The Banks of the Wye: and Other Poems [by I. H. James].
Author | : |
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Total Pages | : 146 |
Release | : 1856 |
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Download The Banks of the Wye: and Other Poems [by I. H. James]. Book in PDF, ePub and Kindle
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Author | : |
Publisher | : |
Total Pages | : 146 |
Release | : 1856 |
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Author | : |
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Total Pages | : 450 |
Release | : 1884 |
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Author | : Robert Bloomfield |
Publisher | : |
Total Pages | : 56 |
Release | : 2020-11-27 |
Genre | : Poetry |
ISBN | : 9789354202971 |
Author | : Robert Bloomfield |
Publisher | : Palala Press |
Total Pages | : 154 |
Release | : 2016-05-12 |
Genre | : |
ISBN | : 9781356438181 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author | : Middle Temple (London, England). Library |
Publisher | : |
Total Pages | : 1078 |
Release | : 1880 |
Genre | : Law |
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Author | : Charles Taylor |
Publisher | : Harvard University Press - T |
Total Pages | : 367 |
Release | : 2024-05-21 |
Genre | : Philosophy |
ISBN | : 0674297067 |
A major new work by Charles Taylor: the long-awaited follow-up to The Language Animal, exploring the Romantic poetics central to his theory of language. The Language Animal, Charles Taylor’s 2016 account of human linguistic capacity, was a revelation, toppling scholarly conventions and illuminating our most fundamental selves. But, as Taylor noted in that work, there was much more to be said. Cosmic Connections continues Taylor’s exploration of Romantic and post-Romantic responses to disenchantment and innovations in language. Reacting to the fall of cosmic orders that were at once metaphysical and moral, the Romantics used the symbols and music of poetry to recover contact with reality beyond fragmented existence. They sought to overcome disenchantment and groped toward a new meaning of life. Their accomplishments have been extended by post-Romantic generations into the present day. Taylor’s magisterial work takes us from Hölderlin, Novalis, Keats, and Shelley to Hopkins, Rilke, Baudelaire, and Mallarmé, and on to Eliot, Miłosz, and beyond. In seeking deeper understanding and a different orientation to life, the language of poetry is not merely a pleasurable presentation of doctrines already elaborated elsewhere. Rather, Taylor insists, poetry persuades us through the experience of connection. The resulting conviction is very different from that gained through the force of argument. By its very nature, poetry’s reasoning will often be incomplete, tentative, and enigmatic. But at the same time, its insight is too moving—too obviously true—to be ignored.
Author | : Middle Temple (London, England). Library |
Publisher | : |
Total Pages | : 736 |
Release | : 1914 |
Genre | : Law |
ISBN | : |
Author | : Merrilees Roberts |
Publisher | : Routledge |
Total Pages | : 244 |
Release | : 2020-04-22 |
Genre | : Literary Criticism |
ISBN | : 1000071375 |
Exploring the rhetorical and phenomenological links between shame and reticence, this book examines the psychology of Shelley’s anguished poet-Subject. Shelley’s struggles with the fragility of the ‘self’ have largely been seen as the result of thinking which connects emotional hyperstimulation to moral and political undermining of the individual ‘will’. This work takes a different approach, suggesting that Shelley’s insecurities stemmed from anxieties about the nature of aesthetic self-representation. Shame is an appropriate affective marker of such anxiety because it occurs at the cusp between internal and external self-evaluation. Shelley’s reticent poetics transfers an affective sense of shame to the reader and provokes interpretive responsibility. Paying attention to the affective contours of texts, this book presents new readings of Shelley’s major works. These interpretations show that awakening the reader’s ethical discretion creates a constructive dynamic which challenges influential deconstructive readings of the unfinished nature of Shelley’s work and thought.
Author | : James H. James |
Publisher | : |
Total Pages | : 247 |
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ISBN | : 9783628470981 |
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Total Pages | : 780 |
Release | : 1984 |
Genre | : Books |
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