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Beethoven's Theatrical Quartets

Beethoven's Theatrical Quartets
Author: Nancy November
Publisher: Cambridge University Press
Total Pages: 297
Release: 2013
Genre: Music
ISBN: 1107035457

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The first detailed contextual study of Beethoven's middle-period quartets, encompassing reception history, early performance practices, aesthetic contexts and theatrical impetus.


The Beethoven Quartet Companion

The Beethoven Quartet Companion
Author: Robert Winter
Publisher: Univ of California Press
Total Pages: 314
Release: 1994
Genre: Biography & Autobiography
ISBN: 0520204204

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This collection offers Beethoven lovers detailed notes on the listening experience of each quartet and a range of more general perspectives.


The Beethoven Project

The Beethoven Project
Author: Hidden Valley Music Seminars
Publisher:
Total Pages: 36
Release: 2010
Genre:
ISBN:

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"During his lifetime Beethoven wrote sixteen works for string quartet plus the Grosse Fuge. These range in style from the opus 18 quartets which showed the influence of earlier composers of the Classical era such as Haydn, through the final five "Late Quartets" written towards the end of his life, when through a combination of personal difficulties, ill health and increasing deafness the composer was to inhabit his own isolated world leading to a style of composition that was both unique and visionary in nature. How these last quartets came into being and how they influenced the course of string quartet composition for the ensuing 200 years represents the focus of this series of six seminar/concerts at HVMS. In the fall and spring, over a period of three years, each concert will pair a Beethoven quartet with a quartet by other major composers in a way that will reveal the influence of Beethoven's musical thought on succeeding generations. The last concert in the series will examine the role played by Beethoven's own teachers such as Haydn and Foerster in the molding and development of Beethoven's own style. Preceding each concert there will be a two-hour seminar that will delve more deeply into the structure and emotional content of the works to be played and this will be presented using live musical illustrations played by the HVMS quartet. In the following pages you will find some materials that gives an outline of the ground to be covered in the series. Firstly, details of the programs themselves followed by a biographical outline showing the relationship of events in Beethoven's life with those on the larger world stage. It should be kept in mind that programs may be subject to change influenced by discussion and what we learn in the process of discovery. There then follows a copy of the famous Heiligenstadt Testament, a letter inteded by Beethoven to be read by his brothers after his death, and in which we learn of the emotional turmoil and isolation from the world caused by the composer's increasing deafness. There then follows a series of short articles that include a chronology of composition for the last quartets, and finally some notes on the Mendelssohn Quartet to be played in the first program. The notes on each of the individual quartets have been edited from Wikipedia articles and slightly fuller versions along with bibliographic references can be found online" [p. 1].


The Galitzin Quartets of Beethoven

The Galitzin Quartets of Beethoven
Author: Daniel K. L. Chua
Publisher:
Total Pages: 0
Release: 2016-04-19
Genre:
ISBN: 9780691636450

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This study is an analysis of the first three of Beethoven's late quartets, Opp. 127, 132, and 130, commissioned by Prince Nikolai Galitzin. The five late quartets, usually considered as a group, were written in the same period as the Missa solemnis and the Ninth Symphony, and are among the composer's most profound musical statements. Daniel K. L. Chua believes that of the five quartets the three that he studies trace a process of disintegration, whereas the last two, Opp. 131 and 135, reintegrate the language that Beethoven himself had destabilized. Through analyses that unearth peculiar features characteristic of the surface and of the deeper structures of the music, Chua interprets the "Galitzin" quartets as radical critiques of both music and society, a view first proposed by Theodore Adorno. From this perspective, the quartets necessarily undo the act of analysis as well, forcing the analytical traditions associated with Schenker and Schoenberg to break up into an eclectic mixture of techniques. Analysis itself thus becomes problematic and has to move in a dialectical and paradoxical fashion in order to trace Beethoven's logic of disintegration. The result is a new way of reading these works that not only reflects the preoccupations of the German Romantics of that time and the poststructuralists of today, but also opens a discussion of cultural, political, and philosophical issues. Originally published in 1995. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.


Last Rehearsal of the Course

Last Rehearsal of the Course
Author: Beneficent Congregational Church (Providence, R.I.). Beethoven Society
Publisher:
Total Pages: 4
Release: 1847
Genre: Concert programs
ISBN:

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