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| Author | : Alfred Dürr |
| Publisher | : Oxford University Press |
| Total Pages | : 984 |
| Release | : 2005 |
| Genre | : Music |
| ISBN | : 0198167075 |
This is the only English translation of this important book by the world's most distinguished Bach scholar.
| Author | : Eric Chafe |
| Publisher | : Oxford University Press |
| Total Pages | : 310 |
| Release | : 2003-03-27 |
| Genre | : Music |
| ISBN | : 0199882975 |
Bach's cantatas are among the highest achievements of Western musical art, yet studies of the individual cantatas that are both illuminating and detailed are few. In this book, noted Bach expert Eric Chafe combines theological, historical, analytical, and interpretive approaches to the cantatas to offer readers and listeners alike the richest possible experience of these works. A respected theorist of seventeenth-century music, Chafe is sensitive to the composer's intentions and to the enduring and universal qualities of the music itself. Concentrating on a small number of representative cantatas, mostly from the Leipzig cycles of 1723-24 and 1724-25, and in particular on Cantata 77, Chafe shows how Bach strove to mirror both the dogma and the mystery of religious experience in musical allegory. Analyzing Bach Cantatas offers valuable information on the theological relevance of the structure of the liturgical year for the design and content of these works, as well as a survey of the theories of modality that inform Bach's compositional style. Chafe demonstrates that, while Bach certainly employed "pictorialism" and word-painting in his compositions, his method of writing music was a more complex amalgam of theological concepts and music theory. Regarding the cantatas as musical allegories that reflect the fundamental tenets of Lutheran theology as established during Bach's lifetime, Chafe synthesizes a number of key musical and theological ideas to illuminate the essential character of these great works. This unique and insightful book offers an essential methodology for understanding one of the central bodies of work in the Western musical canon. It will prove indispensable for all students and scholars of Bach's work, musicology, and theological studies.
| Author | : Christoph Wolff |
| Publisher | : W. W. Norton & Company |
| Total Pages | : 252 |
| Release | : 1997 |
| Genre | : Music |
| ISBN | : 9780393041064 |
The cantatas of Johann Sebastian Bach are among the best known and most frequently performed musical works of the Baroque period. In an illuminating discussion of the musical, literary, aesthetic, and theological aspects of the composers early cantatas, leading Bach scholars place the works in their historical and biographical context. 85 photos.
| Author | : Johann Sebastian Bach |
| Publisher | : Scarecrow Press |
| Total Pages | : 408 |
| Release | : 2000 |
| Genre | : Music |
| ISBN | : 9780810839335 |
This volume contains parallel texts and translations of all Bach's church and secular cantatas that have come down to us complete. The volume also includes a short glossary of geographical and mythological names, a list of dedicatees of the secular cantatas, a list of the poets with their dates, and an introduction to the cantatas by Martin Neary, formerly organist of Winchester Cathedral and Westminster Abbey.
| Author | : Alfred Dürr |
| Publisher | : OUP Oxford |
| Total Pages | : 984 |
| Release | : 2005-06-09 |
| Genre | : Music |
| ISBN | : 0191058130 |
This is the only English translation of this important book by the world's most distinguished Bach scholar. This work is widely regarded as the most authoritative and comprehensive treatment of the Bach cantatas. It begins with a historical survey of the seventeenth-century background to the cantatas, and performance practice issues. The core of the book is a work-by-work study in which each cantata in turn is represented by its libretto, a synopsis of its movements, and a detailed analytical commentary. This format makes it extremely useful as a reference work for anyone listening to, performing in, or studying any of the Bach cantatas. All the cantata librettos are given in German-English parallel text. For the English edition the text has been carefully revised to bring it up to date, taking account of recent Bach scholarship.
| Author | : W. Murray Young |
| Publisher | : Jefferson, N.C. : MacFarland |
| Total Pages | : 336 |
| Release | : 1989 |
| Genre | : Music |
| ISBN | : |
A thorough and invaluable reference for students of music, church groups, listeners and performers, this work translates the libretti, or text, of each of 253 sacred and secular cantatas by Bach into current, readable English and provides interpretative commentary on each movement. The cantatas are listed chronologically according to the town or city where Bach composed them. The sacred cantatas are discussed first, followed by secular ones. The Easter, Ascension, and Christmas oratorios are covered iin great detail. The text includes biographical information whenever relevant. An appendix lists the three cantata types (free--that is, based directly on the Bible and treated by Bach as he wished for choir and soloists; solo; and chorale) by their BWV (Bachwerke Verzeichnis) numbers. The general index also includes names of librettists and places involved in the writing or performing of the cantatas.
| Author | : Hans-Joachim Schulze |
| Publisher | : University of Illinois Press |
| Total Pages | : 416 |
| Release | : 2024-05-01 |
| Genre | : Music |
| ISBN | : 0252056701 |
Internationally recognized Bach authority Hans-Joachim Schulze authored a 225-part series on the cantatas of Johann Sebastian Bach. In this collection, James A. Brokaw II translates a selection of the essays, illuminating a wide range of biographical and cultural features of Bach’s life and creative milieu. Schulze’s lively and engaging discussions provide a wealth of rewarding insights and perspectives focusing on individual cantatas, their texts, and the questions of chronology and context that attend them. The University of Illinois Press has paired the volume with a special web-based companion overseen by the translator and hosted by the Illinois Open Publishing Network. This online resource includes Brokaw’s translations of all 225 of Schulze’s essays alongside digital tools for searching, sorting, and bundling the commentaries according to date of composition, position within the liturgical church year sequence, and librettist.
| Author | : Bettina Varwig |
| Publisher | : Oxford University Press |
| Total Pages | : 417 |
| Release | : 2021 |
| Genre | : Music |
| ISBN | : 0190943890 |
This book a offers a multitude of provocative new perspectives on one of the most iconic composers in the Western classical tradition. Its collective rethinking of some of our most cherished narratives and deeply held beliefs about Johann Sebastian Bach will allow readers to see the man in a new light and to hear his music with new ears.
| Author | : Charles Sanford Terry |
| Publisher | : |
| Total Pages | : 52 |
| Release | : 1925 |
| Genre | : Cantatas |
| ISBN | : |
| Author | : Hendrik Slegtenhorst |
| Publisher | : Bach Cantatas |
| Total Pages | : 102 |
| Release | : 2018-11-19 |
| Genre | : Music |
| ISBN | : 9781731393661 |
Bach the composer, like many of us today, contends with fundamental human concerns such as self-worth, the courage of trust, the acceptance of death, satisfaction with life, the hope found in joy, suffering amidst the essential beauty of the world, the misery of loss, and the majesty of redemption.Trinity I through VII, the first third of the Trinity Sundays and feast days, occurs in June and July of the Lutheran liturgical year. This part of the ecclesiastical year also includes the Feast of St. John the Baptist and the Feast of the Visitation of the Blessed Virgin Mary. Because of the latter I also include a chapter on the Magnificat.The five topics of the human condition that these Trinity cantatas principally dwell upon encompass first, the relationship of money to morality; second, the linkage between compassion and individual salvation; third, the influence of condemnation upon the sense of redemption; fourth, the correlation of identity and the need to understand otherness; and fifth, how the sacred is invested in the secular and are, thus, identical.There is a profound interrelationship among all art, an interrelationship that is parallel to the natural one our bodies dwell in. Determining, and thus causing, one's own thoughts creates one's own experience of reality; and the more this is so, the more one is free. This is not the Western freedom of choice--where to live, what to read, what to select--but a freedom dependent upon awareness of one's desires and aspirations.It is often difficult for a non-religious thinker in today's world to penetrate feelingly and with conviction and psychological trust into the works of the religious; and it is equally difficult for the religious to put in abeyance their current beliefs in order to let another's religious experience, perhaps even one that is antithetical or contrary to their own, enhance and expand their understanding of how the spiritual and the mystical can work in ways that are valid, even if not, to them, theologically supportable or acceptable.
