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Swing to Bop : An Oral History of the Transition in Jazz in the 1940s

Swing to Bop : An Oral History of the Transition in Jazz in the 1940s
Author: Ira Gitler Jazz historian
Publisher: Oxford University Press, USA
Total Pages: 358
Release: 1985-11-07
Genre: Jazz
ISBN: 0195364112

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This book willserve as the basic work on the rise and development of bop in jazz. Engendered by Charlie Parker and Dizzy Gillespie, bebop, now known as bop, quickly became the most powerful musical force in modern jazz. Today it is still the main musical language of jazz musicians. Over a ten-year period, Ira Gitler interviewed more than 50 of the seminal figures in jazz history to preserve for posterity their recollections of how jazz moved from the big band era in the late '30s and '40s into the modern jazz period. The musicians interviewed recreate not only their own experiences but also evoke the legendary figures of bop who where so influential in its development but were never recorded, people like Clyde Hart and Freddie Webster. Swing to Bop shows how the music first established itself in jam sessions in Harlem and then spread to New York's famed 52nd Street and beyond. Separate chapters describe how young musicians in major cities such as Los Angeles, Chicago and Detroit became swept up in the movement. Along with the music and the personalities who made it, the book vividly recreates the atmosphere of the country in the '30s and '40s: traveling on the ballroom theather curcuit; racial attitudes and interaction; extra-musical pastimes; the relationship to World War II; and the influence of drugs. Thus Swing to Bop reveals not only how the music evolved but the environment in which it flourished and what effect in turn the music had on that environment and the music to follow. About the Author Ira Gitler is the author of Jazz Masters of the '40s and The Encyclopedia of Jazz in the Seventies. He was previously Professor of Jazz History at City College of New York and Associate Editor of Downbeat.


Swing to Bop: An Oral History of the Transition in Jazz in the 1940s

Swing to Bop: An Oral History of the Transition in Jazz in the 1940s
Author: Ira Gitler
Publisher:
Total Pages: 368
Release: 1996
Genre:
ISBN: 9780195050707

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More than fifty major figures in jazz preserve for posterity their recollections of how jazz moved from the big band era in the late 1930s and 1940s into the modern jazz period.


Jazz Masters of the '40s

Jazz Masters of the '40s
Author: Ira Gitler
Publisher: Da Capo Press, Incorporated
Total Pages: 314
Release: 1984
Genre: Jazz
ISBN:

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Primary Sources

Primary Sources
Author: Christopher Dennison
Publisher:
Total Pages: 246
Release: 2015
Genre: Bop (Music)
ISBN:

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Jazz in American Culture

Jazz in American Culture
Author: Peter Townsend
Publisher: Univ. Press of Mississippi
Total Pages: 222
Release: 2000
Genre: History
ISBN: 9781578063246

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A persuasive appreciation of what jazz is and of how it has permeated and enriched the culture of America


The Essential Jazz Records: Modernism to postmodernism

The Essential Jazz Records: Modernism to postmodernism
Author: Max Harrison
Publisher: A&C Black
Total Pages: 924
Release: 2000-01-01
Genre: Music
ISBN: 9780720118223

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Following the same format as the acclaimed first volume, this selection of the best 250 modern jazz records and CDs places each in its musical context and reviews it in depth. Additionally, full details of personnel, recording dates, and locations are given. Indexes of album titles, track titles, and musicians are included.


Cosmogenesis

Cosmogenesis
Author: David Layzer
Publisher: Oxford University Press, USA
Total Pages: 263
Release: 1990
Genre: Cosmology
ISBN: 0195069080

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Eminent Harvard astrophysicist David Layzer offers readers a unified theory of natural order and its origins, from the permanence, stability, and orderliness of sub-atomic particles to the evolution of the human mind. Cosmogenesis provides the first extended account of a controversial theory that connects quantum mechanics with the second law of thermodynamics, and presents novel resolutions of longstanding paradoxes in these theories, such as those of Schroedinger's cat and the arrow of time. Layzer's main concerns in the second half of the book are with the philosophical issues surrounding science. He develops a highly original reconciliation of the conflict between traditional scientific determinism and the intuitive notion of individual freedom. He argues that although the elementary processes underlying biological evolution and human development are governed by physical laws, they are nevertheless genuinely creative and unpredictable.


American Cultural Rebels

American Cultural Rebels
Author: Roy Kotynek
Publisher: McFarland
Total Pages: 263
Release: 2008-03-17
Genre: History
ISBN: 078643709X

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Artistic vanguards plot new aesthetic movements, print controversial magazines, hold provocative art shows, and stage experimental theatrical and musical performances. These revolutionaries have often helped create America's countercultural movements, from the early romantics and bohemians to the beatniks and hippies. This work looks at how experimental art and the avant-garde artists' lifestyles have influenced, and at times transformed, American culture since the mid-nineteenth century. The work will introduce readers to these artists and rebels, making a careful distinction between the worlds of the high modern artist (salons and galleries) and the bohemian.


The Jazz Cadence of American Culture

The Jazz Cadence of American Culture
Author: Robert G. O'Meally
Publisher: Columbia University Press
Total Pages: 692
Release: 1998
Genre: History
ISBN: 9780231104494

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Taking to heart Ralph Ellison's remark that much in American life is "jazz-shaped," The Jazz Cadence of American Culture offers a wide range of eloquent statements about the influence of this art form. Robert G. O'Meally has gathered a comprehensive collection of important essays, speeches, and interviews on the impact of jazz on other arts, on politics, and on the rhythm of everyday life. Focusing mainly on American artistic expression from 1920 to 1970, O'Meally confronts a long era of political and artistic turbulence and change in which American art forms influenced one another in unexpected ways. Organized thematically, these provocative pieces include an essay considering poet and novelist James Weldon Johnson as a cultural critic, an interview with Wynton Marsalis, a speech on the heroic image in jazz, and a newspaper review of a recent melding of jazz music and dance, Bring in 'Da Noise, Bring in 'Da Funk. From Stanley Crouch to August Wilson to Jacqui Malone, the plurality of voices gathered here reflects the variety of expression within jazz. The book's opening section sketches the overall place of jazz in America. Alan P. Merriam and Fradley H. Garner unpack the word jazz and its register, Albert Murray considers improvisation in music and life, Amiri Baraka argues that white critics misunderstand jazz, and Stanley Crouch cogently dissects the intersections of jazz and mainstream American democratic institutions. After this, the book takes an interdisciplinary approach, exploring jazz and the visual arts, dance, sports, history, memory, and literature. Ann Douglas writes on jazz's influence on the design and construction of skyscrapers in the 1920s and '30s, Zora Neale Hurston considers the significance of African-American dance, Michael Eric Dyson looks at the jazz of Michael Jordan's basketball game, and Hazel Carby takes on the sexual politics of Ma Rainey and Bessie Smith's blues. The Jazz Cadence offers a wealth of insight and information for scholars, students, jazz aficionados, and any reader wishing to know more about this music form that has put its stamp on American culture more profoundly than any other in the twentieth century.


Reading Basquiat

Reading Basquiat
Author: Jordana Moore Saggese
Publisher: Univ of California Press
Total Pages: 272
Release: 2021-04-06
Genre: Art
ISBN: 0520383346

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Before his death at the age of twenty-seven, Jean-Michel Basquiat completed nearly 2,000 works. These unique compositions—collages of text and gestural painting across a variety of media—quickly made Basquiat one of the most important and widely known artists of the 1980s. Reading Basquiat provides a new approach to understanding the range and impact of this artist’s practice, as well as its complex relationship to several key artistic and ideological debates of the late twentieth century, including the instability of identity, the role of appropriation, and the boundaries of expressionism. Jordana Moore Saggese argues that Basquiat, once known as “the black Picasso,” probes not only the boundaries of blackness but also the boundaries of American art. Weaving together the artist’s interests in painting, writing, and music, this groundbreaking book expands the parameters of aesthetic discourse to consider the parallels Basquiat found among these disciplines in his exploration of the production of meaning. Most important, Reading Basquiat traces the ways in which Basquiat constructed large parts of his identity—as a black man, as a musician, as a painter, and as a writer—via the manipulation of texts in his own library.