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| Author | : Sally Barnden |
| Publisher | : Cambridge University Press |
| Total Pages | : 263 |
| Release | : 2019-12-19 |
| Genre | : Drama |
| ISBN | : 1108487939 |
Examines both theatrical and staged art photographs, demonstrating their role in fixing and unfixing Shakespearean authority.
| Author | : Sally Barnden |
| Publisher | : Cambridge University Press |
| Total Pages | : |
| Release | : 2019-12-19 |
| Genre | : Literary Criticism |
| ISBN | : 110886466X |
Still Shakespeare and the Photography of Performance examines the place of photography in the reception of the Shakespeare canon since the invention of the camera, looking at how photographic images have shaped perceptions of historicity, performance, and Shakespearean character, and how their dissemination has affected Shakespearean authority. Barnden reveals how photography has conditioned the reception of Shakespeare's works in two key ways. Firstly, as a form of performance documentation, photographs shape the way individual performances are remembered and their positioning in relation to traditional and iconoclastic interpretations of the text. Secondly, photographs are vehicles of Shakespearean iconography, encouraging certain compositions and interpretations. Exploring both theatrical and staged art photographs, Still Shakespeare demonstrates the role of photography as a contributor to the calcification of Shakespearean quotation, advertising, and iconography, and to the attrition of the relationship between image and text whereby images become attached to narratives far beyond their original context.
| Author | : Peter Kirwan |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 417 |
| Release | : 2021-03-25 |
| Genre | : Literary Criticism |
| ISBN | : 1350080691 |
The Arden Research Handbook of Shakespeare and Contemporary Performance is a wide-ranging, authoritative guide to research on Shakespeare and performance studies by an international team of leading scholars. It contains chapters on the key methods and questions surrounding the performance event, the audience, and the archive – the primary sources on which performance studies draws. It identifies the recurring trends and fruitful lines of inquiry that are generating the most urgent work in the field, but also contextualises these within the histories and methods on which researchers build. A central section of research-focused essays offers case studies of present areas of enquiry, from new approaches to space, bodies and language to work on the technologies of remediation and original practices, from consideration of fandoms and the cultural capital invested in Shakespeare and his contemporaries to political and ethical interventions in performance practice. A distinctive feature of the volume is a curated section focusing on practitioners, in which leading directors, writers, actors, producers, and other theatre professionals comment on Shakespeare in performance and what they see as the key areas, challenges and provocations for researchers to explore. In addition, the Handbook contains various sections that provide non-specialists with practical help: an A-Z of key terms and concepts, a guide to research methods and problems, a chronology of major publications and events, an introduction to resources for study of the field, and a substantial annotated bibliography. The Arden Research Handbook of Shakespeare and Contemporary Performance is a reference work aimed at advanced undergraduate and graduate students as well as scholars and libraries, a guide to beginning or developing research in the field, and an essential companion for all those interested in Shakespeare and performance.
| Author | : Emma Smith |
| Publisher | : Cambridge University Press |
| Total Pages | : 459 |
| Release | : 2021-09-16 |
| Genre | : Literary Criticism |
| ISBN | : 1009041991 |
Shakespeare Survey is a yearbook of Shakespeare studies and production. Since 1948, Survey has published the best international scholarship in English and many of its essays have become classics of Shakespeare criticism. Each volume is devoted to a theme, or play, or group of plays; each also contains a section of reviews of that year's textual and critical studies and of the year's major British performances. The theme for Volume 74 is 'Shakespeare and Education. The complete set of Survey volumes is also available online at https://www.cambridge.org/core/what-we-publish/collections/shakespeare-survey This fully searchable resource enables users to browse by author, essay and volume, search by play, theme and topic and save and bookmark their results.
| Author | : Sally Barnden |
| Publisher | : Oxford University Press |
| Total Pages | : 273 |
| Release | : 2024-02-06 |
| Genre | : Art |
| ISBN | : 019889497X |
Explores the extent to which members of the royal family have appropriated the creative legacy of Shakespeare, from the mid-eighteenth century to the mid-twentieth century, in order to shore up royal and national ideologies and to assert the legitimacy of the monarchy.
| Author | : Emma Whipday |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 277 |
| Release | : 2024-07-11 |
| Genre | : Literary Criticism |
| ISBN | : 1350304441 |
What is (a) play? How do Shakespeare's plays engage with and represent early modern modes of play – from jests and games to music, spectacle, movement, animal-baiting and dance? How have we played with Shakespeare in the centuries since? And how does the structure of the plays experienced in the early modern playhouse shape our understanding of Shakespeare plays today? Shakespeare / Play brings together established and emerging scholars to respond to these questions, using approaches spanning theatre and dance history, cultural history, critical race studies, performance studies, disability studies, archaeology, affect studies, music history, material history and literary and dramaturgical analysis. Ranging across Shakespeare's dramatic oeuvre as well as early modern lost plays, dance notation, conduct books, jest books and contemporary theatre and film, it includes consideration of Measure for Measure, A Midsummer Night's Dream, Macbeth, Titus Andronicus, Merchant of Venice, Twelfth Night, Romeo and Juliet, Othello, King Lear and The Merry Wives of Windsor, among others. The subject of this volume is reflected in its structure: Shakespeare / Play features substantial new essays across 5 'acts', interwoven with 7 shorter, playful pieces (a 'prologue', 4 'act breaks', a 'jig' and a 'curtain call'), to offer new directions for research on Shakespearean playing, playmaking and performance. In so doing, this volume interrogates the conceptions of playing of/in Shakespeare that shape how we perform, read, teach and analyze Shakespeare today.
| Author | : Emma Smith |
| Publisher | : Shakespeare Survey |
| Total Pages | : 459 |
| Release | : 2021-09-16 |
| Genre | : Drama |
| ISBN | : 1316517128 |
Shakespeare Survey is a yearbook of Shakespeare studies and production. The theme for Volume 74 is 'Shakespeare and Education'. The complete set of Survey volumes is also available online at https://www.cambridge.org/core/what-we-publish/collections/shakespeare-survey.
| Author | : Sally Barnden |
| Publisher | : Oxford University Press |
| Total Pages | : 273 |
| Release | : 2024-02-06 |
| Genre | : Literary Criticism |
| ISBN | : 0198895038 |
Shakespeare and the Royal Actor argues that members of the royal family have identified with Shakespearean figures at various times in modern history to assert the continuity, legitimacy, and national identity of the royal line. It provides an account of the relationship between the Shakespearean afterlife and the royal family through the lens of a broadly conceived theatre history suggesting that these two hegemonic institutions had a mutually sustaining relationship from the accession of George III in 1760 to that of Elizabeth II in 1952. Identifications with Shakespearean figures have been deployed to assert the Englishness of a dynasty with strong familial links to Germany and to cultivate a sense of continuity from the more autocratic Plantagenet, Tudor, and Stuart monarchs informing Shakespeare's drama to the increasingly ceremonial monarchs of the modern period. The book is driven by new archival research in the Royal Collection and Royal Archives. It reads these archives critically, asking how different forms of royal and Shakespearean performance are remembered in the material holdings of royal institutions.
| Author | : Rosemeire Todão |
| Publisher | : |
| Total Pages | : 59 |
| Release | : 2010 |
| Genre | : |
| ISBN | : |
Since its advent, photography has been used as a process of registry of images, either for souvenirs or as a physical proof that something existed in the past. The use of photographs as historical documents serves several areas, for the static and immutable physical characteristics of photos allow the images to be used as sources for analysis and study. It is in this context that photographs of a production of A Comédia dos Erros allow a detailed study of their contents and possible meanings. It is through the photographs of a scene that the analyst is able to detect particularities of a moment of the performance that no longer exists and, this way, reconstruct its moment within the spectacle. With the help of iconographic indications allied with the playtext, it is possible to obtain further details of a scene, even identifying the exact moment of the performance the image refers to. Considering that every photograph is a trace from the past, it is the viewer's role to read and understand the photographic image based on his or her socio-cultural background which will enable the reconstruction of meanings for the implicit fragments within the image.
| Author | : Eric C. Brown |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 270 |
| Release | : 2014-08-11 |
| Genre | : Literary Criticism |
| ISBN | : 1443865796 |
The fourteen essays included in this collection offer a range of contributions from both new and well-established scholars to the topic of Shakespeare and performance. From traditional studies of theatrical history and adaptation to explorations of Shakespeare’s plays in the circus, musical extravaganzas, the cinema, and drama at large, the collection embraces a number of performance spaces, times, and media. Shakespeare in Performance includes essays looking not only at sixteenth- and seventeenth-century stagings of the plays in England, but at productions of Shakespeare across time in the United States, France, Italy, Hungary, and Africa, underscoring the multiple embodiments and voices of Shakespeare’s art and including a variety of cultural approaches. The work is ultimately occupied with a number of questions generated by these continual iterations of Shakespeare. How can we write and trace what is ephemeral? To what purpose do we maintain the memory of past performances? How does the transmediation of Shakespeare inform the most basic interpretive acts? What motivates Shakespearean theatre across political borders? What kinds of meaning are produced by décor, movement, the actor’s virtuosity, the producer’s choices, or the audience’s response? Each essay thus, to some degree, describes and voices the now unseen.
