The 1950 Film Daily Year Book of Motion Pictures, V2
Author | : Jack Alicoate |
Publisher | : |
Total Pages | : 528 |
Release | : 2013-08 |
Genre | : |
ISBN | : 9781258793340 |
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Author | : Jack Alicoate |
Publisher | : |
Total Pages | : 528 |
Release | : 2013-08 |
Genre | : |
ISBN | : 9781258793340 |
Author | : |
Publisher | : |
Total Pages | : 1110 |
Release | : 1969 |
Genre | : Motion picture industry |
ISBN | : |
Author | : Michael S. Shull |
Publisher | : McFarland |
Total Pages | : 488 |
Release | : 2006-07-27 |
Genre | : Performing Arts |
ISBN | : 1476621780 |
From 1937 through 1945, Hollywood produced over 1,000 films relating to the war. This enormous and exhaustive reference work first analyzes the war films as sociopolitical documents. Part one, entitled “The Crisis Abroad, 1937–1941,” focuses on movies that reflected America’s increasing uneasiness. Part two, “Waging War, 1942–1945,” reveals that many movies made from 1942 through 1945 included at least some allusion to World War II.
Author | : Stephen Neale |
Publisher | : Routledge |
Total Pages | : 484 |
Release | : 2012 |
Genre | : Performing Arts |
ISBN | : 0415576725 |
First Published in 2012. Routledge is an imprint of Taylor & Francis, an informa company.
Author | : Max Alvarez |
Publisher | : Univ. Press of Mississippi |
Total Pages | : 332 |
Release | : 2014 |
Genre | : Performing Arts |
ISBN | : 1617039241 |
A survey and rediscovery of the many noir films directed by a master of the Western
Author | : JACK. ALICOATE |
Publisher | : |
Total Pages | : 0 |
Release | : 2018 |
Genre | : |
ISBN | : 9781033873816 |
Author | : Noah Tsika |
Publisher | : Univ of California Press |
Total Pages | : 276 |
Release | : 2022-02-22 |
Genre | : History |
ISBN | : 0520386094 |
"Cinematic Independence traces the emergence, demise, and rebirth of big-screen film exhibition in Nigeria. Film companies flocked to Nigeria in the years following independence, beginning a long history of interventions by Hollywood and corporate America. The 1980s and 90s saw a shuttering of cinemas, which were almost entirely replaced by television and direct-to-video movies. After 1999, the exhibition sector was again revitalized with the construction of multiplexes. Cinematic Independence is about the periods that straddle this disappearing act: the decades bracketing independence in 1960, and the years after 1999. At stake in both instances is the postcolony's role in global debates about the future of the movie theater. That it was eventually resurrected in the flashy form of the multiplex is not simply an achievement of commercial real estate but also a testament to cinema's persistence--its capacity to stave off annihilation or, in this case, come back from the dead"--
Author | : Eric Hoyt |
Publisher | : Univ of California Press |
Total Pages | : 286 |
Release | : 2014-07-03 |
Genre | : Art |
ISBN | : 0520282647 |
Hollywood Vault is the story of how the business of film libraries emerged and evolved, spanning the silent era to the sale of feature libraries to television. Eric Hoyt argues that film libraries became valuable not because of the introduction of new technologies but because of the emergence and growth of new markets, and suggests that studying the history of film libraries leads to insights about their role in the contemporary digital marketplace. The history begins in the mid-1910s, when the star system and other developments enabled a market for old films that featured current stars. After the transition to films with sound, the reissue market declined but the studios used their libraries for the production of remakes and other derivatives. The turning point in the history of studio libraries occurred during the mid to late 1940s, when changes in American culture and an industry-wide recession convinced the studios to employ their libraries as profit centers through the use of theatrical reissues. In the 1950s, intermediary distributors used the growing market of television to harness libraries aggressively as foundations for cross-media expansion, a trend that continues today. By the late 1960s, the television marketplace and the exploitation of film libraries became so lucrative that they prompted conglomerates to acquire the studios. The first book to discuss film libraries as an important and often underestimated part of Hollywood history, Hollywood Vault presents a fascinating trajectory that incorporates cultural, legal, and industrial history.
Author | : Irene Ranzato |
Publisher | : John Benjamins Publishing Company |
Total Pages | : 295 |
Release | : 2019-08-06 |
Genre | : Language Arts & Disciplines |
ISBN | : 9027262276 |
Despite a long tradition of scholarship and the vast amount of dubbed audiovisual products available on the global market, dubbing is still relatively underrepresented in audiovisual research. The aim of this volume is to give dubbing research its due by showing that, far from being a doomed or somewhat declining form of AVT, it is being exploited globally in the most diverse and fruitful ways. The contributions to this collection take up the diverse strands that make up the field, to offer a multi-faceted assessment of dubbing on the move, embracing its important historical past as well as present and future developments, thus proving that dubbing has really come a long way and has not been less ready than other AVT modes to respond to the mood of the times. The volume will be of interest for scholars and students of translation studies, audiovisual translation, linguistics, film, television and game studies.
Author | : Peter Lev |
Publisher | : Univ of California Press |
Total Pages | : 404 |
Release | : 2003 |
Genre | : Motion pictures |
ISBN | : 9780520249660 |
Covering a tumultuous period of the 1950s, this work explores the divorce of movie studios from their theater chains, the panic of the blacklist era, the explosive emergence of science fiction as the dominant genre, and the rise of television and Hollywood's response with widescreen spectacles.