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| Author | : D. B. Z. Ntuli |
| Publisher | : Acacia Publishing |
| Total Pages | : 184 |
| Release | : 1993 |
| Genre | : Literary Criticism |
| ISBN | : |
| Author | : V. Klima |
| Publisher | : Springer |
| Total Pages | : 320 |
| Release | : 1976 |
| Genre | : Gardening |
| ISBN | : |
In October 1972, our Czech-written book Literatury eerne Afriky (Literatures of Black Mrica) was published in Prague, presenting a survey of an extensive field. The publication, which was signed at that time by all three authors, differed from most contemporary introductions to the study of Mrican literatures in a threefold way: a) The authors attempted to cover various literacy and literary efforts in the area roughly delimited by Senegal in the west, Kenya in the east, Lake Chad in the north and the Cape in the south. We were well aware-even at that time-that neither technically nor linguistically would it be possible to cover all literary efforts within that area. We did try, however, to include in our survey both the literacies and literatures written in the Indo-European linguae francae (English, French, Portuguese) and in at least several of the major African languages of the area. We did not attempt an exhaustive description, but wished, rather, to show the mutual relationships which emerge, if the literatures of thii\ area, written either in the major linguae francae or in the African languages, are studied not as isolated phenomena, but as mutually complementary features. b) As two of us were linguists and one was a literary historian, we did not limit our analysis of the developing literacies and literatures to the purely cultural and literary aspects. Our intention waR to deal-whcre and if it was relevant-not only with the process of African literary development, but also with the simultaneous, complementar.
| Author | : Gareth Cornwell |
| Publisher | : Columbia University Press |
| Total Pages | : 270 |
| Release | : 2010 |
| Genre | : Biography & Autobiography |
| ISBN | : 0231130465 |
From the outset, South Africa's history has been marked by division and conflict along racial and ethnic lines. From 1948 until 1994, this division was formalized in the National Party's policy of apartheid. Because apartheid intruded on every aspect of private and public life, South African literature was preoccupied with the politics of race and social engineering. Since the release from prison of Nelson Mandela in 1990, South Africa has been a new nation-in-the-making, inspired by a nonracial idealism yet beset by poverty and violence. South African writers have responded in various ways to Njabulo Ndebele's call to "rediscover the ordinary." The result has been a kaleidoscope of texts in which evolving cultural forms and modes of identity are rearticulated and explored. An invaluable guide for general readers as well as scholars of African literary history, this comprehensive text celebrates the multiple traditions and exciting future of the South African voice. Although the South African Constitution of 1994 recognizes no fewer than eleven official languages, English has remained the country's literary lingua franca. This book offers a narrative overview of South African literary production in English from 1945 to the postapartheid present. An introduction identifies the most interesting and noteworthy writing from the period. Alphabetical entries provide accurate and objective information on genres and writers. An appendix lists essential authors published before 1945.
| Author | : Evelyn Naudorf |
| Publisher | : GRIN Verlag |
| Total Pages | : 17 |
| Release | : 2003-05-27 |
| Genre | : Literary Criticism |
| ISBN | : 363819115X |
Essay from the year 2001 in the subject English Language and Literature Studies - Literature, grade: B, University of London (Faculty of English Literature), course: Literature in History: Race and Subjectivity in South African Writing, language: English, abstract: ‘The choice of language and the use to which language is put is central to a people’s definition of themselves in relation to their natural and social environment, indeed in relation to the entire universe.’1 This quote by the Kenyan writer Ngugi expresses the exceedingly important relationship between language and the individual in general. This relationship is gaining even more importance for a continent such as Africa, in which large parts of the native population were oppressed by European colonial powers for centuries. One important instrument of oppression was definitely language and the feeling of European superiority resulting out of cultural traditions, such as literature. In South Africa, where two major colonial powers were fighting for supremacy and many different native ethnic groups were combined in one state, the question of language would almost naturally provoke conflicts and crisis. In this essay, I should like to have a closer look at this delicate relationship between language and power in South African literature with the example of a Black and a White African writer, Sol T. Plaatje and Nadine Gordimer. In his historical overview, Leonard Thompson already describes the South Africa of the 18th century as a ‘linguistic Babel’2. Afrikaans, a simplified form of Dutch and at first only used in oral communication, would gradually develop into the lingua franca of South Africa. Today, its greatest competitor among European languages is English and both languages, together with nine African languages, belong to the eleven official languages of the postapartheid South African State. The right of every South African to use the language of his or her choice is now embedded in the constitution. However, the situation of having eleven official languages is truly unique world-wide. One of the most pressing question is whether there is a necessity to agree on a single language as the official one, with the other ten languages receiving an equally high status, in order to support the current process of nation-building? If so, should it be English, Afrikaans or one of the African languages? [...] 1 Ngugi wa Thiong’o. Decolonising the Mind, page 4
| Author | : Michael J. F. Chapman |
| Publisher | : University of Kwazulu Natal Press |
| Total Pages | : 572 |
| Release | : 2003 |
| Genre | : Literary Criticism |
| ISBN | : |
A study of the work of writers from South Africa, Zimbabwe, Zambia, Malawi, Angola, Mozambique, and Namibia, and written at a time of crucial change in the subcontinent, this book covers a range of work, from the storytelling of stone-age Bushmen to modern writing by figures.
| Author | : Mukoma Wa Ngugi |
| Publisher | : University of Michigan Press |
| Total Pages | : 241 |
| Release | : 2018-03-27 |
| Genre | : History |
| ISBN | : 047205368X |
Engaging questions of language, identity, and reception to restore South African and diaspora writing to the African literary tradition
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 174 |
| Release | : 2018-07-17 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9004376623 |
This concise bibliography on South-African Languages and Linguistics was compiled on the occasion of the 20th International Congress of Linguists in Cape Town, South Africa, July 2018. The selection of titles is drawn from the Linguistic Bibliography and gives an overview of scholarship on South African language studies over the past 10 years. The introduction written by Menán du Plessis (Stellenbosch University) discusses the most recent developments in the field. The Linguistic Bibliography is compiled under the editorial management of Eline van der Veken, René Genis and Anne Aarssen in Leiden, The Netherlands. Linguistic Bibliography Online is the most comprehensive bibliography for scholarship on languages and theoretical linguistics available. Updated monthly with a total of more than 20,000 records annually, it enables users to trace recent publications and provides overviews of older material. For more information on Linguistic Bibliography and Linguistic Bibliography Online, please visit brill.com/lbo and linguisticbibliography.com. The e-book version of this bibliography is available in Open Access.
| Author | : Yvonne Adhiambo Owuor |
| Publisher | : Vintage |
| Total Pages | : 403 |
| Release | : 2014-01-28 |
| Genre | : Fiction |
| ISBN | : 0307961214 |
From a breathtaking new voice, a novel about a splintered family in Kenya—a story of power and deceit, unrequited love, survival and sacrifice. Odidi Oganda, running for his life, is gunned down in the streets of Nairobi. His grief-stricken sister, Ajany, just returned from Brazil, and their father bring his body back to their crumbling home in the Kenyan drylands, seeking some comfort and peace. But the murder has stirred memories long left untouched and unleashed a series of unexpected events: Odidi and Ajany’s mercurial mother flees in a fit of rage; a young Englishman arrives at the Ogandas’ house, seeking his missing father; a hardened policeman who has borne witness to unspeakable acts reopens a cold case; and an all-seeing Trader with a murky identity plots an overdue revenge. In scenes stretching from the violent upheaval of contemporary Kenya back through a shocking political assassination in 1969 and the Mau Mau uprisings against British colonial rule in the 1950s, we come to learn the secrets held by this parched landscape, buried deep within the shared past of the family and of a conflicted nation. Here is a spellbinding novel about a brother and sister who have lost their way; about how myths come to pass, history is written, and war stains us forever.
| Author | : |
| Publisher | : |
| Total Pages | : 576 |
| Release | : 2007 |
| Genre | : Africa, Southern |
| ISBN | : |
| Author | : David Attwell |
| Publisher | : Cambridge University Press |
| Total Pages | : 1451 |
| Release | : 2012-01-12 |
| Genre | : Literary Criticism |
| ISBN | : 1316175138 |
South Africa's unique history has produced literatures in many languages, in both oral and written forms, reflecting the diversity in the cultural histories and experiences of its people. The Cambridge History offers a comprehensive, multi-authored history of South African literature in all eleven official languages (and more minor ones) of the country, produced by a team of over forty international experts, including contributors from all of the major regions and language groups of South Africa. It will provide a complete portrait of South Africa's literary production, organised as a chronological history from the oral traditions existing before colonial settlement, to the post-apartheid revision of the past. In a field marked by controversy, this volume is more fully representative than any existing account of South Africa's literary history. It will make a unique contribution to Commonwealth, international and postcolonial studies and serve as a definitive reference work for decades to come.
