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Stone Sarcophagi of the Roman Empire

Stone Sarcophagi of the Roman Empire
Author: Barry Ferst Ph.D.
Publisher: Xlibris Corporation
Total Pages: 864
Release: 2018-09-13
Genre: Study Aids
ISBN: 1984544977

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Over fourteen expeditions I drove a hundred thousand miles across four continents searching out churches, cathedrals, baptistries, catacombs, archeological sites, art galleries, antiquities museums, necropoleis, classical gardens, castles, fortresses, palaces, and private homes--any place that had a Roman Empire era stone sarcophagus. Beside the work of locating and cataloguing sarcophagi, the project I set for myself twenty years ago, I composed explanatory material to say how I did my work, noted what was to be found sculpted on sarcophagi, and developed a schema for organizing the various visual characteristics found on sarcophagi. On the model of outsider art, my work is outsider scholarshipyet here is documentation of 1,932 presently existing Roman Empire sarcophagi.


Myths and More on Etruscan Stone Sarcophagi

Myths and More on Etruscan Stone Sarcophagi
Author: L. Bouke van der Meer
Publisher:
Total Pages: 200
Release: 2004
Genre: Art
ISBN:

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Myths and More on Etruscan Stone Sarcophagi focuses on the chronology and meaning of representations, in painting or (painted) relief, on one hundred forty-eight coffins. After the appearance of R. Herbig's catalogue Die jungeretruskischen Steinsarkophage (Berlin) in 1952 many new tombs with sarcophagi were discovered. It is therefore worthwile to review Herbig's chronology and interpretations after a period of fifty years. It appears that the sarcophagi have been made over a period of around six generations, between approximately 350 and 200 BC, at a time which was crucial in the history of Etruria. Between 396 and 264 BC Rome conquered the Etruscan world. The question is: what impact did this conquest have on the minds of the Etruscan ruling elite and of the artisans, at Vulci, Cerveteri, Tarquinia and its hinterlands, at Orvieto, Chiusi and Volterra? Attention is paid to the find-spots, the family tombs, the owners of the sarcophagi, as well as to their social background and civil status. The shift in the choice of themes on the coffins showing first mythological, then Underworld and so-called decorative scenes, and the reason for iconographic changes will be discussed. It will be explained why the choice of mythological themes is almost entirely limited to Trojan and Theban myths. Non-mythological scenes, processions and rites of passage, the Underworld, hunting and battles, including Celtomachies, will also be dealt with. The so-called heraldic schemes may have a symbolic meaning referring to Dionysiac pleasures in the Underworld. Finally, the scenes on children's sarcophagi, with a similar content, are given attention. A catalogue will list all the Etruscan stone sarcophagi with representations, providing references to the most modern publications.


Roman Strigillated Sarcophagi

Roman Strigillated Sarcophagi
Author: Janet Huskinson
Publisher: Oxford University Press
Total Pages: 366
Release: 2015-11-05
Genre: History
ISBN: 0191019534

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This is the first full study of Roman strigillated sarcophagi, which are the largest group of decorated marble sarcophagi to survive in the city of Rome. Characterized by panels of carved fluting - hence the description 'strigillated', after the curved strigil used by Roman bathers to scrape off oil - and limited figure scenes, they were produced from the mid-second to the early fifth century AD, and thus cover a critical period in Rome, from empire to early Christianity. Roman Strigillated Sarcophagi focuses on their rich potential as an historical source for exploring the social and cultural life of the city in the later empire. The first part of the volume examines aspects of their manufacture, use, and viewing, emphasizing distinctive features. The second part looks at the figured representations carved on the sarcophagi, and at their social significance and creativity, concentrating on how their various arrangements allowed viewers to develop their own interpretations. The subjects represented by the figures and the flexibility with which they might be read, provide invaluable insights into how Romans thought about life and death during these changing times. The final part of the volume surveys how later societies responded to Roman strigillated sarcophagi. From as early as the fifth century AD their distinctive decoration and allusions to the Roman past made them especially attractive for reuse in particular contemporary contexts, notably for elite burials and the decoration of prominent buildings. The motif of curved fluting was also adopted and adapted: it decorated neo-classical memorials to Captain Cook, Napoleon's sister-in-law Christine Boyer, and Penelope Boothby, and its use continues into this century, well over one and a half millennia since it first decorated Roman sarcophagi.


The Economics of the Roman Stone Trade

The Economics of the Roman Stone Trade
Author: Ben Russell
Publisher: Oxford University Press
Total Pages: 473
Release: 2013
Genre: Art
ISBN: 0199656398

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Russell provides an examination of the production, distribution, and use of carved stone objects in the Roman world. Focusing on the market for stone and its supply, he offers an assessment of the practicalities of stone transport and how the relationship between producer and customer functioned even over considerable distances.


Living with Myths

Living with Myths
Author: Paul Zanker
Publisher: Oxford University Press, USA
Total Pages: 442
Release: 2012-12-13
Genre: Art
ISBN: 0199228698

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"Provides a comprehensive introduction to this important genre, exploring such subjects as the role of the mythological images in everyday life of the time, the messages they convey about the Romans' view of themselves, and the reception of the sarcophagi in later European art and art history."--Publisher's website


The Death of Myth on Roman Sarcophagi

The Death of Myth on Roman Sarcophagi
Author: Mont Allen
Publisher: Cambridge University Press
Total Pages: 293
Release: 2022-12-31
Genre: Art
ISBN: 100904124X

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A strange thing happened to Roman sarcophagi in the third century: their Greek mythic imagery vanished. Since the beginning of their production a century earlier, these beautifully carved coffins had featured bold mythological scenes. How do we make sense of this imagery's own death on later sarcophagi, when mythological narratives were truncated, gods and heroes were excised, and genres featuring no mythic content whatsoever came to the fore? What is the significance of such a profound tectonic shift in the Roman funerary imagination for our understanding of Roman history and culture, for the development of its arts, for the passage from the High to the Late Empire and the coming of Christianity, but above all, for the individual Roman women and men who chose this imagery, and who took it with them to the grave? In this book, Mont Allen offers the clues that aid in resolving this mystery.


Sarcophagi from the Jewish Catacombs of Ancient Rome

Sarcophagi from the Jewish Catacombs of Ancient Rome
Author: Adia Konikoff
Publisher: Franz Steiner Verlag
Total Pages: 82
Release: 1990
Genre: Art
ISBN: 9783515057738

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This comprehensive inventory of all known sarcophagi from the Jewish catacombs of Rome, is the first specialized treatment of this subject in monograph form. It describes and analyses each sarcophagus and provides full reference material which it critically examines. This work thus fills a lacuna in the literature on this field, which has up to now been confined to the treatment of early Christian and pagan sarcophagi of the period. �We have here a complete overview of the Jewish sarcophagi of ancient Rome, all of them illustrated by photographs and provided with extensive bibliographies. This work thus fills a lacuna in the literature on this field.� Journal for the Study of Judaism �Until this book, however, no one has attempted to assemble all of the Jewish sarcophagi separately in one place and to provide relevant information in the form of a well-ordered catalogue. For this reason, Konikoff's book provides a welcome resource for anyone interested in the material evidence of ancient Judaism and forms a good beginning for study of the sarcophagi, especially from a bibliographic point of view.� Gnomon .


The Frame in Classical Art

The Frame in Classical Art
Author: Verity Platt
Publisher: Cambridge University Press
Total Pages: 737
Release: 2017-04-20
Genre: Art
ISBN: 1316943275

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The frames of classical art are often seen as marginal to the images that they surround. Traditional art history has tended to view framing devices as supplementary 'ornaments'. Likewise, classical archaeologists have often treated them as tools for taxonomic analysis. This book not only argues for the integral role of framing within Graeco-Roman art, but also explores the relationship between the frames of classical antiquity and those of more modern art and aesthetics. Contributors combine close formal analysis with more theoretical approaches: chapters examine framing devices across multiple media (including vase and fresco painting, relief and free-standing sculpture, mosaics, manuscripts and inscriptions), structuring analysis around the themes of 'framing pictorial space', 'framing bodies', 'framing the sacred' and 'framing texts'. The result is a new cultural history of framing - one that probes the sophisticated and playful ways in which frames could support, delimit, shape and even interrogate the images contained within.