : 2020-04-17 |
| Genre | : History |
| ISBN | : 1469655551 |
The abolition of Russian serfdom in 1861 and American slavery in 1865 transformed both nations as Russian peasants and African Americans gained new rights as subjects and citizens. During the second half of the long nineteenth century, Americans and Russians responded to these societal transformations through a fascinating array of new cultural productions. Analyzing portrayals of African Americans and Russian serfs in oil paintings, advertisements, fiction, poetry, and ephemera housed in American and Russian archives, Amanda Brickell Bellows argues that these widely circulated depictions shaped collective memory of slavery and serfdom, affected the development of national consciousness, and influenced public opinion as peasants and freedpeople strove to exercise their newfound rights. While acknowledging the core differences between chattel slavery and serfdom, as well as the distinctions between each nation's post-emancipation era, Bellows highlights striking similarities between representations of slaves and serfs that were produced by elites in both nations as they sought to uphold a patriarchal vision of society. Russian peasants and African American freedpeople countered simplistic, paternalistic, and racist depictions by producing dignified self-representations of their traditions, communities, and accomplishments. This book provides an important reconsideration of post-emancipation assimilation, race, class, and political power.
| Author | : Ethel Lewis |
| Publisher | : Wentworth Press |
| Total Pages | : 72 |
| Release | : 2019-02-22 |
| Genre | : History |
| ISBN | : 9780469385931 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
| Author | : Ronald S. Coddington |
| Publisher | : Johns Hopkins University Press+ORM |
| Total Pages | : 429 |
| Release | : 2012-08-31 |
| Genre | : History |
| ISBN | : 142140723X |
Discover the men of color who fought for their freedom during the Civil War through profiles illustrated with original wartime photographs. A renowned collector of Civil War photographs and a prodigious researcher, Ronald S. Coddington combines compelling archival images with biographical stories that reveal the human side of the war. This third volume in his series on Civil War soldiers contains previously unpublished photographs of African American Civil War participants?many of whom fought to secure their freedom. During the Civil War, 200,000African American men enlisted in the Union army or navy. Some of them were free men and some escaped from slavery; others were released by sympathetic owners to serve the war effort. African American Faces of the Civil War tells the story of the Civil War through the images of men of color who served in roles that ranged from servants and laborers to enlisted men and junior officers. Coddington discovers these portraits?cartes de visite, ambrotypes, and tintypes?in museums, archives, and private collections. He has pieced together each individual’s life and fate based upon personal documents, military records, and pension files. These stories tell of ordinary men who became fighters, of the prejudice they faced, and of the challenges they endured. African American Faces of the Civil War makes an important contribution to a comparatively understudied aspect of the war and provides a fascinating look into lives that helped shape America. “It does nothing to diminish the depth and precision of Coddington’s research to say that each compelling vignette prompts the reader to hurriedly flip to the next one.” —Publishers Weekly (starred review)
