The Black Radical Tragic
| Author | : Jeremy Matthew Glick |
| Publisher | : |
| Total Pages | : 266 |
| Release | : 2015 |
| Genre | : BIOGRAPHY & AUTOBIOGRAPHY |
| ISBN | : 9781479814855 |
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The Black Radical Tragic
| Author | : Jeremy Matthew Glick |
| Publisher | : NYU Press |
| Total Pages | : 283 |
| Release | : 2016-01-15 |
| Genre | : History |
| ISBN | : 1479813192 |
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"Also available as an ebook" -- Verso title page.
'Taking Up Arms Against a Sea of Troubles'
| Author | : |
| Publisher | : |
| Total Pages | : 210 |
| Release | : 2007 |
| Genre | : Blacks in literature |
| ISBN | : |
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This dissertation examines a sampling of twentieth century literature generated in and around the Haitian Revolution through the optic of tragedy. It examines the tension between leader and mass base during the revolutionary process in a sampling of Afro Caribbean, African American, and European modernist texts and how this tension relates to C.L.R. James's definition of hamartia (tragic flaw), as formulated in his 1938 study The Black Jacobins: Toussaint L'Ouverture and the San Domingo Revolution. James modifies Aristotle's understanding of hamartia in his Poetics to signify the degeneration of communication between leader and base in the making of modern day Haiti. The dramatic work and criticism of C.L.R. James, Eugene O'Neill, Paul Robeson, Edouard Glissant, and Lorraine Hansberry capitalize on this leader and base tension constitutive of Black radical aesthetic politics and attempt to stage a useful representation of the past in service of their individual political desires. This dissertation is in a dialog with David Scott's 2004 study Conscripts of Modernity: The Tragedy of Colonial Enlightenment, a text that argues that the tragic element of James's text was added into the latter version and worked to temper the study's earlier Romantic tone. This project asserts that a the tragic narrative existed in James all along and furthermore, that the tragic conceived as the relationship between leader and base is constitutive of a great deal of the literature in the Black radical tradition's effort to stage a past engagement with the Haitian revolution in service of a revolutionary future.
The Black Radical Tragic
| Author | : Jeremy Matthew Glick |
| Publisher | : NYU Press |
| Total Pages | : 283 |
| Release | : 2016-01-15 |
| Genre | : Literary Criticism |
| ISBN | : 1479885665 |
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2017 Nicolás Guillén Outstanding Book Award presented by the Caribbean Philosophical Association As the first successful revolution emanating from a slave rebellion, the Haitian Revolution remains an inspired site of investigation for a remarkable range of artists and activist-intellectuals in the African Diaspora. In The Black Radical Tragic, Jeremy Matthew Glick examines twentieth-century performances engaging the revolution as laboratories for political thinking. Asking readers to consider the revolution less a fixed event than an ongoing and open-ended history resonating across the work of Atlantic world intellectuals, Glick argues that these writers use the Haitian Revolution as a watershed to chart their own radical political paths, animating, enriching, and framing their artistic and scholarly projects. Spanning the disciplines of literature, philosophy, and political thought, The Black Radical Tragic explores work from Lorraine Hansberry, Sergei Eisenstein, Edouard Glissant, Malcolm X, and others, ultimately enacting a speculative encounter between Bertolt Brecht and C.L.R. James to reconsider the relationship between tragedy and revolution. In its grand refusal to forget, The Black Radical Tragic demonstrates how the Haitian Revolution has influenced the ideas of freedom and self-determination that have propelled Black radical struggles throughout the modern era.
Black Radical
| Author | : Kerri K. Greenidge |
| Publisher | : National Geographic Books |
| Total Pages | : 0 |
| Release | : 2019-11-19 |
| Genre | : Biography & Autobiography |
| ISBN | : 1631495348 |
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William Monroe Trotter (1872– 1934), though still virtually unknown to the wider public, was an unlikely American hero. With the stylistic verve of a newspaperman and the unwavering fearlessness of an emancipator, he galvanized black working- class citizens to wield their political power despite the violent racism of post- Reconstruction America. For more than thirty years, the Harvard-educated Trotter edited and published the Guardian, a weekly Boston newspaper that was read across the nation. Defining himself against the gradualist politics of Booker T. Washington and the elitism of W. E. B. Du Bois, Trotter advocated for a radical vision of black liberation that prefigured leaders such as Marcus Garvey, Malcolm X, and Martin Luther King Jr. Synthesizing years of archival research, historian Kerri Greenidge renders the drama of turn- of- the- century America and reclaims Trotter as a seminal figure, whose prophetic, yet ultimately tragic, life offers a link between the vision of Frederick Douglass and black radicalism in the modern era.
Black Radical: The Life and Times of William Monroe Trotter
| Author | : Kerri K. Greenidge |
| Publisher | : Liveright Publishing |
| Total Pages | : 432 |
| Release | : 2019-11-19 |
| Genre | : Biography & Autobiography |
| ISBN | : 1631495356 |
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New York Times • Times Critics Top Books of 2019 This long-overdue biography reestablishes William Monroe Trotter’s essential place next to Douglass, Du Bois, and King in the pantheon of American civil rights heroes. William Monroe Trotter (1872– 1934), though still virtually unknown to the wider public, was an unlikely American hero. With the stylistic verve of a newspaperman and the unwavering fearlessness of an emancipator, he galvanized black working- class citizens to wield their political power despite the violent racism of post- Reconstruction America. For more than thirty years, the Harvard-educated Trotter edited and published the Guardian, a weekly Boston newspaper that was read across the nation. Defining himself against the gradualist politics of Booker T. Washington and the elitism of W. E. B. Du Bois, Trotter advocated for a radical vision of black liberation that prefigured leaders such as Marcus Garvey, Malcolm X, and Martin Luther King Jr. Synthesizing years of archival research, historian Kerri Greenidge renders the drama of turn- of- the- century America and reclaims Trotter as a seminal figure, whose prophetic, yet ultimately tragic, life offers a link between the vision of Frederick Douglass and black radicalism in the modern era.
Visions of Tragedy in Modern American Drama
| Author | : David Palmer |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 272 |
| Release | : 2018-02-08 |
| Genre | : Literary Criticism |
| ISBN | : 1474276946 |
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This volume responds to a renewed focus on tragedy in theatre and literary studies to explore conceptions of tragedy in the dramatic work of seventeen canonical American playwrights. For students of American literature and theatre studies, the assembled essays offer a clear framework for exploring the work of many of the most studied and performed playwrights of the modern era. Following a contextual introduction that offers a survey of conceptions of tragedy, scholars examine the dramatic work of major playwrights in chronological succession, beginning with Eugene O'Neill and ending with Suzan-Lori Parks. A final chapter provides a study of American drama since 1990 and its ongoing engagement with concepts of tragedy. The chapters explore whether there is a distinctively American vision of tragedy developed in the major works of canonical American dramatists and how this may be seen to evolve over the course of the twentieth century through to the present day. Among the playwrights whose work is examined are: Susan Glaspell, Langston Hughes, Tennessee Williams, Arthur Miller, Edward Albee, Lorraine Hansberry, Amiri Baraka, August Wilson, Marsha Norman and Tony Kushner. With each chapter being short enough to be assigned for weekly classes in survey courses, the volume will help to facilitate critical engagement with the dramatic work and offer readers the tools to further their independent study of this enduring theme of dramatic literature.
Tragic Magic
| Author | : Wesley Brown |
| Publisher | : Random House (NY) |
| Total Pages | : 184 |
| Release | : 1978 |
| Genre | : Fiction |
| ISBN | : |
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Tragic Magic is the story of Melvin Ellington, a.k.a. Mouth, a black, twenty-something, ex-college radical who has just been released from a five-year prison stretch after being a conscientious objector to the Vietnam War. Brown structures this first-person tale around Ellington's first day on the outside. Although hungry for freedom and desperate for female companionship, Ellington is haunted by a past that drives him to make sense of those choices leading up to this day. Through a filmic series of flashbacks the novel revisits Ellington's prison experiences, where he is forced to play the unwilling patsy to the predatorial Chilly and the callow pupil of the not-so-predatorial Hardknocks; then dips further back to Ellington's college days where again he takes second stage to the hypnotic militarism of the Black Pantheresque Theo, whose antiwar politics incite the impressionable narrator to oppose his parents and to choose imprisonment over conscription; and finally back to his earliest high school days where we meet in Otis the presumed archetype of Ellington's "tragic magic" relationships with magnetic but dangerous avatars of black masculinity in crisis. --biography.jrank.org.
The Day After the Revolution
| Author | : Slavoj Zizek |
| Publisher | : Verso Books |
| Total Pages | : 273 |
| Release | : 2018-11-27 |
| Genre | : Philosophy |
| ISBN | : 1786636301 |
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One hundred years after the Russian Revolution, Žižek shows why Lenin’s thought is still important today V. I. Lenin’s originality and importance as a revolutionary leader is most often associated with the seizure of power in 1917. But, in this new study and collection of Lenin’s original texts, Slavoj Žižek argues that his true greatness can be better grasped in the last two years of his political life. Russia had survived foreign invasion, embargo and a terrifying civil war, as well as internal revolts such as the one at Kronstadt in 1921. But the new state was exhausted, isolated and disorientated. As the anticipated world revolution receded into the distance, new paths had to be charted if the Soviet state was to survive. With his characteristic brio and provocative insight, Žižek suggests that Lenin’s courage as a thinker can be found in his willingness to face this reality of retreat unflinchingly. In today’s world, characterized by political turbulence, economic crises and geopolitical tensions, we should revisit Lenin’s combination of sober lucidity and revolutionary determination.
Incontinence of the Void
| Author | : Slavoj Zizek |
| Publisher | : MIT Press |
| Total Pages | : 323 |
| Release | : 2017-09-29 |
| Genre | : Philosophy |
| ISBN | : 0262036819 |
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The “formidably brilliant” Žižek considers sexuality, ontology, subjectivity, and Marxian critiques of political economy by way of Lacanian psychoanalysis. If the most interesting theoretical interventions emerge today from the interspaces between fields, then the foremost interspaceman is Slavoj Žižek. In Incontinence of the Void (the title is inspired by a sentence in Samuel Beckett's late masterpiece Ill Seen Ill Said), Žižek explores the empty spaces between philosophy, psychoanalysis, and the critique of political economy. He proceeds from the universal dimension of philosophy to the particular dimension of sexuality to the singular dimension of the critique of political economy. The passage from one dimension to another is immanent: the ontological void is accessible only through the impasses of sexuation and the ongoing prospect of the abolition of sexuality, which is itself opened up by the technoscientific progress of global capitalism, in turn leading to the critique of political economy. Responding to his colleague and fellow Short Circuits author Alenka Zupančič's What Is Sex?, Žižek examines the notion of an excessive element in ontology that gives body to radical negativity, which becomes the antagonism of sexual difference. From the economico-philosophical perspective, Žižek extrapolates from ontological excess to Marxian surplus value to Lacan's surplus enjoyment. In true Žižekian fashion, Incontinence of the Void focuses on eternal topics while detouring freely into contemporary issuesfrom the Internet of Things to Danish TV series.
