String quartet in G major
Author | : Arnold Bax |
Publisher | : |
Total Pages | : 120 |
Release | : 2006 |
Genre | : String quartets |
ISBN | : |
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Author | : Arnold Bax |
Publisher | : |
Total Pages | : 120 |
Release | : 2006 |
Genre | : String quartets |
ISBN | : |
Author | : Wolfgang Amadeus Mozart |
Publisher | : |
Total Pages | : |
Release | : 1992 |
Genre | : |
ISBN | : |
Author | : Antonín Dvořák |
Publisher | : Alfred Music |
Total Pages | : 64 |
Release | : 1999-08-26 |
Genre | : Music |
ISBN | : 9781457487620 |
A string quartet for two violins, viola, cello and bass composed by Antonin Dvorák.
Author | : Nicolai Rimsky-Korsakov |
Publisher | : Alfred Music |
Total Pages | : 132 |
Release | : 1999-08-26 |
Genre | : Music |
ISBN | : 9781457480157 |
Two string quartets, composed by Nicolai Rimsky-Korsakov.
Author | : Joseph Haydn |
Publisher | : |
Total Pages | : 34 |
Release | : 1959 |
Genre | : String quartets |
ISBN | : |
Author | : Joseph Haydn |
Publisher | : |
Total Pages | : |
Release | : 1942 |
Genre | : |
ISBN | : |
Author | : |
Publisher | : Michael Repoulis |
Total Pages | : 15 |
Release | : |
Genre | : |
ISBN | : |
Author | : Thomas Frederick Dunhill |
Publisher | : London : Oxford University Press |
Total Pages | : 60 |
Release | : 1927 |
Genre | : Music |
ISBN | : |
Author | : Wolfgang Amadeus Mozart |
Publisher | : Courier Corporation |
Total Pages | : 286 |
Release | : 1970-01-01 |
Genre | : Music |
ISBN | : 0486223728 |
This single volume study score contains all of Mozart's string quartets: the little-known early quartets in an Italianate manner; the six quartets dedicated to Haydn; the D Major Quartet; and the last three quartets written for the King of Prussia. In addition to the 23 string quartets, the alternate slow movement to the G Major Quartet, K.156, is included.
Author | : Anne Hyland |
Publisher | : Cambridge University Press |
Total Pages | : 329 |
Release | : 2023-02-28 |
Genre | : Music |
ISBN | : 1009210874 |
Franz Schubert's music has long been celebrated for its lyrical melodies, 'heavenly length' and daring harmonic language. In this new study of Schubert's complete string quartets, Anne Hyland challenges the influential but under-explored claim that Schubert could not successfully incorporate the lyric style into his sonatas, and offers a novel perspective on lyric form that embraces historical musicology, philosophy and music theory and analysis. Her exploration of the quartets reveals Schubert's development of a lyrically conceived teleology, bringing musical form, expression and temporality together in the service of fresh intellectual engagement. Her formal analyses grant special focus to the quartets of 1810–16, isolating the questions they pose for existing music theory and employing these as a means of scrutinising the relationship between the concepts of lyricism, development, closure and teleology thereby opening up space for these works to challenge some of the discourses that have historically beset them.