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| Author | : Robert Hillenbrand |
| Publisher | : Pindar Press |
| Total Pages | : 531 |
| Release | : 2019-12-31 |
| Genre | : Art |
| ISBN | : 1915837154 |
Download Studies in the Islamic Decorative Arts Book in PDF, ePub and Kindle
Islamic artists channelled their energies not into easel painting and large-scale sculpture, but rather into what Western scholars, obeying a very different hierarchy of art forms, rather disparagingly term the decorative arts or even the minor arts. In point of fact, some of the greatest masterpieces of Islamic art are in the media of ceramics, metalwork, textiles, ivory and glass. Often the images they bear express a complex set of meanings, for Islam inherited much material from the iconographic systems of earlier civilizations, notably those of the ancient Near East and of the classical world. Islam also developed its own distinctive vocabulary of signs and symbols. Accordingly, questions of iconography and meaning bulk large among the studies gathered together in the present volume. These studies, written over a period of almost thirty years, and taken from a wide variety of published sources, deal with aspects of the decorative arts from Spain to India and from the 7th to the 17th century. They focus in turn upon ceramics and metalwork; on coins, carpets and calligraphy; and on carving in wood and ivory. They are arranged under three headings. The first comprises general surveys of the field covering the content of these arts and confronting the challenges they present, such as the Islamic approach to three-dimensional sculpture. The second deals with questions of iconography and meaning, while the third comprises a series of studies devoted to specific media such as ivory, woodwork and numismatics. This volume therefore offers not only a general introduction to some of the problems posed by Islamic art, but also readings of key objects in an attempt to explore their meaning; and finally, an in-depth focus on individual objects representing specific genres and media.
| Author | : Bernard O'Kane |
| Publisher | : Collected Papers in Islamic Ar |
| Total Pages | : 512 |
| Release | : 2021-11 |
| Genre | : Art |
| ISBN | : 9781474474764 |
Download Studies in Islamic Painting, Epigraphy and Decorative Arts Book in PDF, ePub and Kindle
This lavishly illustrated volume features 19 articles by Bernard O'Kane on a wealth of topics in medieval Islamic art, from the Siyah Qalam album paintings and Arab and Persian illustrated manuscripts, to Egyptian and Iranian decorative arts, and to epigraphic developments in Persian and Arabic.
| Author | : Robert Hillenbrand |
| Publisher | : Edinburgh Studies in Islamic A |
| Total Pages | : 448 |
| Release | : 2021-05-31 |
| Genre | : Art |
| ISBN | : 9781474434294 |
Download The Making of Islamic Art Book in PDF, ePub and Kindle
Explores how Islamic art and architecture were made: their materials and their social, political, economic and religious context In their own words, Jonathan Bloom and Sheila Blair espouse 'things and thinginess rather than theories and isations'. This book's practical, down-to-earth dimension, expressed in plain, simple English, runs counter to the current fashion for theoretical explanations and their accompanying jargon. Its many insights, firmly anchored in artistic practice in architecture, painting and the decorative arts, are supported by ample technical know-how. This bottom-up approach differs radically and refreshingly from that of much top-down contemporary scholarship. It privileges the maker rather than the patron. The range is wide - mosques becoming temples; how religious buildings reflect politics; Yemeni frescoes and inscriptions; domestic Syrian 18th-century ornament; Egyptian bookbinding techniques; recycling and repair in Damascene crafts; conservation versus restoration; narrative on ceramics; metalwork with architectural motifs; lost buildings reconstructed; how objects speak;Muslim burials in China; the role of migrating potters; Mughal painting; stone carpet weights; the use of metals in Islamic manuscripts, calligraphy and modern artists' books. Key Features - Explores previously neglected practice-based approaches to Islamic art - Looks at Islamic art from the craftsman's rather than the patron's viewpoint - Covers not just the Islamic heartlands but extends to India and China, underlining the global presence of Islamic art - Presents material and sources which are usually overlooked in discussions of Islamic art - Revises conventional wisdom in fields as disparate as book painting and ceramics - Illuminates the interface of modern politics and Islamic art Robert Hillenbrand is Professor Emeritus of Islamic Art the University of Edinburgh and Professorial Fellow in the School of Art History at the University of St Andrews.
| Author | : Richard Ettinghausen |
| Publisher | : Yale University Press |
| Total Pages | : 364 |
| Release | : 2003-07-11 |
| Genre | : Art |
| ISBN | : 9780300088694 |
Download Islamic Art and Architecture 650-1250 Book in PDF, ePub and Kindle
This richly illustrated book provides an unsurpassed overview of Islamic art and architecture from the seventh to the thirteenth centuries, a time of the formation of a new artistic culture and its first, medieval, flowering in the vast area from the Atlantic to India. Inspired by Ettinghausen and Grabar’s original text, this book has been completely rewritten and updated to take into account recent information and methodological advances. The volume focuses special attention on the development of numerous regional centers of art in Spain, North Africa, Egypt, Syria, Anatolia, Iraq, and Yemen, as well as the western and northeastern provinces of Iran. It traces the cultural and artistic evolution of such centers in the seminal early Islamic period and examines the wealth of different ways of creating a beautiful environment. The book approaches the arts with new classifications of architecture and architectural decoration, the art of the object, and the art of the book. With many new illustrations, often in color, this volume broadens the picture of Islamic artistic production and discusses objects in a wide range of media, including textiles, ceramics, metal, and wood. The book incorporates extensive accounts of the cultural contexts of the arts and defines the originality of each period. A final chapter explores the impact of Islamic art on the creativity of non-Muslims within the Islamic realm and in areas surrounding the Muslim world.
| Author | : Robert Hillenbrand |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2012 |
| Genre | : Early printed books |
| ISBN | : 9781904597490 |
Download Studies in the Islamic Arts of the Book Book in PDF, ePub and Kindle
The studies collected in this volume, some of them rather difficult to access, date mostly from the last fifteen years and focus primarily on Persian book painting of the 14th to the early 16th centuries. In this period, Iran dominated the art of book painting in the Islamic world. The articles reprinted here examine various aspects of this, the golden age of Persian painting. They range from the period of Mongol rule, when the impact of Far Eastern themes and modes radically transformed the heritage bequeathed to Iran by Arab painting - a textbook case of the clash of civilisations - to the dawn of the modern era and the swansong of the classical style of Persian painting under the early Safavids. Yet other articles focus on the roots of book painting in the themes and styles developed in painted ceramics, on medieval Qur'anic calligraphy, on bookbinding and on the remarkably original variations played on the hitherto hackneyed theme of the figural frontispiece by Arab painters. Two major leitmotifs are explored in this selection of essays. One is provided by the constantly varying interpretations of the Shahnama (The Book of Kings), the Persian national epic, and especially the tendency of painters to interpret this familiar text in terms of contemporary politics. The other is the interplay of text and image, which highlights the tendency of painters to strike out on their own and to leave the literal text progressively further behind while they develop plots and sub-plots of their own. These enquiries are set within the context of a concerted effort to explore in detail how Persian painters achieved their most spectacular visual effects. In its combination of general surveys and closely focused analyses of individual manuscripts, this collection of articles will be of interest to specialists in book painting and in Islamic art as a whole. Contents: Preface The Uses of Space in Timurid Painting The Iconography of the Shah-nama-yi Shahi The Iskandar Cycle in the Great Mongol Shahnama Images of Muhammad in al-Biruni's Chronology of Ancient Nations The Arts of the Book in Ilkhanid Iran The paintings of Rashid al-Din's 'Universal History' at Edinburgh Mamluk and Ilkhanid Bestiaries: Convention and Experiment The Qur'an Illuminated The relationship between book painting and luxury ceramics in 13th-century Iran, The Message of Misfortune Literature and the visual arts; New Perspectives in Shahnama Iconography Erudition exalted: the double frontispiece to The Epistles of the Sincere Brethren The Shahnama and the illustrated book Islamic Bookbinding Index
| Author | : Finbarr Barry Flood |
| Publisher | : John Wiley & Sons |
| Total Pages | : 1448 |
| Release | : 2017-06-16 |
| Genre | : Art |
| ISBN | : 1119068576 |
Download A Companion to Islamic Art and Architecture Book in PDF, ePub and Kindle
The two-volume Companion to Islamic Art and Architecture bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field. This two-volume Companion showcases more than 50 specially commissioned essays and an introduction that survey Islamic art and architecture in all its traditional grandeur Essays are organized according to a new chronological-geographical paradigm that remaps the unprecedented expansion of the field and reflects the nuances of major artistic and political developments during the 1400-year span The Companion represents recent developments in the field, and encourages future horizons by commissioning innovative essays that provide fresh perspectives on canonical subjects, such as early Islamic art, sacred spaces, palaces, urbanism, ornament, arts of the book, and the portable arts while introducing others that have been previously neglected, including unexplored geographies and periods, transregional connectivities, talismans and magic, consumption and networks of portability, museums and collecting, and contemporary art worlds; the essays entail strong comparative and historiographic dimensions The volumes are accompanied by a map, and each subsection is preceded by a brief outline of the main cultural and historical developments during the period in question The volumes include periods and regions typically excluded from survey books including modern and contemporary art-architecture; China, Indonesia, Sub-Saharan Africa, Sicily, the New World (Americas)
| Author | : Robert Hillenbrand |
| Publisher | : Pindar Press |
| Total Pages | : 567 |
| Release | : 2012-12-31 |
| Genre | : Art |
| ISBN | : 1915837146 |
Download Studies in the Islamic Arts of the Book Book in PDF, ePub and Kindle
The studies collected in this volume, some of them rather difficult of access, date mostly from the last fifteen years and focus primarily on Persian book painting of the 14th to the early 16th centuries. In this period Iran dominated the art of book painting in the Islamic world. The articles reprinted here examine various aspects of this, the golden age of Persian painting. They range from the period of Mongol rule, when the impact of Far Eastern themes and modes radically transformed the heritage bequeathed to Iran by Arab painting - a textbook case of the clash of civilisations - to the dawn of the modern era and the swansong of the classical style of Persian painting under the early Safavids. Yet other articles focus on the roots of book painting in the themes and styles developed in painted ceramics, on medieval Qur'anic calligraphy, on bookbinding and on the remarkably original variations played on the hitherto hackneyed theme of the figural frontispiece by Arab painters. Two major leitmotifs are explored in this selection of essays. One is provided by the constantly varying interpretations of the Shahnama (The Book of Kings), the Persian national epic, and especially the tendency of painters to interpret this familiar text in terms of contemporary politics. The other is the interplay of text and image, which highlights the tendency of painters to strike out on their own and to leave the literal text progressively further behind while they develop plots and sub-plots of their own. These enquiries are set within the context of a concerted effort to explore in detail how Persian painters achieved their most spectacular visual effects. In its combination of general surveys and closely focused analyses of individual manuscripts, this collection of articles will be of interest to specialists in book painting and in Islamic art as a whole.
| Author | : Idries Trevathan |
| Publisher | : Saqi Books |
| Total Pages | : 292 |
| Release | : 2020-02-17 |
| Genre | : Art |
| ISBN | : 086356190X |
Download Colour, Light and Wonder in Islamic Art Book in PDF, ePub and Kindle
A unique investigation into the aesthetics of colour in Islamic art revealing its deeper symbolic and mystical meanings. The experience of colour in Islamic visual culture has historically been overlooked. In this new approach, Idries Trevathan examines the language of colour in Islamic art and architecture in dialogue with its aesthetic contexts, offering insights into the pre-modern Muslim experience of interpreting colour. The seventeenth-century Shah Mosque in Isfahan, Iran, represents one of the finest examples of colour-use on a grand scale. Here, Trevathan examines the philosophical and mystical traditions that formed the mosque's backdrop. He shows how careful combinations of colour and design proportions in Islamic patterns expresses knowledge beyond that experienced in the corporeal world, offering another language with which to know and experience God. Colour thus becomes a spiritual language, calling for a re-consideration of how we read Islamic aesthetics.
| Author | : Metropolitan Museum of Art (New York, N.Y.) |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 344 |
| Release | : 1972 |
| Genre | : Art |
| ISBN | : 0870991116 |
Download Islamic Art in the Metropolitan Museum of Art Book in PDF, ePub and Kindle
| Author | : Ernst J. Grube |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2003 |
| Genre | : Architecture |
| ISBN | : 9780907132790 |
Download Studies in the Decorative Arts of the Muslim World Book in PDF, ePub and Kindle
A selection of twelve previously published papers by Ernst Grube which examine specific materials used in Islamic decorative arts. Six papers examine pottery and tiles, one considers Ilkhanis stucco work as represented in the mausoleum of the Shaykh Muhammad ibn Bakran and four explore the decorative arts of the Timuris period. Illustrations have been enhanced and the selection updated with additional notes and an extensive bibliography.
