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| Author | : Francine du Plessix Gray |
| Publisher | : Virago Press |
| Total Pages | : 213 |
| Release | : 1991 |
| Genre | : Soviet Union |
| ISBN | : 9781853814655 |
In this book, the author brings us the voices of women doctors, dissidents, party workers, journalists and factory workers, who talk about their lives. It emerges that women continue to suffer a variety of injustices, and there is backwardness in sex education and women's health facilities.
| Author | : I. Grekova |
| Publisher | : John Murray |
| Total Pages | : 351 |
| Release | : 1991 |
| Genre | : Russian fiction |
| ISBN | : 9780719549595 |
A collection of short stories by Soviet women writers, this book reveals a great deal about the concerns, feelings and aspirations of Soviet women. This work includes writings from Lidia Ginzburg, Viktoria Tokareva and Tatyana Tolstaya.
| Author | : Adele Marie Barker |
| Publisher | : |
| Total Pages | : 424 |
| Release | : 2002-07-11 |
| Genre | : Literary Criticism |
| ISBN | : |
A History of Women's Writing in Russia offers a comprehensive account of the lives and works of Russia's women writers. Based on original and archival research, this volume forces a re-examination of many of the traditionally held assumptions about Russian literature and women's role in the tradition. In setting about the process of reintegrating women writers into the history of Russian literature, contributors have addressed the often surprising contexts within which women's writing has been produced. Chapters reveal a flourishing literary tradition where none was thought to exist. They redraw the map defining Russia's literary periods, they look at how Russia's women writers articulated their own experience, and they reassess their relationship to the dominant male tradition. The volume is supported by extensive reference features including a bibliography and guide to writers and their works.
| Author | : Adele Marie Barker |
| Publisher | : Cambridge University Press |
| Total Pages | : 411 |
| Release | : 2002-07-11 |
| Genre | : Literary Criticism |
| ISBN | : 1139433156 |
A History of Women's Writing in Russia offers a comprehensive account of the lives and works of Russia's women writers. Based on original and archival research, this volume forces a re-examination of many of the traditionally held assumptions about Russian literature and women's role in the tradition. In setting about the process of reintegrating women writers into the history of Russian literature, contributors have addressed the often surprising contexts within which women's writing has been produced. Chapters reveal a flourishing literary tradition where none was thought to exist. They redraw the map defining Russia's literary periods, they look at how Russia's women writers articulated their own experience, and they reassess their relationship to the dominant male tradition. The volume is supported by extensive reference features including a bibliography and guide to writers and their works.
| Author | : R. Markwick |
| Publisher | : Springer |
| Total Pages | : 227 |
| Release | : 2012-06-26 |
| Genre | : History |
| ISBN | : 0230362540 |
This is the first comprehensive study in English of Soviet women who fought against the genocidal, misogynist, Nazi enemy on the Eastern Front during the Second World War. Drawing on a vast array of original archival, memoir, and published sources, this book captures the everyday experiences of Soviet women fighting, living and dying on the front.
| Author | : Reina Pennington |
| Publisher | : University Press of Kansas |
| Total Pages | : 352 |
| Release | : 2002-01-22 |
| Genre | : History |
| ISBN | : 0700615547 |
The Soviet Union was the first nation to allow women pilots to fly combat missions. During World War II the Red Air Force formed three all-female units-grouped into separate fighter, dive bomber, and night bomber regiments-while also recruiting other women to fly with mostly male units. Their amazing story, fully recounted for the first time by Reina Pennington, honors a group of fearless and determined women whose exploits have not yet received the recognition they deserve. Pennington chronicles the creation, organization, and leadership of these regiments, as well as the experiences of the pilots, navigators, bomb loaders, mechanics, and others who made up their ranks, all within the context of the Soviet air war on the Eastern Front. These regiments flew a combined total of more than 30,000 combat sorties, produced at least thirty Heroes of the Soviet Union, and included at least two fighter aces. Among their ranks were women like Marina Raskova ("the Soviet Amelia Earhart"), a renowned aviator who persuaded Stalin in 1941 to establish the all-women regiments; the daredevil "night witches" who flew ramshackle biplanes on nocturnal bombing missions over German frontlines; and fighter aces like Liliia Litviak, whose twelve "kills" are largely unknown in the West. She also tells the story of Alexander Gridnev, a fighter pilot twice arrested by the Soviet secret police before he was chosen to command the women's fighter regiment. Pennington draws upon personal interviews and the Soviet archives to detail the recruitment, training, and combat lives of these women. Deftly mixing anecdote with analysis, her work should find a wide readership among scholars and buffs interested in the history of aviation, World War II, or the Russian military, as well as anyone concerned with the contentious debates surrounding military and combat service for women.
| Author | : Oleksandra Wallo |
| Publisher | : University of Toronto Press |
| Total Pages | : 212 |
| Release | : 2019-11-20 |
| Genre | : Literary Criticism |
| ISBN | : 1487533101 |
Since the collapse of the Soviet Union, the Ukrainian literary world has not only experienced a true blossoming of women’s prose, but has also witnessed a number of female authors assume the roles of literary trendsetters and authoritative critics of their culture. In this first in-depth study of how Ukrainian women’s prose writing was able to re-emerge so powerfully after being marginalized in the Soviet era, Oleksandra Wallo examines the writings and literary careers of leading contemporary Ukrainian women authors, such as Oksana Zabuzhko, Ievheniia Kononenko, and Maria Matios. Her study shows how these women reshaped literary culture with their contributions to the development of the Ukrainian national imaginary in the wake of the Soviet state’s disintegration. The interjection of women’s voices and perspectives into the narratives about the nation has often permitted these writers to highlight the diversity of the national picture and the complexity of the national story. Utilizing insights from postcolonial and nationalism studies, Wallo’s book theorizes the interdependence between the national imaginary and narrative plots, and scrutinizes how prominent Ukrainian women authors experimented with literary form in order to rewrite the story of women and nationhood.
| Author | : Christine D. Tomei |
| Publisher | : Taylor & Francis |
| Total Pages | : 986 |
| Release | : 1999 |
| Genre | : |
| ISBN | : 9780815317975 |
| Author | : Catriona Kelly |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 576 |
| Release | : 1994 |
| Genre | : Literary Collections |
| ISBN | : |
At a time of growing interest both in the West and in Russia itself, the Anthology provides a radically new sense of the dynamic development of Russian women's writing - poetry, prose, and drama - over the last 200 years. Including important texts by well-known writers such as Akhmatova, Tsvetaeva, Elena Shvarts, and Olga Sedakova, the Anthology also introduces outstanding works by lesser-known writers such as Sofya Soboleva, Olga Shapir, Mariya Shkapskaya, Anna Barkova, and Vera Merkureva.
| Author | : Sofia Khvoshchinskaya |
| Publisher | : Columbia University Press |
| Total Pages | : 273 |
| Release | : 2017-08-15 |
| Genre | : Fiction |
| ISBN | : 0231544502 |
“This scathingly funny comedy of manners” by the rediscovered female Russian novelist “will deeply satisfy fans of 19th-century Russian literature” (Publishers Weekly, starred review). City Folk and Country Folk is a seemingly gentle yet devastating satire of the aristocratic and pseudo-intellectual elites of 1860s Russia. Translated into English for the first time, the novel weaves a tale of manipulation, infatuation, and female assertiveness that takes place one year after the liberation of the empire's serfs. Upending Russian literary clichés of female passivity and rural gentry benightedness, Sofia Khvoshchinskaya centers her story on a common-sense, hardworking noblewoman and her self-assured daughter living on their small rural estate. Throwing off the imposed sense of duty toward their "betters", these two women ultimately triumph over the urbanites' financial, amorous, and matrimonial machinations. Sofia Khvoshchinskaya and her writer sisters closely mirror Britain's Brontës, yet Khvoshchinskaya's work contains more of Jane Austen's wit and social repartee, as well as an intellectual engagement reminiscent of Elizabeth Gaskell's condition-of-England novels. Written by a woman under a male pseudonym, this exploration of gender dynamics in post-emancipation Russian offers a new and vital point of comparison with the better-known classics of nineteenth-century world literature.
