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The Bible: What It Is! by 'iconoclast'

The Bible: What It Is! by 'iconoclast'
Author: Charles Bradlaugh
Publisher: Franklin Classics Trade Press
Total Pages: 160
Release: 2018-11-11
Genre: History
ISBN: 9780353320093

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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.


The Bible

The Bible
Author: Charles Bradlaugh
Publisher: Hardpress Publishing
Total Pages: 170
Release: 2020-02-12
Genre:
ISBN: 9780461501759

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This is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the original versions are generally quite old, there may occasionally be certain imperfections within these reproductions. We're happy to make these classics available again for future generations to enjoy!


The Iconoclastic Deity

The Iconoclastic Deity
Author: Clyde A. Holbrook
Publisher: Bucknell University Press
Total Pages: 252
Release: 1984
Genre: Religion
ISBN: 9780838750698

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This book explores the meanings of images, with particular reference to the images of God found in the Bible, and surveys the various images found. It critically reviews theories of images, as distinguished from symbols, and argues that images are more forceful representations of the deity than are symbols.