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| Author | : Dominic Molon |
| Publisher | : Yale University Press |
| Total Pages | : 296 |
| Release | : 2007-01-01 |
| Genre | : Art |
| ISBN | : 9780300134261 |
Catalogus bij een tentoonstelling over de relatie tussen rockmuziek en avantgardistische kunst sinds de zestiger jaren.
| Author | : Howard Sklar |
| Publisher | : John Benjamins Publishing |
| Total Pages | : 207 |
| Release | : 2013 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9027233500 |
Focuses on the sympathetic effects of stories, and the possible ways these feelings can contribute to what has been called the "moral imagination." This book examines the dynamics of readers' beliefs regarding fictional characters and the influence of those impressions on the emotions that readers experience.
| Author | : Lars Spuybroek |
| Publisher | : V2_ publishing |
| Total Pages | : 402 |
| Release | : 2011 |
| Genre | : Architecture |
| ISBN | : 9056628275 |
We have to find our way back to beauty," writes Lars Spuybroek in the introduction to The Sympathy of Things. In this book Spuybroek argues that we must "undo" the twentieth century - the age in which the sublime turned from an art category into a technical reality. This leads him to the aesthetical insights of the nineteenth-century English art critic John Ruskin, from which he distils pointers for our time. In The Sympathy of Things, the old romantic notion of sympathy, a core concept in Ruskin's aesthetics, is re-evaluated as the driving force of the aesthetic experience. For Ruskin, beauty always comprises variation, imperfection and fragility, three concepts that wholly disappeared from our mindsets during the twentieth century. Spuybroek addresses the five central dual themes of Ruskin in turn: the Gothic and work, ornament and matter, sympathy and abstraction, the picturesque and time, ecology and design. He wrests each of these themes from the Victorian era and compares them with the related ideas of later aestheticians and philosophers like William James and Bruno Latour.
| Author | : Caleb Crain |
| Publisher | : Yale University Press |
| Total Pages | : 320 |
| Release | : 2008-10-01 |
| Genre | : Literary Criticism |
| ISBN | : 0300133677 |
“A friend in history,” Henry David Thoreau once wrote, “looks like some premature soul.” And in the history of friendship in early America, Caleb Crain sees the soul of the nation’s literature. In a sensitive analysis that weaves together literary criticism and historical narrative, Crain describes the strong friendships between men that supported and inspired some of America’s greatest writing--the Gothic novels of Charles Brockden Brown, the essays of Ralph Waldo Emerson, and the novels of Herman Melville. He traces the genealogy of these friendships through a series of stories. A dapper English spy inspires a Quaker boy to run away from home. Three Philadelphia gentlemen conduct a romance through diaries and letters in the 1780s. Flighty teenager Charles Brockden Brown metamorphoses into a horror novelist by treating his friends as his literary guinea pigs. Emerson exchanges glances with a Harvard classmate but sacrifices his crush on the altar of literature--a decision Margaret Fuller invites him to reconsider two decades later. Throughout this engaging book, Crain demonstrates the many ways in which the struggle to commit feelings to paper informed the shape and texture of American literature.
| Author | : Mark Polizzotti |
| Publisher | : MIT Press |
| Total Pages | : 201 |
| Release | : 2019-01-29 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0262537028 |
An engaging and unabashedly opinionated examination of what translation is and isn't. For some, translation is the poor cousin of literature, a necessary evil if not an outright travesty—summed up by the old Italian play on words, traduttore, traditore (translator, traitor). For others, translation is the royal road to cross-cultural understanding and literary enrichment. In this nuanced and provocative study, Mark Polizzotti attempts to reframe the debate along more fruitful lines. Eschewing both these easy polarities and the increasingly abstract discourse of translation theory, he brings the main questions into clearer focus: What is the ultimate goal of a translation? What does it mean to label a rendering “faithful”? (Faithful to what?) Is something inevitably lost in translation, and can something also be gained? Does translation matter, and if so, why? Unashamedly opinionated, both a manual and a manifesto, his book invites usto sympathize with the translator not as a “traitor” but as the author's creative partner. Polizzotti, himself a translator of authors from Patrick Modiano to Gustave Flaubert, explores what translation is and what it isn't, and how it does or doesn't work. Translation, he writes, “skirts the boundaries between art and craft, originality and replication, altruism and commerce, genius and hack work.” In Sympathy for the Traitor, he shows us how to read not only translations but also the act of translation itself, treating it not as a problem to be solved but as an achievement to be celebrated—something, as Goethe put it, “impossible, necessary, and important.”
| Author | : Thomas Sharper Knowlson |
| Publisher | : |
| Total Pages | : 206 |
| Release | : 1910 |
| Genre | : Sympathy |
| ISBN | : |
| Author | : Els Fiers |
| Publisher | : Lannoo Publishers |
| Total Pages | : 0 |
| Release | : 2012 |
| Genre | : Art |
| ISBN | : 9789401401500 |
Sympathy for the Devil refers to the first track on the Rolling Stones album Beggars Banquet. Each of the selected art works in this book about contemporary artists are linked in one way or another to prominent ideas in the song: the fascinating beauty of evil, the attraction of moral or psychological hell, death and danger as a celebration of life, extreme and transgressive behaviour and even a pronounced tendency towards sexuality. Curators Walter Vanhaerents and Pierre-Olivier Rollin have chosen the title Sympathy for the Devil for the second group exhibition in the Vanhaerents Art Collection, a unique collection of contemporary art based in Brussels. Includes the work of the following artists: Hamra Abbas; Mark Handforth; Mario Merz; David Adamo; He Sen; Jean-Luc Moerman; Christian Boltanski; He Wenjue; Yasumasa Morimura; James Lee Byars; Jenny Holzer; Farhad Moshiri; Wim Delvoye; Matthew Day Jackson; Bruce Nauman; Nick Ervinck; Barbara Kruger; Ugo Rondinone; Urs Fischer; Gabriel Kuri; Christoph Schmidberger; Barnaby Furnas; Terence Koh; Sudarshan Shetty; Anna Gaskell; Claude Lévêque; Yinka Shonibare; Kendell Geers; Nathan Mabry; Johan Tahon; Anthony Gormley; Steve Mc Queen; Wang Du. AUTHOR: Walter Vanhaerents was an important building constructor, but is now one of the main art collectors of Belgium. He owns the Vanhaerents Art Collection and organises exhibitions in his museum, an industrial building based in Brussels. His previous book, Disorder in the House was also published by Lannoo. Pierre-Olivier Rollin is the curator and conservator of B.P.S. 22 in Charleroi, Belgium, a space for contemporary creation. ILLUSTRATIONS: 150 colour illustrations
| Author | : T. Sharper Knowlson |
| Publisher | : Literary Licensing, LLC |
| Total Pages | : 216 |
| Release | : 2014-03 |
| Genre | : |
| ISBN | : 9781497984615 |
This Is A New Release Of The Original 1910 Edition.
| Author | : Howard Sklar |
| Publisher | : John Benjamins Publishing |
| Total Pages | : 208 |
| Release | : 2013-03-13 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9027272204 |
By taking an interdisciplinary approach — with methods drawn from narratology, aesthetics, social psychology, education, and the empirical study of literature — The Art of Sympathy in Fiction will interest scholars in a variety of fields. Its focus is the sympathetic effects of stories, and the possible ways these feelings can contribute to what has been called the “moral imagination.” Part I examines the dynamics of readers’ beliefs regarding fictional characters and the influence of those impressions on the emotions that readers experience. The book then turns its attention to sympathy, providing a comprehensive definition and considering the ways in which it operates in life and in literature. Part I concludes with a discussion of the narratological and rhetorical features of fictional narratives that theoretically elicit sympathy in readers. Part II applies these theories to four stories that persuade readers to sympathize with characters who seem unsympathetic. Finally, based on empirical findings from the responses of adolescent readers, Part III considers pedagogical approaches that can help students reflect on emotional experiences that result from reading fiction.
| Author | : James Chandler |
| Publisher | : University of Chicago Press |
| Total Pages | : 453 |
| Release | : 2013-06-17 |
| Genre | : Literary Criticism |
| ISBN | : 022603495X |
In the middle of the eighteenth century, something new made itself felt in European culture—a tone or style that came to be called the sentimental. The sentimental mode went on to shape not just literature, art, music, and cinema, but people’s very structures of feeling, their ways of doing and being. In what is sure to become a critical classic, An Archaeology of Sympathy challenges Sergei Eisenstein’s influential account of Dickens and early American film by tracing the unexpected history and intricate strategies of the sentimental mode and showing how it has been reimagined over the past three centuries. James Chandler begins with a look at Frank Capra and the Capraesque in American public life, then digs back to the eighteenth century to examine the sentimental substratum underlying Dickens and early cinema alike. With this surprising move, he reveals how literary spectatorship in the eighteenth century anticipated classic Hollywood films such as Capra’s It Happened One Night, Mr. Deeds Goes to Town, and It’s a Wonderful Life. Chandler then moves forward to romanticism and modernism—two cultural movements often seen as defined by their rejection of the sentimental—examining how authors like Mary Shelley, Joseph Conrad, James Joyce, and Virginia Woolf actually engaged with sentimental forms and themes in ways that left a mark on their work. Reaching from Laurence Sterne to the Coen brothers, An Archaeology of Sympathy casts new light on the long eighteenth century and the novelistic forebears of cinema and our modern world.
