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| Author | : Kathy Z. Price |
| Publisher | : Houghton Mifflin Harcourt |
| Total Pages | : 39 |
| Release | : 2002 |
| Genre | : Juvenile Fiction |
| ISBN | : 9780618040766 |
A Cajun retelling of the classic tale of four animals, past their prime, who set out together to become musicians.
| Author | : Kathy Price |
| Publisher | : |
| Total Pages | : 24 |
| Release | : 2012-12-10 |
| Genre | : |
| ISBN | : 9781479313570 |
In this rollicking retelling of The Bremen Town Musicians, a creaky old jack mule, a droopy hound dog, a ragged rooster, and a bony cat, all unwanted and no longer loved, set out for Bourbon Street in New Orleans to play bebop and make their fortune. Presently they encounter a band of thieves in a shack by a bayou, and though things do not turn out quite as expected, they end up mighty fine just the same. Glossary included.
| Author | : Jack V. Buerkle |
| Publisher | : New York : Oxford University Press |
| Total Pages | : 264 |
| Release | : 1973 |
| Genre | : African American jazz musicians |
| ISBN | : |
New Orleans, "Mecca" of the jazz world, has always pulsated with musical life. At the heart of this life is Bourbon Street Black--a nearly century-old community of black musicians, their families, friends, and followers. Skillfully weaving social history with extensive personal interviews, the authors explore the real of world of these legendary jazzmen.
| Author | : Ros Stephen |
| Publisher | : |
| Total Pages | : 112 |
| Release | : 2016-09 |
| Genre | : Recorded accompaniments (Violin) |
| ISBN | : 9780193402676 |
"Volinworks, in two volumes, is a comprehensive method for the adult beginner, taking students carefully from the very first steps to around Grade 3 standard. The approach suits self-taught beginners as well as those who have teachers, and emphasizes the importance of good habits from day one, of using your ear, and of always aiming for the best sound. Each volume contains a wide selection of repertoire, plus detailed descriptions and photos to demonstrate correct playing positions. The accompanying CD includes play-along tracks for all pieces, with piano, string quartet, or band backings, plus aural exercises and downloadable PDFs of piano accompaniments. There are supporting video clips and additional resources on a dedicated website, making Violinworks a complete resource for all new learners."--Publisher's description.
| Author | : Ed Shankman |
| Publisher | : Shankman & O'Neill |
| Total Pages | : 0 |
| Release | : 2011 |
| Genre | : Juvenile Fiction |
| ISBN | : 9781933212791 |
Drummer Bobcat Bob leads a popular New Orleans band of multi-cultural musicians, but for months the music stops until a single drum beat on Bourbon Street begins to bring it back.
| Author | : Emilie Rhys |
| Publisher | : |
| Total Pages | : |
| Release | : 2021-07-30 |
| Genre | : |
| ISBN | : 9781737413868 |
This richly illustrated volume documents in detail the exhibition "New Orleans Music Observed: The Art of Noel Rockmore and Emilie Rhys" at the New Orleans Jazz Museum from January 30, 2020 to September 1, 2021, curated by the museum's own David Kunian and expanded upon in this book by Emilie Rhys (wearing several hats as contributing artist, contributing writer, co-editor, photo editor, layout designer, and publisher). Noel Rockmore, well-known in New Orleans for his mid-1960s oil portraits of Preservation Hall musicians, and his daughter Emilie Rhys, whose artwork of contemporary musicians all around town has gained her recent public notice, are brought together for their first joint exhibition in which a selection of their drawings and paintings is paired with a wide variety of artifacts and historic instruments, culled mostly from the Jazz Museum's incomparable archives. As the curator of this profusely illustrated book, Emilie Rhys not only provides a visual record of the exhibition, she expands upon it through the presentation of significant new material by several Louisiana natives who are close observers of the vibrant cultural life that makes New Orleans a veritable global magnet. They are novelist, journalist, and art collector John Ed Bradley; print and public radio journalist Gwen Thompkins; and scientist and art collector Myles Robichaux. For the lead chapter in this book, Bradley has written the first ever literary exploration of the intertwined lives of Rockmore and Rhys, "Picture in a Picture: Noel Rockmore and Emilie Rhys in New Orleans." In Chapter 3, Robichaux's original essay speaks to the profound impact on him of discovering Rockmore's art in 2002 and meeting Rhys in 2011. For Chapter 4, "Depiction/Being Depicted," Thompkins conducted interviews in 2020 with 14 musicians exploring their interest in visual art, their thoughts about the development of their own image, and how they feel about their image appearing in drawings, paintings, and photographs by visual artists. The book has 368 illustrations including 302 in full color, a large number of which have never been seen in public previously and have been selected by Rhys, many from her extensive personal archives.
| Author | : Jack V. Buerkle |
| Publisher | : |
| Total Pages | : |
| Release | : |
| Genre | : African American musicians |
| ISBN | : |
| Author | : Mark Bologna |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 241 |
| Release | : 2022-05-01 |
| Genre | : Travel |
| ISBN | : 1493050389 |
New Orleans is so much more than the Bourbon Street scenes you may have seen––it’s a 300-year-old city made up of vibrant neighborhoods, diverse populations, and traditions layered upon each other. World class food is available not only in our famous restaurants, but in corner restaurants across the city. Mardi Gras is the party we throw for ourselves, but invite the world to take part in. If partying with 1,000,000 friends is not your style, there are festivals nearly every week of the year to suit your taste and interests. Join Mark Bologna, host of the popular Beyond Bourbon Street podcats and curator of the Instagram page of the same name, as he explores the people, places, music, history and culture that make New Orleans unique.
| Author | : Jack Sullivan |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 249 |
| Release | : 2017-10-05 |
| Genre | : Music |
| ISBN | : 1496815270 |
Association of Recorded Sound Collections Awards for Excellence Best Historical Research in Recorded Jazz – Certificate of Merit (2018) Since the 1990s, New Orleans has been experiencing its greatest musical renaissance since Louis Armstrong. Brass band, funk, hip hop, Mardi Gras Indian, zydeco, and other styles are rocking the city in new neighborhood bars far from the Bourbon Street tourist scene. Even “neotraditional” jazz players have emerged in startling numbers, making the old sound new for a younger generation. In this book, Jack Sullivan shines the light on superb artists little known to the general public—Leroy Jones, Shamarr Allen, Kermit Ruffins, Topsy Chapman, Aurora Nealand, the Brass-A-Holics. He introduces as well a surge of female, Asian, and other previously marginalized groups that are making the vibe more inclusive than ever. New Orleans Remix covers artists who have broken into the national spotlight—the Rebirth Brass Band, Trombone Shorty, Jon Batiste—and many creators who are still little known. Based on dozens of interviews and archival documents, this book delivers their perspectives on how they view their present in relation to a vital past. The city of New Orleans has always held fiercely to the old even as it invented the new, a secret of its dynamic success. Marching tunes mingled with jazz, traditional jazz with bebop, Mardi Gras Indian percussion with funk, all producing wonderfully bewildering yet viable fusions. This book identifies the unique catalytic power of the city itself. Why did New Orleans spawn America's greatest vernacular music, and why does its musical fire still burn so fiercely, long after the great jazz eruptions in Chicago, Kansas City, and others declined? How does a tradition remain intensely creative for generations? How has the huge influx of immigrants to New Orleans, especially since Hurricane Katrina, contributed to the city's current musical harmony? This book seeks answers through the ideas of working musicians who represent very different sensibilities in voices often as eloquent as their music.
| Author | : Sting |
| Publisher | : Dial Press |
| Total Pages | : 306 |
| Release | : 2009-07-16 |
| Genre | : Music |
| ISBN | : 0307421996 |
From the first Police album, Outlandos D'Amour, through Sacred Love, here are the collected lyrics written by Sting, along with his commentary. “Publishing my lyrics separately from their musical accompaniment is something that I’ve studiously avoided until now. The two, lyrics and music, have always been mutually dependent, in much the same way as a mannequin and a set of clothes are dependent on each other; separate them, and what remains is a naked dummy and a pile of cloth. Nevertheless, the exercise has been an interesting one, seeing perhaps for the first time how successfully the lyrics survive on their own, and inviting the question as to whether song lyrics are in fact poetry or something else entirely. And while I’ve never seriously described myself as a poet, the book in your hands, devoid as it is of any musical notation, looks suspiciously like a book of poems. So it seems I am entering, with some trepidation, the unadorned realm of the poet. I have set out my compositions in the sequence they were written and provided a little background when I thought it might be illuminating. My wares have neither been sorted nor dressed in clothes that do not belong to them; indeed, they have been shorn of the very garments that gave them their shape in the first place. No doubt some of them will perish in the cold cruelty of this new environment, and yet others may prove more resilient and become perhaps more beautiful in their naked state. I can’t predict the outcome, but I have taken this risk knowingly and, while no one in their right mind should ever attempt to set “The Waste Land” to music, in the hopeful words of T. S. Eliot, These fragments I have shored against my ruins.” —Sting, from the Introduction
