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| Author | : Onyema Offoedu-Okeke |
| Publisher | : 5Continents |
| Total Pages | : 720 |
| Release | : 2012-07-01 |
| Genre | : Art |
| ISBN | : 9788874395477 |
Charts the development of modern Nigerian art, analyzing the achievements of leading artists while exploring arts movements within and surrounding the country throughout the past century, in a volume that includes coverage of the works of Olowere and Uche Okeke.
| Author | : Toyin Falola |
| Publisher | : 5Continents |
| Total Pages | : 288 |
| Release | : 2013-02-05 |
| Genre | : Art |
| ISBN | : 9788874395811 |
Nigerian art has long been sought after by art collectors in France. Accompanying an important exhibition, Arts of Nigeria in French Private Collections explores Nigeria’s rich artistic production through a collection of beautiful works, including many arresting figurative pieces, in a wide variety of media. Internationally known experts provide texts that introduce Nigeria, its peoples, and its assorted cultures. The superb photographs of the works add to the value of this sumptuous volume.
| Author | : Eckpo Eyo |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 1977 |
| Genre | : |
| ISBN | : |
| Author | : Chukwuemeka Bosah |
| Publisher | : |
| Total Pages | : 280 |
| Release | : 2010 |
| Genre | : Art, Modern |
| ISBN | : 9780977339839 |
| Author | : Nigel Barley |
| Publisher | : Somogy Art Publishing |
| Total Pages | : 0 |
| Release | : 2015 |
| Genre | : Art |
| ISBN | : 9782757209851 |
The Barbier-Mueller Museum invited the anthropologist Nigel Barley, a former curator at the British Museum, to take a look at the museum's Nigerian collection, which came into being over more than a hundred years, thanks to the personal and informed "eye" of the collectors Josef Mueller and Jean Paul Barbier-Mueller. Without aspiring to cover exhaustively the cultural production of Nigeria across the two millennia of its history, the Barbier-Mueller collection is very rich in several respects. Faithful to chronological continuity, it provides a sample of the production of the major cultural centers of Nigeria, shedding light on archaeological pieces from Nok, Katsina, and Sokoto, works from Ife and the kingdom of Benin, and Yoruba, Ijo, and Igbo objects, as well as items from the Cross River and the Benue Valley. By virtue of their rarity, certain pieces in the collection constitute "monuments" of African art. Others, by their emblematic force, are among its great "classics." The exhibition sets out to present these objects, including several displayed here for the first time, highlighting their aesthetic quality even while explaining, by means of the catalogue, the ethnographic context of their production and use. Nigel Barley provides new angles of approach for considering, understanding, and perhaps even better appreciating the art of Nigeria.
| Author | : Jörg Adelberger |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2011 |
| Genre | : Art |
| ISBN | : 9780977834464 |
.".. accompanies an exhibition that opened at the Fowler Museum in February 2011 and will travel to venues in Washington, D.C., Stanford, and Paris"--Preface.
| Author | : Henry John Drewal |
| Publisher | : National Museum of African Art |
| Total Pages | : 238 |
| Release | : 2009 |
| Genre | : Art |
| ISBN | : |
Presents a major part of the extraordinary corpus of ancient Ife art in terra-cotta, stone, and metal, dating from the ninth to the fifteenth centuries.
| Author | : Chika Okeke-Agulu |
| Publisher | : Duke University Press Books |
| Total Pages | : 0 |
| Release | : 2015-03-02 |
| Genre | : Art |
| ISBN | : 9780822357322 |
Written by one of the foremost scholars of African art and featuring 129 color images, Postcolonial Modernism chronicles the emergence of artistic modernism in Nigeria in the heady years surrounding political independence in 1960, before the outbreak of civil war in 1967. Chika Okeke-Agulu traces the artistic, intellectual, and critical networks in several Nigerian cities. Zaria is particularly important, because it was there, at the Nigerian College of Arts, Science and Technology, that a group of students formed the Art Society and inaugurated postcolonial modernism in Nigeria. As Okeke-Agulu explains, their works show both a deep connection with local artistic traditions and the stylistic sophistication that we have come to associate with twentieth-century modernist practices. He explores how these young Nigerian artists were inspired by the rhetoric and ideologies of decolonization and nationalism in the early- and mid-twentieth century and, later, by advocates of negritude and pan-Africanism. They translated the experiences of decolonization into a distinctive "postcolonial modernism" that has continued to inform the work of major Nigerian artists.
| Author | : Bode Omojola |
| Publisher | : Institut français de recherche en Afrique |
| Total Pages | : 175 |
| Release | : 1995 |
| Genre | : Music |
| ISBN | : 9782015385 |
ART MUSIC IN NIGERIA is the most comprehensive book on the works of modem Nigerian composers who have been influenced by European classical music. Relying on over 500 scores, archival materials and interviews with many Nigerian composers, the author traces the historical developments of this new idiom in Nigeria and provides a critical and detailed analysis of certain works. Written in a refreshing and lucid style and amply illustrated with music examples, the book represents a milestone in musicological research in Nigeria. Although written essentially for students and scholars of African music, this interesting book will also be enjoyed by the général reader.
| Author | : Ekpo Eyo |
| Publisher | : Chinazor Onianwah |
| Total Pages | : 246 |
| Release | : 2014-07-21 |
| Genre | : Art |
| ISBN | : |
The Federal Republic of Nigeria maintains a rich artistic legacy that is more than two thousand years old. As such, it provides some interesting counterpoints to Western art history. Nigeria's ancient Nok art, for example, predated the golden age of Greece, and the exquisite bronzes of lgbo Ukwu (9th-10th C), Ife (12th-15th C), and Benin (15th-19th C) compare favorably to European traditions. Furthermore, the art of Benin thrived under the patronage of a single, unbroken dynasty during a time when many European governments rose and fell.Yet, for many reasons, the Western world would not recognize this artistic heritage until modern times. In this volume, Ekpo Eyo explains the prirnitivist viewpoint that once dominated the Western perception of African art and recalls the efforts of certain more open-minded individuals from Nigeria's colonial past who, in their efforts to collect, preserve, and present important sculptures and other artworks, were instrumental in founding the country's first museums. Their successor, today's National Commission for Museums and Monuments, has collected many additional works from their original settings, placing them in the limelight of the world through publications and museum exhibitions, to which the author has contributed much throughout his career. Eyo therefore discusses Nigerian art in the broader context of the world's art history, arguing that the art of Nigeria is fundamentally a testament to universal human creativity. From Shrines to Showcases: Masterpieces of Nigerian Art includes examples selected from all major regions of the country, spanning the distant past to the modern age, which are to be considered amongst the greatest artistic achievements of humanity.
