Talbot, J Blue Cell Saxophone Quartet Score and Parts
Author | : Bish Bash Books |
Publisher | : |
Total Pages | : |
Release | : |
Genre | : |
ISBN | : 9781844491155 |
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Author | : Bish Bash Books |
Publisher | : |
Total Pages | : |
Release | : |
Genre | : |
ISBN | : 9781844491155 |
Author | : |
Publisher | : |
Total Pages | : 774 |
Release | : 2003 |
Genre | : Audio equipment industry |
ISBN | : |
Author | : Ennio Morricone |
Publisher | : Scarecrow Press |
Total Pages | : 311 |
Release | : 2013-10-10 |
Genre | : Performing Arts |
ISBN | : 0810892421 |
With nearly 400 scores to his credit, Ennio Morricone is one of the most prolific and influential film composers working today. He has collaborated with many significant directors, and his scores for such films as The Good, the Bad, and the Ugly; Once Upon a Time in America; Days of Heaven; The Mission; The Untouchables; Malèna; and Cinema Paradiso leave moviegoers with the conviction that something special was achieved—a conviction shared by composers, scholars, and fans alike. In Composing for the Cinema: The Theory and Praxis of Music in Film, Morricone and musicologist Sergio Miceli present a series of lectures on the composition and analysis of film music. Adapted from several lectures and seminars, these lessons show how sound design can be analyzed and offer a variety of musical solutions to many different kinds of film. Though aimed at composers, Morricone’s expositions are easy to understand and fascinating even to those without any musical training. Drawing upon scores by himself and others, the composer also provides insight into his relationships with many of the directors with whom he has collaborated, including Sergio Leone, Giuseppe Tornatore, Franco Zeffirelli, Warren Beatty, Ridley Scott, Roland Joffé, the Taviani Brothers, and others. Translated and edited by Gillian B. Anderson, an orchestral conductor and musicologist, these lessons reveal Morricone’s passion about musical expression. Delivered in a conversational mode that is both comprehensible and interesting, this groundbreaking work intertwines analysis with practical details of film music composition. Aimed at a wide audience of composers, musicians, film historians, and fans, Composing for the Cinema contains a treasure trove of practical information and observations from a distinguished musicologist and one of the most accomplished composers on the international film scene.
Author | : Mark Katz |
Publisher | : Univ of California Press |
Total Pages | : 336 |
Release | : 2010-10-07 |
Genre | : Business & Economics |
ISBN | : 0520261054 |
Fully revised and updated, this text adds coverage of mashups and auto-tune, explores recent developments in file sharing, and includes an expanded conclusion and bibliography.
Author | : Hugh Wheeler |
Publisher | : Hal Leonard Corporation |
Total Pages | : 244 |
Release | : 1991 |
Genre | : Performing Arts |
ISBN | : 9781557830661 |
Barber Sweeney Todd returns to London seeking revenge for the loss of his wife and daughter by killing customers and dropping to the shop downstairs to be made into meat pies by Mrs. Lovett. Includes sketches and photographs from several productions.
Author | : Howard Saul Becker |
Publisher | : Univ of California Press |
Total Pages | : 414 |
Release | : 1982-01-01 |
Genre | : Art |
ISBN | : 9780520043862 |
Author | : Bob Mehr |
Publisher | : Da Capo Press |
Total Pages | : 521 |
Release | : 2016-03-01 |
Genre | : Music |
ISBN | : 0306818795 |
Trouble Boys is the first definitive, no-holds-barred biography of one of the last great bands of the twentieth century: The Replacements. With full participation from reclusive singer and chief songwriter Paul Westerberg, bassist Tommy Stinson, guitarist Slim Dunlap, and the family of late band co-founder Bob Stinson, author Bob Mehr is able to tell the real story of this highly influential group, capturing their chaotic, tragic journey from the basements of Minneapolis to rock legend. Drawing on years of research and access to the band's archives at Twin/Tone Records and Warner Bros. Mehr also discovers previously unrevealed details from those in the group's inner circle, including family, managers, musical friends and collaborators.
Author | : Tapio Lokki |
Publisher | : MDPI |
Total Pages | : 621 |
Release | : 2018-06-26 |
Genre | : Science |
ISBN | : 3038429074 |
This book is a printed edition of the Special Issue "Sound and Music Computing" that was published in Applied Sciences
Author | : Trevor Herbert |
Publisher | : Cambridge University Press |
Total Pages | : 0 |
Release | : 2019-09-19 |
Genre | : Music |
ISBN | : 9781316631850 |
Some thirty-two experts from fifteen countries join three of the world's leading authorities on the design, manufacture, performance and history of brass musical instruments in this first major encyclopedia on the subject. It includes over one hundred illustrations, and gives attention to every brass instrument which has been regularly used, with information about the way they are played, the uses to which they have been put, and the importance they have had in classical music, sacred rituals, popular music, jazz, brass bands and the bands of the military. There are specialist entries covering every inhabited region of the globe and essays on the methods that experts have used to study and understand brass instruments. The encyclopedia spans the entire period from antiquity to modern times, with new and unfamiliar material that takes advantage of the latest research. From Abblasen to Zorsi Trombetta da Modon, this is the definitive guide for students, academics, musicians and music lovers.
Author | : Nate Patrin |
Publisher | : U of Minnesota Press |
Total Pages | : 336 |
Release | : 2020-06-09 |
Genre | : Music |
ISBN | : 1452963800 |
How sampling remade hip-hop over forty years, from pioneering superstar Grandmaster Flash through crate-digging preservationist and innovator Madlib Sampling—incorporating found sound and manipulating it into another form entirely—has done more than any musical movement in the twentieth century to maintain a continuum of popular music as a living document and, in the process, has become one of the most successful (and commercial) strains of postmodern art. Bring That Beat Back traces the development of this transformative pop-cultural practice from its origins in the turntable-manning, record-spinning hip-hop DJs of 1970s New York through forty years of musical innovation and reinvention. Nate Patrin tells the story of how sampling built hip-hop through the lens of four pivotal artists: Grandmaster Flash as the popular face of the music’s DJ-born beginnings; Prince Paul as an early champion of sampling’s potential to elaborate on and rewrite music history; Dr. Dre as the superstar who personified the rise of a stylistically distinct regional sound while blurring the lines between sampling and composition; and Madlib as the underground experimentalist and record-collector antiquarian who constantly broke the rules of what the mainstream expected from hip-hop. From these four artists’ histories, and the stories of the people who collaborated, competed, and evolved with them, Patrin crafts a deeply informed, eminently readable account of a facet of pop music as complex as it is commonly underestimated: the aesthetic and reconstructive power of one of the most revelatory forms of popular culture to emerge from postwar twentieth-century America. And you can nod your head to it.