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The Cambridge Companion to Beethoven

The Cambridge Companion to Beethoven
Author: Glenn Stanley
Publisher: Cambridge University Press
Total Pages: 268
Release: 2000-05-11
Genre: Music
ISBN: 1107494044

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This Companion, first published in 2000, provides a comprehensive view of Beethoven and his work. The first part of the book presents the composer as a private individual, as a professional, and at the work-place, discussing biographical problems, Beethoven's professional activities when not composing and his methods as a composer. In the heart of the book, individual chapters are devoted to all the major genres cultivated by Beethoven and to the elements of style and structure that cross all genres. The book concludes by looking at the ways that Beethoven and his music have been interpreted by performers, writers on music, and in the arts, literature, and philosophy. The essays in this volume, written by leading Beethoven specialists, maintain traditional emphases in Beethoven studies while incorporating other developments in musicology and theory.


The Cambridge Companion to the Symphony

The Cambridge Companion to the Symphony
Author: Julian Horton
Publisher: Cambridge University Press
Total Pages: 469
Release: 2013-05-02
Genre: Music
ISBN: 1107469708

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Few genres of the last 250 years have proved so crucial to the course of music history, or so vital to public musical experience, as the symphony. This Companion offers an accessible guide to the historical, analytical and interpretative issues surrounding this major genre of Western music, discussing an extensive variety of works from the eighteenth century to the present day. The book complements a detailed review of the symphony's history with focused analytical essays from leading scholars on the symphonic music of both mainstream composers, including Haydn, Mozart and Beethoven and lesser-known figures, including Carter, Berio and Maxwell Davies. With chapters on a comprehensive range of topics, from the symphony's origins to the politics of its reception in the twentieth century, this is an invaluable resource for anyone with an interest in the history, analysis and performance of the symphonic repertoire.


The Cambridge Companion to the ‘Eroica' Symphony

The Cambridge Companion to the ‘Eroica' Symphony
Author: Nancy November
Publisher: Cambridge University Press
Total Pages: 293
Release: 2020-06-25
Genre: Music
ISBN: 1108422586

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A stimulating, up-to-date overview of the genesis, analysis, and reception of this landmark symphony.


The Cambridge Companion to Berlioz

The Cambridge Companion to Berlioz
Author: Peter Bloom
Publisher: Cambridge University Press
Total Pages: 332
Release: 2000-08-24
Genre: Music
ISBN: 1107494060

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Still chiefly known as the extravagant composer of the Symphonie fantastique, Berlioz was an artist caught in the crossfire between the academic classicism of the French musical establishment and the romantic modernism of the Parisian musical scene. He was a thinker in an age that invented both the religion of art and the notion of the 'genius' who preached and practised it. This Companion contains essays by eminent scholars on Berlioz's place in nineteenth-century French cultural life, on his principal compositions (symphonies, overtures, operas, sacred works, songs), on his major writings (a delightful volume of memoires, a number of short stories, large quantities of music criticism, an orchestration treatise), on his direct and indirect encounters with other famous musicians (Gluck, Mozart, Beethoven, Wagner), and on his legacy in France. The volume is framed by a detailed chronology of his life and a usefully annotated bibliography.


The Cambridge Companion to the Lied

The Cambridge Companion to the Lied
Author: James Parsons
Publisher: Cambridge University Press
Total Pages: 446
Release: 2004-07
Genre: Music
ISBN: 9780521804714

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Beginning several generations before Schubert, the Lied first appears as domestic entertainment. In the century that follows it becomes one of the primary modes of music-making. By the time German song comes to its presumed conclusion with Richard Strauss's 1948 Vier letzte Lieder, this rich repertoire has moved beyond the home and keyboard accompaniment to the symphony hall. This is a 2004 introductory chronicle of this fascinating genre. In essays by eminent scholars, this Companion places the Lied in its full context - at once musical, literary, and cultural - with chapters devoted to focal composers as well as important issues, such as the way in which the Lied influenced other musical genres, its use as a musical commodity, and issues of performance. The volume is framed by a detailed chronology of German music and poetry from the late 1730s to the present and also contains a comprehensive bibliography.


The Cambridge Companion to Liszt

The Cambridge Companion to Liszt
Author: Kenneth Hamilton
Publisher: Cambridge University Press
Total Pages: 367
Release: 2005-09-22
Genre: Music
ISBN: 1139825755

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This Companion provides an up-to-date view of the music of Franz Liszt, its contemporary context and performance practice, written by some of the leading specialists in the field of nineteenth-century music studies. Although a core of Liszt's piano music has always maintained a firm hold on the repertoire, his output was so vast, influential and multi-faceted that scholarship too has taken some time to assimilate his achievement. This book offers students and music lovers some of the latest views in an accessible form. Katharine Ellis, Alexander Rehding and James Deaville present the biographical and intellectual aspects of Liszt's legacy, Kenneth Hamilton, James Baker and Anna Celenza give a detailed account of Liszt's piano music - including approaches to performance - Monika Hennemann discusses Liszt's Lieder, and Reeves Shulstad and Dolores Pesce survey his orchestral and choral music.


The Cambridge Companion to Chopin

The Cambridge Companion to Chopin
Author: Jim Samson
Publisher: Cambridge University Press
Total Pages: 364
Release: 1994-12-08
Genre: Music
ISBN: 1139824996

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The Cambridge Companion to Chopin provides the enquiring music-lover with helpful insights into a musical style which recognises no contradiction between the accessible and the sophisticated, the popular and the significant. Twelve essays by leading Chopin scholars make up three parts. Part 1 discusses the sources of Chopin's style in the music of his predecessors and the social history of the period. Part 2 profiles the mature music, and Part 3 considers the afterlife of the music - its reception, its criticism and its compositional influence in the works of subsequent composers.


The Cambridge Companion to Vaughan Williams

The Cambridge Companion to Vaughan Williams
Author: Alain Frogley
Publisher: Cambridge University Press
Total Pages: 361
Release: 2013-11-14
Genre: Biography & Autobiography
ISBN: 0521197686

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A comprehensive reassessment of this towering figure of twentieth-century music, examining works, cultural context and reception in Britain and beyond.


The Cambridge Companion to the String Quartet

The Cambridge Companion to the String Quartet
Author: Robin Stowell
Publisher: Cambridge University Press
Total Pages: 672
Release: 2003-11-13
Genre: Music
ISBN: 1139826549

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This Companion offers a concise and authoritative survey of the string quartet by eleven chamber music specialists. Its fifteen carefully structured chapters provide coverage of a stimulating range of perspectives previously unavailable in one volume. It focuses on four main areas: the social and musical background to the quartet's development; the most celebrated ensembles; string quartet playing, including aspects of contemporary and historical performing practice; and the mainstream repertory, including significant 'mixed ensemble' compositions involving string quartet. Various musical and pictorial illustrations and informative appendixes, including a chronology of the most significant works, complete this indispensable guide. Written for all string quartet enthusiasts, this Companion will enrich readers' understanding of the history of the genre, the context and significance of quartets as cultural phenomena, and the musical, technical and interpretative problems of chamber music performance. It will also enhance their experience of listening to quartets in performance and on recordings.


The Cambridge Companion to Recorded Music

The Cambridge Companion to Recorded Music
Author: Nicholas Cook
Publisher: Cambridge University Press
Total Pages: 381
Release: 2009-11-26
Genre: Music
ISBN: 0521865824

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Featuring fascinating accounts from practitioners, this Companion examines how developments in recording have transformed musical culture.