Staging Shakespeare PDF Download
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Author | : Andrew Gurr |
Publisher | : Oxford Shakespeare Topics |
Total Pages | : 192 |
Release | : 2000 |
Genre | : Drama |
ISBN | : 9780198711582 |
Download Staging in Shakespeare's Theatres Book in PDF, ePub and Kindle
By bringing together evidence from different sources--documentary, archaeological, and the play-texts themselves--Staging Shakespeare's Theatres reconstructs the ways in which the plays were originally staged in the theaters of Shakespeare's own time, and shows how the physical possibilities and limitations of these theaters affected both the writing and the performances. The book explains the conditions under which the early playwrights and players worked, their preparation of the plays for the stage, and their rehearsal practices. It looks at the quality of evidence supplied by the surviving play-texts, and the extant to which audiences of the time differed from modern audiences; and it gives vivid examples of how Elizabethan actors made use of gestures, costumes, props, and the theater's specific design features. Stage movement is analyzed through a careful study of how exits and entrances worked on such stages. The final chapter offers a thorough examination of Hamlet as a text for performance, excitingly returning the play to its original staging at the Globe.
Author | : Seth Duerr |
Publisher | : Pen and Sword History |
Total Pages | : 322 |
Release | : 2021-12-31 |
Genre | : Literary Criticism |
ISBN | : 1526762412 |
Download Staging Shakespeare's Violence Book in PDF, ePub and Kindle
This is the first book of its kind to provide an in-depth examination of how the greatest playwright in the English language employed not only psychological brutality but also physical violence throughout his works. My Cue to Fight is the first book of its kind to provide an in-depth examination of how the greatest playwright in the English language employed not only psychological brutality but also physical violence throughout his works. Written ideally for theatrical stage directors, fight directors, intimacy consultants, and actors as a technical scene-by-scene breakdown in staging combat during production of these plays, this publication is also for Shakespeare enthusiasts who want to learn more about the blood, sweat, and viscera hidden just underneath the poetry. A writer utilizes violence, like song or dance, in moments where the story requires more than just words. But addressing how the violence will be staged tends either to be neglected or utterly gratuitous, both of which serve to separate the audience from the story and kill the whole venture. The answer rests in approaching violence the same way we do scenework. The plays of William Shakespeare seek to engage audiences with all of the characters’ blood, tears, sweat, and guts. These works are not flowery poems meant to be mumbled in a classroom, or histrionically declaimed in frilly costumes. There is nothing light and fluffy about 'rape' and 'murder’s rages', or 'carving' someone as a dish fit for the gods, or fighting till from one’s bones one’s 'flesh be hacked'. Making matters more complicated is the ambiguity and sometimes even complete lack of stage directions. Modern texts typically possess clear directions whenever violence is to occur in the action, but playscripts were quite different four centuries ago. Such denotations were both rare and inconsistent in Elizabethan and Jacobean printings. The potential violence we will examine is not appropriate for all productions or scene partners. We’re here to question and inspire rather than provide catch-all solutions. Actors, directors, fight directors, and intimacy consultants must work together to find the most effective way for their production to communicate the playwright’s story to the audience.
Author | : Jonathan Bate |
Publisher | : |
Total Pages | : 0 |
Release | : 2012 |
Genre | : Drama |
ISBN | : 9780714128245 |
Download Shakespeare Book in PDF, ePub and Kindle
The playhouse and the role of playwright were relatively new phenomena during Shakespeares time, yet his audience spanned from royalty to the common man. This text shows what these audiences were finding out about the world through the eyes of the playwright Dora Thornton.
Author | : Brian Kulick |
Publisher | : Bloomsbury Publishing |
Total Pages | : 232 |
Release | : 2021-07-29 |
Genre | : Drama |
ISBN | : 1350201049 |
Download Staging Shakespeare Book in PDF, ePub and Kindle
This book begins with a phone call. You answer it and learn that you got the job. Several months from now you're going to stage a Shakespeare play. Now ... what do you do? I mean, what do you do after that initial burst of adrenalin has passed through your body and you realize you haven't a clue as to what the play is really about, or what you might want to do with it? How exactly do you prepare for such an equally wonderful and daunting task? This is the central question of this book. It grows out of decades of preparing for Shakespeare productions and watching others do the same. It will save you some of the panic, wasted time, and fruitless paths experienced. It guides you through the crucial period of preparation and helps focus on such issues as: · What Shakespeare's life, work, and world can tell us · What patterns to look for in the text · What techniques might help unpack Shakespeare's verse · What approaches might unlock certain hidden meanings · What literary lenses might bring things into sharper focus · What secondary sources might lead to a broader contextual understanding · What thought experiments might aid in visualizing the play Ultimately, this book draws back the curtain and shows how the antique machinery of Shakespeare's theatre works. The imaginative time span begins from the moment you learn that on such and such date you will begin rehearsing such and such Shakespeare play. Our narrative clock starts ticking the moment you put down the phone and stops when you arrive at the rehearsal hall and begin your first table read. So much of what will be the success or failure of a director's project rests on this work that is done before rehearsals even begin.
Author | : Janette Dillon |
Publisher | : OUP Oxford |
Total Pages | : 0 |
Release | : 2012-04-05 |
Genre | : Literary Criticism |
ISBN | : 9780199593156 |
Download Shakespeare and the Staging of English History Book in PDF, ePub and Kindle
This new study of Shakespeare's English history plays looks at the plays through the lens of early modern staging, focusing on the recurrence of particular stage pictures and 'units of action', and seeking to show how these units function in particular and characteristic ways within the history plays.
Author | : David B. Goldstein |
Publisher | : Medieval & Renaissance Literary Studies |
Total Pages | : 287 |
Release | : 2016 |
Genre | : COOKING |
ISBN | : 9780820704951 |
Download Culinary Shakespeare Book in PDF, ePub and Kindle
"Essays discuss food and drink in Shakespeare's plays, reframing questions about cuisine, eating, and meals in early modern drama and emphasizing the aesthetic, communal, and philosophical aspects of food; many issues in Shakespeare studies are thus considered in terms of the cultural marker of culinary dynamics"--
Author | : Lena Cowen Orlin |
Publisher | : Associated University Presse |
Total Pages | : 288 |
Release | : 2007 |
Genre | : Drama |
ISBN | : 9780874139877 |
Download Staging Shakespeare Book in PDF, ePub and Kindle
Features twelve essays that explore the relationships between Shakespearean pedagogy, performance, and scholarship. This volume consists of four sections, entitled Acts of Recovery; Performing the Moment; Recordings; and Extensions and Explorations.
Author | : Joel Berkowitz |
Publisher | : University of Iowa Press |
Total Pages | : 305 |
Release | : 2005-04 |
Genre | : History |
ISBN | : 1587294087 |
Download Shakespeare on the American Yiddish Stage Book in PDF, ePub and Kindle
The professional Yiddish theatre started in 1876 in Eastern Europe; with the assassination of Tsar Alexander II in 1881, masses of Eastern European Jews began moving westward, and New York—Manhattan’s Bowery and Second Avenue—soon became the world’s center of Yiddish theatre. At first the Yiddish repertoire revolved around comedies, operettas, and melodramas, but by the early 1890s America's Yiddish actors were wild about Shakespeare. In Shakespeare on the American Yiddish Stage, Joel Berkowitz knowledgeably and intelligently constructs the history of this unique theatrical culture. The Jewish King Lear of 1892 was a sensation. The year 1893 saw the beginning of a bevy of Yiddish versions of Hamlet; that year also saw the first Yiddish production of Othello. Romeo and Juliet inspired a wide variety of treatments. The Merchant of Venice was the first Shakespeare play published in Yiddish, and Jacob Adler received rave reviews as Shylock on Broadway in both 1903 and 1905. Berkowitz focuses on these five plays in his five chapters. His introduction provides an orientation to the Yiddish theatre district in New York as well as the larger picture of Shakespearean production and the American theatre scene, and his conclusion summarizes the significance of Shakespeare’s plays in Yiddish culture.
Author | : Tiffany Stern |
Publisher | : Psychology Press |
Total Pages | : 203 |
Release | : 2004 |
Genre | : Drama |
ISBN | : 041531965X |
Download Making Shakespeare Book in PDF, ePub and Kindle
This volume offers a lively introduction to the major issues of the stage and print history of the plays, and discusses what a Shakespeare play actually is.
Author | : Stanley Wells |
Publisher | : Cambridge University Press |
Total Pages | : 342 |
Release | : 2002-05-30 |
Genre | : Drama |
ISBN | : 9780521797115 |
Download The Cambridge Companion to Shakespeare on Stage Book in PDF, ePub and Kindle
This 2002 Companion is designed for readers interested in past and present productions of Shakespeare's plays, both in and beyond Britain. The first six chapters describe aspects of the British performing tradition in chronological sequence, from the early staging of Shakespeare's own time, through to the present day. Each relates Shakespearean developments to broader cultural concerns and adopts an individual approach and focus, on textual adaptation, acting, stages, scenery or theatre management. These are followed by three explorations of acting: tragic and comic actors and women performers of Shakespeare roles. A section on international performance includes chapters on interculturalism, on touring companies and on political theatre, with separate accounts of the performing traditions of North America, Asia and Africa. Over forty pictures illustrate peformers and productions of Shakespeare from around the world. An amalgamated list of items for further reading completes the book.