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The Adventures of Ali & Ali and the Axes of Evil

The Adventures of Ali & Ali and the Axes of Evil
Author: Marcus Youssef
Publisher:
Total Pages: 132
Release: 2005
Genre: Drama
ISBN:

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Exposes the internal contradictions and duplicitous double-speak of the war on terror". Cast of 4 men.


The Adventures of Ali & Ali and the Axes of Evil

The Adventures of Ali & Ali and the Axes of Evil
Author: Marcus Youssef
Publisher:
Total Pages: 132
Release: 2005
Genre: Drama
ISBN:

Download The Adventures of Ali & Ali and the Axes of Evil Book in PDF, ePub and Kindle

Exposes the internal contradictions and duplicitous double-speak of the war on terror". Cast of 4 men.


Chicano Nations

Chicano Nations
Author: Marissa K. López
Publisher: NYU Press
Total Pages: 269
Release: 2011-10-01
Genre: Social Science
ISBN: 0814752632

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Part of the American Literatures Initiative Series Chicano Nations argues that the transnationalism that is central to Chicano identity originated in the global, postcolonial moment at the turn of the nineteenth century rather than as an effect of contemporary economic conditions, which began in the mid nineteenth century and primarily affected the laboring classes. The Spanish empire then began to implode, and colonists in the “new world” debated the national contours of the viceroyalties. This is where Marissa K. López locates the origins of Chicano literature, which is now and always has been “postnational,” encompassing the wealthy, the poor, the white, and the mestizo. Tracing its long history and the diversity of subject positions it encompasses, Chicano Nations explores the shifting literary forms authors have used to write the nation from the nineteenth to the twenty-first centuries. López argues that while national and global tensions lie at the historical heart of Chicana/o narratives of the nation, there should be alternative ways to imagine the significance of Chicano literature other than as a reflection of national identity. In a nuanced analysis, the book provides a way to think of early writers as a meaningful part of Chicano literary history, and, in looking at the nation, rather than the particularities of identity, as that which connects Chicano literature over time, it engages the emerging hemispheric scholarship on U.S. literature.


Signatures of the Past

Signatures of the Past
Author: Marc Maufort
Publisher: Peter Lang
Total Pages: 316
Release: 2008
Genre: Drama
ISBN: 9789052014548

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In the last decades of the twentieth century, North American drama has powerfully enacted the problematic notions of cultural memory and identity, as the essays assembled in this critical anthology demonstrate. Echoing Derrida's non-essentialist interpretation of the term «signature», this collection provides an innovative focus on North American theatre and drama as a site of latent cultural memories. In this volume, the concept of cultural memory offers a privileged vantage point from which to redefine issues of diasporic identities, exilic predicaments, and multi-ethnic subject positions at the dawn of a new century. Playwrights examined here include noted Canadian and US artists such as Marie Clements, Eva Ensler, Lorraine Hansberry, Tomson Highway, Cherríe Moraga, Djanet Sears, Guillermo Verdecchia, August Wilson, and Chay Yew, to cite but a few. In the process of remembering, North American dramatists develop new aesthetic modes in which the signatures of the past merge with the present and foreshadow an imagined future.


Reading between the Borderlines

Reading between the Borderlines
Author: Gillian Roberts
Publisher: McGill-Queen's Press - MQUP
Total Pages: 337
Release: 2018-12-30
Genre: Social Science
ISBN: 0773556095

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Is Superman Canadian? Who decides, and what is at stake in such a question? How is the Underground Railroad commemorated differently in Canada and the United States, and can those differences be bridged? How can we acknowledge properly the Canadian labour behind Hollywood filmmaking, and what would that do to our sense of national cinema? Reading between the Borderlines grapples with these questions and others surrounding the production and consumption of literary, cinematic, musical, visual, and print culture across the Canada-US border. Discussing a range of popular as well as highbrow cultural forms, this collection investigates patterns of cross-border cultural exchange that become visible within a variety of genres, regardless of their place in any arbitrarily devised cultural hierarchy. The essays also consider the many interests served, compromised, or negated by the operations of the transnational economy, the movement of culture's "raw material" across nation-state borders in literal and conceptual terms, and the configuration of a material citizenship attributed to or negotiated around border-crossing cultural objects. Challenging the oversimplification of cultural products labelled either "Canadian" or "American," Reading between the Borderlines contends with the particularities and complications of North American cultural exchange, both historically and in the present.


Selves and Subjectivities

Selves and Subjectivities
Author: Veronica Thompson
Publisher: Athabasca University Press
Total Pages: 277
Release: 2012
Genre: Art
ISBN: 1926836499

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As critic Diana Brydon has argued, contemporary Canadian writers are "not transcending nation but resituating it." Drawing together themes of gender and sexuality, trauma and displacement, performativity, and linguistic diversity, Selves and Subjectivities constitutes a thought-provoking response to the question of what it means to be a Canadian"--P. [4] of cover.


Stage Turns

Stage Turns
Author: Kirsty Johnston
Publisher: McGill-Queen's Press - MQUP
Total Pages: 224
Release: 2012-08-01
Genre: Performing Arts
ISBN: 0773586709

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Over the past three decades, disability theatre artists have claimed greater space on Canadian and world stages. While disabled figures and themes are theatre mainstays, productions tend to employ disability figuratively rather than engage with actual disability experience. In reaction, disability theatre pursues an activist perspective that dismantles stereotypes, challenges stigma, and re-imagines disability as a valued human condition. Stage Turns documents the development and innovations of disability theatre in Canada, the aesthetic choices and challenges of the movement, and the multiple spatial scales at which disability theatre operates, from the local to the increasingly global. Kirsty Johnston provides histories of Canada's leading disability theatre companies, emphasizing the early importance of local efforts in the absence of national coordination. Close readings of individual productions demonstrate how aesthetic choices matter and can be a source of solidarity or debate between different companies and artists. This comparative approach allows for a nuanced consideration of disability theatre's breadth and internal differences. Stage Turns highlights the diversity of disability theatre, underlining how this is critical to understanding the challenge it poses to mainstream aesthetics and to fulfilling its own artistic goals.


Performance, Exile and ‘America’

Performance, Exile and ‘America’
Author: S. Jestrovic
Publisher: Springer
Total Pages: 275
Release: 2009-10-22
Genre: Performing Arts
ISBN: 023025070X

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This collection investigates dramatic and performative renderings of 'America' as an exilic place particularly focusing on issues of language, space and identity. It looks at ways in which immigrants and outsiders are embodied in American theatre practice and explores ways in which 'America' is staged and dramatized by immigrants and foreigners.


Audition Speeches for Black, South Asian and Middle Eastern Actors: Monologues for Men

Audition Speeches for Black, South Asian and Middle Eastern Actors: Monologues for Men
Author: Simeilia Hodge-Dallaway
Publisher: Bloomsbury Publishing
Total Pages: 180
Release: 2016-06-30
Genre: Drama
ISBN: 147422914X

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Audition Speeches for Black, South Asian and Middle Eastern Actors: Monologues for Men aims to provide new and exciting audition and showcase material for actors of black, African American, South Asian and Middle Eastern heritage. Featuring the work of international contemporary playwrights who have written powerful and diverse roles for a range of actors, the collection is edited by Simeilia Hodge-Dallaway. Categorized by age-range, the monologues are collected in groups of characters playable by actors in their teens, twenties, thirties and forties+, and include work from over 25 top-class dramatists including Lemn Sissay, Katori Hall, Rajiv Joseph, Philip Ridley and Naomi Wallace. Audition Speeches for Black, South Asian and Middle Eastern Actors: Monologues for Men is the go-to resource for contemporary monologues and speeches for auditions. Ideal for aspiring and professional actors, it allows performers to enhance their particular strengths and prepare for roles featuring characters of specific ethnic backgrounds.


Continental Divides

Continental Divides
Author: Rachel Adams
Publisher: University of Chicago Press
Total Pages: 324
Release: 2010-06-15
Genre: Literary Criticism
ISBN: 0226005534

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North America is more a political and an economic invention than a place people call home. Nonetheless, the region shared by the United States and its closest neighbors, North America, is an intriguing frame for comparative American studies. Continental Divides is the first book to study the patterns of contact, exchange, conflict, and disavowal among cultures that span the borders of Canada, the United States, and Mexico. Rachel Adams considers a broad range of literary, filmic, and visual texts that exemplify cultural traffic across North American borders. She investigates how our understanding of key themes, genres, and periods within U.S. cultural study is deepened, and in some cases transformed, when Canada and Mexico enter the picture. How, for example, does the work of the iconic American writer Jack Kerouac read differently when his Franco-American origins and Mexican travels are taken into account? Or how would our conception of American modernism be altered if Mexico were positioned as a center of artistic and political activity? In this engaging analysis, Adams charts the lengthy and often unrecognized traditions of neighborly exchange, both hostile and amicable, that have left an imprint on North America’s varied cultures.