Report
Author | : New York State Library |
Publisher | : |
Total Pages | : 512 |
Release | : 1916 |
Genre | : Libraries |
ISBN | : |
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Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Suite For Three Voices PDF full book. Access full book title Suite For Three Voices.
Author | : New York State Library |
Publisher | : |
Total Pages | : 512 |
Release | : 1916 |
Genre | : Libraries |
ISBN | : |
Author | : Derek Furr |
Publisher | : |
Total Pages | : 210 |
Release | : 2012 |
Genre | : Fiction |
ISBN | : 9781937677213 |
"Suite for Three Voices" is a dance of prose genres, teeming with intense human life in all its humor and sorrow. A son uncovers the horrors of his father's wartime experience, a hitchhiker in a muumuu guards a mysterious parcel, a young man foresees his brother's brush with death on September 11. A Victorian poetess encounters space aliens and digital archives, a runner hears the voice of a dead friend in the song of an indigo bunting, a teacher seeks wisdom from his students' errors and Neil Young. By frozen waterfalls and neglected graveyards, along highways at noon and rivers at dusk, in the sound of bluegrass, Beethoven, and Emily Dickinson, the essays and fiction in this collection offer moments of vision and aspire to the condition of music.
Author | : Maurice Hinson |
Publisher | : Indiana University Press |
Total Pages | : 1215 |
Release | : 2013-12-03 |
Genre | : Music |
ISBN | : 0253010233 |
Guide to the Pianist's Repertoire continues to be the go-to source for piano performers, teachers, and students. Newly updated and expanded with more than 250 new composers, this incomparable resource expertly guides readers to solo piano literature and provides answers to common questions: What did a given composer write? What interesting work have I never heard of? How difficult is it? What are its special musical features? How can I reach the publisher? New to the fourth edition are enhanced indexes identifying black composers, women composers, and compositions for piano with live or recorded electronics; a thorough listing of anthologies and collections organized by time period and nationality, now including collections from Africa and Slovakia; and expanded entries to account for new material, works, and resources that have become available since the third edition, including websites and electronic resources. The "newest Hinson" will be an indispensible guide for many years to come.
Author | : New York State Library |
Publisher | : |
Total Pages | : 518 |
Release | : 1916 |
Genre | : Libraries |
ISBN | : |
Reports for 1863-90 include accession lists for the year. Beginning with 1893, the apprendixes consist of the various bulletins issued by the Library (Additions; Bibliography; History; Legislation; Library school; Public libraries)
Author | : Maurice Hinson |
Publisher | : Indiana University Press |
Total Pages | : 986 |
Release | : 2001-05-22 |
Genre | : Music |
ISBN | : 9780253109088 |
"The Hinson" has been indispensable for performers, teachers, and students. Now updated and expanded, it's better than ever, with 120 more composers, expertly guiding pianists to solo literature and answering the vital questions: What's available? How difficult is it? What are its special features? How does one reach the publisher? The "new Hinson" includes solo compositions of nearly 2,000 composers, with biographical sketches of major composers. Every entry offers description, publisher, number of pages, performance time, style and characteristics, and level of difficulty. Extensively revised, this new edition is destined to become a trusted guide for years to come.
Author | : Job IJzerman |
Publisher | : Oxford University Press |
Total Pages | : 304 |
Release | : 2018-11-26 |
Genre | : Music |
ISBN | : 019069503X |
A new method of music theory education for undergraduate music students, Harmony, Counterpoint, Partimento is grounded in schema theory and partimento, and takes an integrated, hands-on approach to the teaching of harmony and counterpoint in today's classrooms and studios. A textbook in three parts, the package includes: · the hardcopy text, providing essential stylistic and technical information and repertoire discussion; · an online workbook with a full range of exercises, including partimenti by Fenaroli, Sala, and others, along with arrangements of eighteenth- and nineteenth-century compositions; · an online instructor's manual providing additional information and realizations of all exercises. Linking theoretical knowledge with aural perception and aesthetic experience, the exercises encompass various activities, such as singing, playing, improvising, and notation, which challenge and develop the student's harmonic, melodic, and rhythmic imagination. Covering the common-practice period (Corelli to Brahms), Harmony, Counterpoint, Partimento is a core component of practice-oriented training of musicianship skills, in conjunction with solfeggio, analysis, and modal or tonal counterpoint.
Author | : William Lines Hubbard |
Publisher | : |
Total Pages | : 458 |
Release | : 1910 |
Genre | : Music |
ISBN | : |
Author | : Douglas Moore |
Publisher | : W. W. Norton & Company |
Total Pages | : 356 |
Release | : 1942 |
Genre | : Music |
ISBN | : 9780393002003 |
Examines five great periods -- the Renaissance, Baroque, Classic, Romantic, and Modern -- and discusses every important type of composition from each era.
Author | : Meredith Little |
Publisher | : Indiana University Press |
Total Pages | : 352 |
Release | : 2009-01-27 |
Genre | : Music |
ISBN | : 0253013720 |
A unique study of dance forms and rhythms in the Baroque composer’s repertoire. Stylized dance music and music based on dance rhythms pervade Bach’s compositions. Although the music of this very special genre has long been a part of every serious musician’s repertoire, little has been written about it. The original edition of this book addressed works that bore the names of dances—a considerable corpus. In this expanded version of their practical and insightful study, Meredith Little and Natalie Jenne apply the same principles to the study of a great number of Bach’s works that use identifiable dance rhythms but do not bear dance-specific titles. Part I describes French dance practices in the cities and courts most familiar to Bach. The terminology and analytical tools necessary for discussing dance music of Bach’s time are laid out. Part II presents the dance forms that Bach used, annotating all of his named dances. Little and Jenne draw on choreographies, harmony, theorists’ writings, and the music of many seventeenth- and eighteenth-century composers in order to arrive at a model for each dance type. Additionally, in Appendix A all of Bach’s named dances are listed in convenient tabular form; included are the BWV number for each piece, the date of composition, the larger work in which it appears, the instrumentation, and the meter. Appendix B supplies the same data for pieces recognizable as dance types but not named as such. More than ever, this book will stimulate both the musical scholar and the performer with a new perspective at the rhythmic workings of Bach’s remarkable repertoire of dance-based music.
Author | : United States. Congress. House. Committee on Interstate and Foreign Commerce |
Publisher | : |
Total Pages | : 1784 |
Release | : 1959 |
Genre | : |
ISBN | : |