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| Author | : Laura Hamer |
| Publisher | : Cambridge University Press |
| Total Pages | : 357 |
| Release | : 2021-05-06 |
| Genre | : Music |
| ISBN | : 1108470289 |
An overview of women's work in classical and popular music since 1900 as performers, composers, educators and music technologists.
| Author | : Matthew Head |
| Publisher | : Cambridge University Press |
| Total Pages | : 375 |
| Release | : 2024-05-30 |
| Genre | : Music |
| ISBN | : 110848915X |
Exploring a diverse, distinguished repertoire, and transcending the rhetoric of neglect, this book transforms understanding of women composers.
| Author | : Laura Hamer |
| Publisher | : Taylor & Francis |
| Total Pages | : 822 |
| Release | : 2024-08-13 |
| Genre | : Music |
| ISBN | : 1040093140 |
The Routledge Companion to Women and Musical Leadership: The Nineteenth Century and Beyond provides a comprehensive exploration of women’s participation in musical leadership from the nineteenth century to the present. Global in scope, with contributors from over thirty countries, this book reveals the wide range of ways in which women have taken leadership roles across musical genres and contexts, uncovers new histories, and considers the challenges that women continue to face. The volume addresses timely issues in the era of movements such as #MeToo, digital feminisms, and the resurgent global feminist movements. Its multidisciplinary chapters represent a wide range of methodologies, with historical musicology, models drawn from ethnomusicology, analysis, philosophy, cultural studies, and practice research all informing the book. Including almost fifty chapters written by both researchers and practitioners in the field, it covers themes including: Historical Perspectives Conductors and Impresarios Women’s Practices in Music Education Performance and the Music Industries Faith and Spirituality: Worship and Sacred Musical Practices Advocacy: Collectives and Grass-Roots Activism The Routledge Companion to Women and Musical Leadership: The Nineteenth Century and Beyond draws together both new perspectives from early career researchers and contributions from established world-leading scholars. It promotes academic-practitioner dialogue by bringing contributions from both fields together, represents alternative models of women in musical leadership, celebrates the work done by women leaders, and shows how women challenge accepted notions of gendered roles. Offering a comprehensive overview of the varied forms of women’s musical leadership, this volume is a vital resource for all scholars of women in music, as well as professionals in the music industries and music education today.
| Author | : Laura Watson |
| Publisher | : Boydell & Brewer |
| Total Pages | : 271 |
| Release | : 2022-12-13 |
| Genre | : Music |
| ISBN | : 1783277556 |
Explores the world of women's professional and amateur musical activity as it developed on and beyond the island of Ireland.
| Author | : Linda Cimardi |
| Publisher | : transcript Verlag |
| Total Pages | : 259 |
| Release | : 2023-03-31 |
| Genre | : Music |
| ISBN | : 383946546X |
Various modes of women's contemporary cultural, social and political leadership can be found in music. Informed by different histories and culturally bound social mores but also by a comparative perspective, the contributors of this volume ask what can be considered leadership in culture from women's point of view. They deconstruct the notion of leadership as corporative and career-related modes of success by showing how women's agency, power and negotiation in and through music can and should be considered as empowering, transformative and role-modeling. By interweaving several disciplinary perspectives - from ethnomusicology, musicology and cultural management to sociology and anthropology - this volume aims to substantially contribute to the study of women's leadership.
| Author | : Anna Bull |
| Publisher | : Oxford University Press |
| Total Pages | : 369 |
| Release | : 2023 |
| Genre | : Music |
| ISBN | : 0197601219 |
"This volume advances understanding of the nature of current inequalities in the field of classical music production in the Global North, exploring why inequalities continue to exist, and asking what can be done to tackle ongoing exclusions. It constitutes an urgent intervention into these contemporary debates, drawing together ongoing and emergent analyses from scholars, activists and musicians in a variety of countries across Europe and North America to foreground both scholarly examination of these inequalities, alongside discussion of strategies and catalysts for change. Academic accounts investigate inequalities in higher education and the classical music industry, exploring racial, class and gender inequalities, 'authenticity', disability representation, changing the canon, and neoliberalism. The book also includes interviews with those working in the classical music industry where they reflect on issues of diversity and share insights and inspiration as well as good practice, putting into dialogue scholarly and industry-based accounts. Themes of the book include institutional legacies and possibilities for change; racial, gender and class inequalities and marginalised voices; and strategies for activism whether reflective practices, informal networks, or larger organisations leading change"--
| Author | : Kristine Helen Burns |
| Publisher | : Greenwood |
| Total Pages | : 432 |
| Release | : 2002 |
| Genre | : Music |
| ISBN | : 9781573563093 |
The 20th century heard a rich sound coming from America: women making music. Other works may be strictly biographical or cover only one type of musician. This two volume, A-to-Z encyclopedia represents the first major effort to describe the role of women in all forms of music in the United States since 1900.
| Author | : John Michael Cooper |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 847 |
| Release | : 2024-02-12 |
| Genre | : Music |
| ISBN | : 1538157527 |
Historical Dictionary of Romantic Music, Second Edition covers the persons, ideas, practices, and works that made up the worlds of Western music during the long 19th century (ca. 1780–1918). It’s the first book to recognize that Romantic music was very nearly a global phenomenon. It includes more women, more Black musicians and other musicians of color, and more exponents of musical Romanticism from Central and South America as well as Central and Eastern Europe than any other single-volume study of Romantic music—thus challenging the conventional hegemony of musical Romanticisms by men and by Western European nations. This book includes entries on topics including anti-Semitism, sexism, and racism that were pervasive and defining to the worlds of musical Romanticism but are rarely addressed in general studies of that subject. It includes Romantic musicians who were not primarily composers, as well as topics such as the Haitian Revolution, spirituals, and ragtime that were more important for music in the long 19th century than is generally acknowledged. The result is an expansive, inclusive, diverse, and more richly textured portrayal of Romantic music than is elsewhere available. Historical Dictionary of Romantic Music, Second Edition contains a chronology, an introduction, an extensive bibliography, and a dictionary section with more than 600 cross-referenced entries on traditions, famous pieces, persons, places, technical terms, and institutions of Romantic music. This book is an excellent resource for students, researchers, and anyone wanting to know more about Romantic music.
| Author | : C. W. E. Bigsby |
| Publisher | : Cambridge University Press |
| Total Pages | : 469 |
| Release | : 2006-10-12 |
| Genre | : History |
| ISBN | : 0521841321 |
Publisher description
| Author | : Laura Hamer |
| Publisher | : Routledge |
| Total Pages | : 218 |
| Release | : 2018-05-20 |
| Genre | : Music |
| ISBN | : 1315451476 |
Drawing upon extensive archival research, interview material, and musical analysis, Female Composers, Conductors, Performers: Musiciennes of Interwar France, 1919–1939 presents an innovative study of women working as professional musicians in France between the two World Wars. Hamer positions the activities, achievements, and reception of women composers, conductors, and performers against a contemporary socio-political climate that was largely hostile to female professionalism. The musical styles and techniques of Marguerite Canal, Jeanne Leleu, Germaine Tailleferre, Yvonne Desportes, Elsa Barraine, and Claude Arrieu are discussed with reference to significant works dating from the interwar period. Hamer highlights the activities of Jane Evrard and her Orchestre féminin de Paris as well as the reception of the Orchestra of the Union des Femmes Professeurs et Compositeurs de Musique, a contemporary pro-suffrage organisation that was dedicated to defending the collective interests of musiciennes and campaigning for their employment rights. Beyond women composers and conductors, Hamer also sheds light on female performers and their contribution to the interwar early music revival.
