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The Cambridge Companion to Mahler

The Cambridge Companion to Mahler
Author: Jeremy Barham
Publisher:
Total Pages: 384
Release: 2007-12-13
Genre: Music
ISBN:

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Contributory volume examining the life and musical works of the composer and conductor Gustav Mahler.


The Cambridge Companion to Mahler

The Cambridge Companion to Mahler
Author: Jeremy Barham
Publisher: Cambridge University Press
Total Pages: 370
Release: 2007-12-13
Genre: Music
ISBN: 1139827200

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In the years approaching the centenary of Mahler's death, this book provides both summation of, and starting point for, an assessment and reassessment of the composer's output and creative activity. Authored by a collection of leading specialists in Mahler scholarship, its opening chapters place the composer in socio-political and cultural contexts, and discuss his work in light of developments in the aesthetics of musical meaning. Part II examines from a variety of analytical, interpretative and critical standpoints the complete range of his output, from early student works and unfinished fragments to the sketches and performing versions of the Tenth Symphony. Part III evaluates Mahler's role as interpreter of his own and other composers' works during his lifelong career as operatic and orchestral conductor. Part IV addresses Mahler's fluctuating reception history from scholarly, journalistic, creative, public and commercial perspectives, with special attention being paid to his compositional legacy.


The Cambridge Companion to the Symphony

The Cambridge Companion to the Symphony
Author: Julian Horton
Publisher: Cambridge University Press
Total Pages: 469
Release: 2013-05-02
Genre: Music
ISBN: 1107469708

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Few genres of the last 250 years have proved so crucial to the course of music history, or so vital to public musical experience, as the symphony. This Companion offers an accessible guide to the historical, analytical and interpretative issues surrounding this major genre of Western music, discussing an extensive variety of works from the eighteenth century to the present day. The book complements a detailed review of the symphony's history with focused analytical essays from leading scholars on the symphonic music of both mainstream composers, including Haydn, Mozart and Beethoven and lesser-known figures, including Carter, Berio and Maxwell Davies. With chapters on a comprehensive range of topics, from the symphony's origins to the politics of its reception in the twentieth century, this is an invaluable resource for anyone with an interest in the history, analysis and performance of the symphonic repertoire.


The Cambridge Companion to the Orchestra

The Cambridge Companion to the Orchestra
Author: Colin James Lawson
Publisher: Cambridge University Press
Total Pages: 316
Release: 2003-04-24
Genre: Music
ISBN: 9780521001328

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This guide to the orchestra and orchestral life is unique in its breadth of coverage. It combinesorchestral history and repertory with a practical bias offering critical thought about the past, present and future of the orchestra. Including topics such as the art of orchestration, scorereading, conducting, international orchestras, recording, as well as consideration of what it means to be an orchestral musician, an educator, or an informed listener, it will be of interest to a wideranging readership of music historians and professional or amateur performers.


The Cambridge Companion to Bruckner

The Cambridge Companion to Bruckner
Author: John Williamson
Publisher: Cambridge University Press
Total Pages: 340
Release: 2004-07-15
Genre: Biography & Autobiography
ISBN: 9780521008785

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This Companion provides an overview of the composer Anton Bruckner (1824-1896). Sixteen chapters by leading scholars investigate aspects of his life and works and consider the manner in which critical appreciation has changed in the twentieth century. The first section deals with Bruckner's Austrian background, investigating the historical circumstances in which he worked, his upbringing in Upper Austria, and his career in Vienna. A number of misunderstandings are dealt with in the light of recent research. The remainder of the book covers Bruckner's career as church musician and symphonist, with a chapter on the neglected secular vocal music. Religious, aesthetic, formal, harmonic, and instrumental aspects are considered, while one chapter confronts the problem of the editions of the symphonies. Two concluding chapters discuss the symphonies in performance, and the history of Bruckner-reception with particular reference to German Nationalism, the Third Reich and the appropriation of Bruckner by the Nazis.


Mahler: Symphony No. 3

Mahler: Symphony No. 3
Author: Peter Franklin
Publisher: Cambridge University Press
Total Pages: 148
Release: 1991-11-29
Genre: Music
ISBN: 9780521379472

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Conceived as a musical picture of the natural world, the composition of Mahler's grandiose work is described here in the context of the ideas that inspired it and the artistic debates and social conflicts that it reflects.


The Cambridge Companion to the Lied

The Cambridge Companion to the Lied
Author: James Parsons
Publisher: Cambridge University Press
Total Pages: 446
Release: 2004-07
Genre: Music
ISBN: 9780521804714

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Beginning several generations before Schubert, the Lied first appears as domestic entertainment. In the century that follows it becomes one of the primary modes of music-making. By the time German song comes to its presumed conclusion with Richard Strauss's 1948 Vier letzte Lieder, this rich repertoire has moved beyond the home and keyboard accompaniment to the symphony hall. This is a 2004 introductory chronicle of this fascinating genre. In essays by eminent scholars, this Companion places the Lied in its full context - at once musical, literary, and cultural - with chapters devoted to focal composers as well as important issues, such as the way in which the Lied influenced other musical genres, its use as a musical commodity, and issues of performance. The volume is framed by a detailed chronology of German music and poetry from the late 1730s to the present and also contains a comprehensive bibliography.


Gustav Mahler's Symphonic Landscapes

Gustav Mahler's Symphonic Landscapes
Author: Thomas Peattie
Publisher: Cambridge University Press
Total Pages: 233
Release: 2015-04-06
Genre: Music
ISBN: 1316298442

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In this study Thomas Peattie offers a new account of Mahler's symphonies by considering the composer's reinvention of the genre in light of his career as a conductor and more broadly in terms of his sustained engagement with the musical, theatrical, and aesthetic traditions of the Austrian fin de siècle. Drawing on the ideas of landscape, mobility, and theatricality, Peattie creates a richly interdisciplinary framework that reveals the uniqueness of Mahler's symphonic idiom and its radical attitude toward the presentation and ordering of musical events. The book goes on to identify a fundamental tension between the music's episodic nature and its often-noted narrative impulse and suggests that Mahler's symphonic dramaturgy can be understood as a form of abstract theatre.


The Cambridge Companion to the Symphony

The Cambridge Companion to the Symphony
Author: Julian Horton
Publisher: Cambridge University Press
Total Pages: 469
Release: 2013-05-02
Genre: Music
ISBN: 0521884985

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A comprehensive guide to the historical, analytical and interpretative issues surrounding one of the major genres of Western music.


Mahler in Context

Mahler in Context
Author: Charles Youmans
Publisher: Cambridge University Press
Total Pages: 561
Release: 2020-11-19
Genre: Music
ISBN: 1108540147

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Mahler in Context explores the institutions, artists, thinkers, cultural movements, socio-political conditions, and personal relationships that shaped Mahler's creative output. Focusing on the contexts surrounding the artist, the collection provides a sense of the complex crosscurrents against which Mahler was reacting as conductor, composer, and human being. Topics explored include his youth and training, performing career, creative activity, spiritual and philosophical influences, and his reception after his death. Together, this collection of specially commissioned essays offers a wide-ranging investigation of the ecology surrounding Mahler as a composer and a fuller appreciation of the topics that occupied his mind as he conceived his works. Readers will benefit from engagement with lesser known dimensions of Mahler's life. Through this broader contextual approach, this book will serve as a valuable and unique resource for students, scholars, and a general readership.