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The Art of Authorship

The Art of Authorship
Author: George Bainton
Publisher:
Total Pages: 380
Release: 1891
Genre: Authorship
ISBN:

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Artist, Authorship & Legacy

Artist, Authorship & Legacy
Author: Daniel McClean
Publisher:
Total Pages: 398
Release: 2018
Genre: Art
ISBN: 9781909932456

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"Artistic authorship is fundamental to how we both interpret and value artworks. The figure of the solitary, creative genius underpins the symbolic and monetary values we ascribe to artworks; yet artistic authorship, like ownership, is often contested and unstable. This interdisciplinary collection of essays, written from legal, art historical, and art market perspectives, critically examines the construction and iteration of the artist-author both during the lifetime of the artist and beyond--whenn artistic authorship is stewarded by others, including artists' estates, foundations and museums. Drawing on current cases and legal disputes, this important anthology addresses enduring issues that have become central to the contemporary art world, such as the collision between artists' rights and the rights of owners of artworks, the problems of authentication and who has the final authority to determine authenticity, and the role of artists' estates as legacy guardians"--Page 4 of cover.


Mass Authorship and the Rise of Self-Publishing

Mass Authorship and the Rise of Self-Publishing
Author: Timothy Laquintano
Publisher: University of Iowa Press
Total Pages: 257
Release: 2016-10-15
Genre: Language Arts & Disciplines
ISBN: 1609384458

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In the last two decades, digital technologies have made it possible for anyone with a computer and an Internet connection to rapidly and inexpensively self-publish a book. Once a stigmatized niche activity, self-publishing has grown explosively. Hobbyists and professionals alike have produced millions of books, circulating them through e-readers and the web. What does this new flood of books mean for publishing, authors, and readers? Some lament the rise of self-publishing because it tramples the gates and gatekeepers who once reserved publication for those who met professional standards. Others tout authors’ new freedom from the narrow-minded exclusivity of traditional publishing. Critics mourn the death of the author; fans celebrate the democratization of authorship. Drawing on eight years of research and interviews with more than eighty self-published writers, Mass Authorship avoids the polemics, instead showing how writers are actually thinking about and dealing with this brave new world. Timothy Laquintano compares the experiences of self-publishing authors in three distinct genres—poker strategy guides, memoirs, and romance novels—as well as those of writers whose self-published works hit major bestseller lists. He finds that the significance of self-publishing and the challenge it presents to traditional publishing depend on the aims of authors, the desires of their readers, the affordances of their platforms, and the business plans of the companies that provide those platforms. In drawing a nuanced portrait of self-publishing authors today, Laquintano answers some of the most pressing questions about what it means to publish in the twenty-first century: How do writers establish credibility in an environment with no editors to judge quality? How do authors police their copyrights online without recourse to the law? How do they experience Amazon as a publishing platform? And how do they find an audience when, it sometimes seems, there are more writers than readers?


The Art of Authorship

The Art of Authorship
Author: George Bainton
Publisher:
Total Pages: 380
Release: 1890
Genre: Authorship
ISBN:

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America's Corporate Art

America's Corporate Art
Author: Jerome Christensen
Publisher: Stanford University Press
Total Pages: 401
Release: 2012-01-11
Genre: Performing Arts
ISBN: 0804778426

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Contrary to theories of single person authorship, America's Corporate Art argues that the corporate studio is the author of Hollywood motion pictures, both during the classical era of the studio system and beyond, when studios became players in global dramas staged by massive entertainment conglomerates. Hollywood movies are examples of a commodity that, until the digital age, was rare: a self-advertising artifact that markets the studio's brand in the very act of consumption. The book covers the history of corporate authorship through the antithetical visions of two of the most dominant Hollywood studios, Warner Bros. and MGM. During the classical era, these studios promoted their brands as competing social visions in strategically significant pictures such as MGM's Singin' in the Rain and Warner's The Fountainhead. Christensen follows the studios' divergent fates as MGM declined into a valuable and portable logo, while Warner Bros. employed Batman, JFK, and You've Got Mail to seal deals that made it the biggest entertainment corporation in the world. The book concludes with an analysis of the Disney-Pixar merger and the first two Toy Story movies in light of the recent judicial extension of constitutional rights of the corporate person.


The Art of Writing

The Art of Writing
Author: Peter Yang
Publisher: TCK Publishing
Total Pages: 71
Release: 2019-12-01
Genre: Language Arts & Disciplines
ISBN: 1631610953

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Rediscover the lost art of excellent writing—a valuable skill through the ages, and even more so in the twenty-first century. Since the invention of writing, the written word has fueled humanity’s astonishing progress. Thus, the ability to write effectively and beautifully has long been revered and rewarded. And yet in the digital age, people have begun to believe that this talent is somehow obsolete: that writing is something unworthy of study beyond the basic mechanics of vocabulary and syntax and grammar, that mediocre prose is acceptable in a world crying out for clear and precise communication. Peter Yang believes otherwise. The Art of Writing is Yang’s highly practical treatise on the four key principles of dazzling, effective writing—economy, transparency, variety, and harmony. Far from your garden-variety style guide, this book offers principles that apply to everyone, whether you’re writing an inauguration speech, a novel, or a letter home to Mom. Great writing is a skill, and this book gives you the tools to make your words shimmer on the page (or the screen). Packed with real-world insights and advice, The Art of Writing is your ultimate guide to transforming your writing and unleashing your inner artist.


Models of Integrity

Models of Integrity
Author: Joan Kee
Publisher: University of California Press
Total Pages: 320
Release: 2019-02-12
Genre: Art
ISBN: 0520299388

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Models of Integrity examines the relationship between contemporary art and the law through the lens of integrity. In the 1960s, artists began to engage conspicuously with legal ideas, rituals, and documents. The law—a primary institution subject to intense moral and political scrutiny—was a widely recognized source of authority to audiences inside the art world and out. Artists frequently engaged with the law in ways that signaled a recuperation of the integrity that they believed had been compromised by the very institutions entrusted with establishing standards of just conduct. These artists sought to convey the social purpose of an artwork without overstating its political impact and without losing sight of how aesthetic decisions compel audiences to see their everyday world differently. Addressing the role that law plays in enabling artworks to function as social and political forces, this important book fills a gap in the field of law and the humanities, and will serve as a practical “how-to” for contemporary artists.


The Art of Authorship

The Art of Authorship
Author: George Bainton
Publisher: Createspace Independent Publishing Platform
Total Pages: 366
Release: 2017-02-17
Genre:
ISBN: 9781543196146

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From the INTRODUCTION. Some time since I was requested by a number of young men to address them upon the art of composition and effective public speech. Thinking how best to make such a topic interesting as well as instructive, I resolved to illustrate the lecture by securing, if at all possible, personal experiences and counsels from a few of the leading writers and speakers of our day. Appealing to several well-known authors and orators, and receiving valued and helpful replies, I was induced to extend the number of such personal testimonies, with the idea of giving them to those for whom they were designed in a more permanent form than an address spoken from the lecture platform. This volume is the outcome, so far as the above-mentioned communications bear directly upon the art of effective written composition. I must ask my readers to remember that the experiences and methods of those authors only are here quoted who have personally contributed, at my request, their reminiscences and advice. If, therefore, any gratitude should be felt for pleasure or profit experienced by a perusal of these pages, it must be accorded to those without whose aid and generous acquiescence the book could never have been written. Several names of eminent living writers will not be found here. In most instances their help has been requested, but has either been withheld or has proved insufficient for the purpose required. Accounts of. their methods might have been gleaned from other sources, but these would have broken the harmony of the book, which' contains only those experiences and counsels written for the purposes above stated by the authors themselves. In dealing with so large a number of communications of so varied a character as those which compose the bulk of this volume, it has been impossible to classify them with any approach to consistency. I have used them, as best I could without injury to their original form, to illustrate and enforce several points of interest, 'which every student of expressive written composition may with advantage consider. As example must be always better than precept, statements of how our best known authors learned to write, or what influences aided them the most in preparing for and finding their life-work, together with whatever counsel drawn from their own experience they may be disposed to give to others, cannot fail to be both instructive and deeply interesting. "He that walketh with wise men shall be wise."


Uncreative Writing

Uncreative Writing
Author: Kenneth Goldsmith
Publisher: Columbia University Press
Total Pages: 272
Release: 2011-09-20
Genre: Literary Criticism
ISBN: 0231504543

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Can techniques traditionally thought to be outside the scope of literature, including word processing, databasing, identity ciphering, and intensive programming, inspire the reinvention of writing? The Internet and the digital environment present writers with new challenges and opportunities to reconceive creativity, authorship, and their relationship to language. Confronted with an unprecedented amount of texts and language, writers have the opportunity to move beyond the creation of new texts and manage, parse, appropriate, and reconstruct those that already exist. In addition to explaining his concept of uncreative writing, which is also the name of his popular course at the University of Pennsylvania, Goldsmith reads the work of writers who have taken up this challenge. Examining a wide range of texts and techniques, including the use of Google searches to create poetry, the appropriation of courtroom testimony, and the possibility of robo-poetics, Goldsmith joins this recent work to practices that date back to the early twentieth century. Writers and artists such as Walter Benjamin, Gertrude Stein, James Joyce, and Andy Warhol embodied an ethos in which the construction or conception of a text was just as important as the resultant text itself. By extending this tradition into the digital realm, uncreative writing offers new ways of thinking about identity and the making of meaning.


Openness, Secrecy, Authorship

Openness, Secrecy, Authorship
Author: Pamela O. Long
Publisher: JHU Press
Total Pages: 381
Release: 2003-04-30
Genre: Technology & Engineering
ISBN: 0801872820

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A history of the book and intellectual property that includes military technology and military secrets. Winner of The Morris D. Forkosch Prize from the Journal of the History of Ideas In today's world of intellectual property disputes, industrial espionage, and book signings by famous authors, one easily loses sight of the historical nature of the attribution and ownership of texts. In Openness, Secrecy, Authorship: Technical Arts and the Culture of Knowledge from Antiquity to the Renaissance, Pamela Long combines intellectual history with the history of science and technology to explore the culture of authorship. Using classical Greek as well as medieval and Renaissance European examples, Long traces the definitions, limitations, and traditions of intellectual and scientific creation and attribution. She examines these attitudes as they pertain to the technical and the practical. Although Long's study follows a chronological development, this is not merely a general work. Long is able to examine events and sources within their historical context and locale. By looking at Aristotelian ideas of Praxis, Techne, and Episteme. She explains the tension between craft and ideas, authors and producers. She discusses, with solid research and clear prose, the rise, wane, and resurgence of priority in the crediting and lionizing of authors. Long illuminates the creation and re-creation of ideas like "trade secrets," "plagiarism," "mechanical arts," and "scribal culture." Her historical study complicates prevailing assumptions while inviting a closer look at issues that define so much of our society and thought to this day. She argues that "a useful working definition of authorship permits a gradation of meaning between the poles of authority and originality," and guides us through the term's nuances with clarity rarely matched in a historical study.