Television in the Real World
Author | : George Dessart |
Publisher | : Hastings House Book Publishers |
Total Pages | : 492 |
Release | : 1978 |
Genre | : Business & Economics |
ISBN | : |
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Author | : George Dessart |
Publisher | : Hastings House Book Publishers |
Total Pages | : 492 |
Release | : 1978 |
Genre | : Business & Economics |
ISBN | : |
Author | : Hillary Johnson |
Publisher | : MTV Books |
Total Pages | : 180 |
Release | : 1995 |
Genre | : Fiction |
ISBN | : 9780671545253 |
has evolved into a new genre of television drama, elevating real life to soap opera. This intimate, behind-the-scenes diary goes beyond television truth to reveal all the gossipy drama that even MTV couldn't--or wouldn't--broadcast (including the pilot episode). Color photos throughout.
Author | : Cathrine Kellison |
Publisher | : Taylor & Francis |
Total Pages | : 346 |
Release | : 2012-09-10 |
Genre | : Performing Arts |
ISBN | : 1136069259 |
Producing for TV and New Media provides a comprehensive look at the role of the "Producer in television and new media. At the core of every media project there is a Producer who provides a wide array of creative, technical, financial, and interpersonal skills. Written especially for new and aspiring producers, this book looks at both the Big Picture and the essential details of this demanding and exhilarating profession. A series of interviews with seasoned TV producers who share their real-world professional practices provides rich insight into the complex billion-dollar industries of television and new media. This type of practical insight is not to be found in other books on producing. This new edition now covers striking developments in new media, delivery systems, the expansion of the global marketplace of media content.
Author | : Rob Tannenbaum |
Publisher | : Penguin |
Total Pages | : 594 |
Release | : 2012-09-25 |
Genre | : Social Science |
ISBN | : 0452298563 |
Remember When All You Wanted Was Your MTV? The perfect gift for the music fan or child of the eighties in your life. Named One of the Best Books of 2011 by NPR – Spin - USA Today – CNBC - Pitchfork - The Onion - The Atlantic - The Huffington Post – VEVO - The Boston Globe - The San Francisco Chronicle Remember the first time you saw Michael Jackson dance with zombies in "Thriller"? Diamond Dave karate kick with Van Halen in "Jump"? Tawny Kitaen turning cartwheels on a Jaguar to Whitesnake's "Here I Go Again"? The Beastie Boys spray beer in "(You Gotta) Fight for Your Right (To Party)"? Axl Rose step off the bus in "Welcome to the Jungle"? It was a pretty radical idea-a channel for teenagers, showing nothing but music videos. It was such a radical idea that almost no one thought it would actually succeed, much less become a force in the worlds of music, television, film, fashion, sports, and even politics. But it did work. MTV became more than anyone had ever imagined. I Want My MTV tells the story of the first decade of MTV, the golden era when MTV's programming was all videos, all the time, and kids watched religiously to see their favorite bands, learn about new music, and have something to talk about at parties. From its start in 1981 with a small cache of videos by mostly unknown British new wave acts to the launch of the reality-television craze with The Real World in 1992, MTV grew into a tastemaker, a career maker, and a mammoth business. Featuring interviews with nearly four hundred artists, directors, VJs, and television and music executives, I Want My MTV is a testament to the channel that changed popular culture forever.
Author | : |
Publisher | : Pocket Books |
Total Pages | : 244 |
Release | : 1996 |
Genre | : Fiction |
ISBN | : 9780671003739 |
A bestseller for 14 weeks, The Real Real World wound up becoming as big a hit as the TV series it was based upon. Taking a good things a step further, The Real World Diaries gives even more dirt on all five seasons--including the latest set in Miami. Diary-like entries from a wider assortment of cast members, as well as never-before-published color photos reveal untold feelings, clashes, intimacies, emotions, and happenings.
Author | : Susan Murray |
Publisher | : NYU Press |
Total Pages | : 387 |
Release | : 2009 |
Genre | : Performing Arts |
ISBN | : 0814757340 |
A collection of essays, which provide a comprehensive picture of how and why the genre of reality television emerged, what it means, how it differs from earlier television programming, and how it engages societies, industries, and individuals.
Author | : Michael McKenna |
Publisher | : Rowman & Littlefield |
Total Pages | : 275 |
Release | : 2015-06-25 |
Genre | : Performing Arts |
ISBN | : 1442250542 |
The origins of, and in many ways the prototype for, modern reality programming can be traced to Real People, a show that premiered on the NBC network in April of 1979. An instant ratings success, Real People appealed to an audience that clamored for stories about “everyday” men and women. However, many of the vignettes focused on individuals who were far from average—eccentric collectors, allegedly talented performers, and inspirational overachievers—many of whom could be called quirky, if not just plain weird. In the wake of the show’s success, a rash of imitators followed. What had started out as a counter-programming gamble became the norm, and now the television airwaves are littered with reality shows. In Real People and the Rise of Reality Television, Michael McKenna looks at the show that started a trend in television viewing, one that now permeates not only the major networks but almost all of cable channels as well. McKenna traces the history of reality programming back to the early days of television up to the late 1970s when networks were beginning to take a chance on non-scripted prime time shows. The author provides an in-depth look at how Real People evolved from profiles of peculiar characters to an almost weekly display of hyper-patriotism, largely fueled by a desperate desire to recover from the disappointments of the 1970s. McKenna also charts the rise of shows that aimed to duplicate Real People’s success: That’s Incredible!, The People’s Court, COPS, America’s Funniest Home Videos, and MTV’s The Real World. Though Real People was cancelled in 1984, reality-themed programming flourished and this look at the show’s history makes for a fascinating read. Fans of nonfiction programs owe a debt to the show that started it all, and Real People and the Rise of Reality Television provides readers with insights into how and why one show changed the cultural landscape forever.
Author | : Danielle J. Lindemann, PhD |
Publisher | : Farrar, Straus and Giroux |
Total Pages | : 166 |
Release | : 2022-02-15 |
Genre | : Social Science |
ISBN | : 0374720967 |
Named a Best Nonfiction Book of 2022 by Esquire A sociological study of reality TV that explores its rise as a culture-dominating medium—and what the genre reveals about our attitudes toward race, gender, class, and sexuality What do we see when we watch reality television? In True Story: What Reality TV Says About Us, the sociologist and TV-lover Danielle J. Lindemann takes a long, hard look in the “funhouse mirror” of this genre. From the first episodes of The Real World to countless rose ceremonies to the White House, reality TV has not just remade our entertainment and cultural landscape (which it undeniably has). Reality TV, Lindemann argues, uniquely reflects our everyday experiences and social topography back to us. Applying scholarly research—including studies of inequality, culture, and deviance—to specific shows, Lindemann layers sharp insights with social theory, humor, pop cultural references, and anecdotes from her own life to show us who we really are. By taking reality TV seriously, True Story argues, we can better understand key institutions (like families, schools, and prisons) and broad social constructs (such as gender, race, class, and sexuality). From The Bachelor to Real Housewives to COPS and more (so much more!), reality programming unveils the major circuits of power that organize our lives—and the extent to which our own realities are, in fact, socially constructed. Whether we’re watching conniving Survivor contestants or three-year-old beauty queens, these “guilty pleasures” underscore how conservative our society remains, and how steadfastly we cling to our notions about who or what counts as legitimate or “real.” At once an entertaining chronicle of reality TV obsession and a pioneering work of sociology, True Story holds up a mirror to our society: the reflection may not always be pretty—but we can’t look away.
Author | : Toby Miller |
Publisher | : Taylor & Francis |
Total Pages | : 414 |
Release | : 2003 |
Genre | : Performing Arts |
ISBN | : 9780415255042 |
Author | : Youna Kim |
Publisher | : Routledge |
Total Pages | : 249 |
Release | : 2012-07-26 |
Genre | : Social Science |
ISBN | : 1134224664 |
Fusing audience research and ethnography, the book presents a compelling account of women’s changing lives and identities in relation to the impact of the most popular media culture in everyday life: television. Within the historically-specific social conditions of Korean modernity, Youna Kim analyzes how Korean women of varying age and class group cope with the new environment of changing economical structure and social relations. The book argues that television is an important resource for women, stimulating them to research their own lives and identities. Youna Kim reveals Korean women as creative, energetic and critical audiences in their responses to evolving modernity and the impact of the West. Based on original empirical research, the book explores the hopes, aspirations, frustrations and dilemmas of Korean women as they try to cope with life beyond traditional grounds. Going beyond the traditional Anglo-American view of media and culture, this text will appeal to students and scholars of both Korean area studies and media and communications studies.