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New Grove Second Viennese School

New Grove Second Viennese School
Author: Oliver Wray Neighbour
Publisher: W. W. Norton & Company
Total Pages: 224
Release: 1997-07
Genre: Biography & Autobiography
ISBN: 9780393315875

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The New Grove Dictionary of Music and Musicians is the most up-to-date body of musical knowledge ever gathered together. The New Grove composer biographies have been selected from the dictionary to bring the finest of the biographies to a wider audience. Each has been expanded and updated for book publication and contains a comprehensive work-list, index, and fully revised bibliography, in addition to the definitive view of the subject's life and works. Arnold Schoenberg, Anton Webern, and Alban Berg comprise what is known as the 'Second Viennese School.' Their early 20th-century atonal and 12-tone composition marked the abolition of the traditional tonal functions and heralded an entirely new treatment of dissonance. These three biographies by Paul Griffiths (Webern), Oliver Neighbour (Schoenberg), and George Perle (Berg) provide insight into these developments and offer succinct and illuminating discussions of the composers' lives and works.


Songs of the Second Viennese School

Songs of the Second Viennese School
Author: Loralee Songer
Publisher: Rowman & Littlefield
Total Pages: 287
Release: 2016-08-22
Genre: Music
ISBN: 1442232986

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In Songs of the Second Viennese School: A Performer’s Guide to Selected Solo Vocal Works, scholar Loralee Songer outlines for singers and voice teachers critical information on selected solo vocal works by three major classical composers active during the first half of the twentieth century: Arnold Schoenberg, Alban Berg, and Anton Webern. For too long, the remarkable vocal works of these composers have received insufficient attention because too many have assumed their works to be “unsingable” atonal pieces, musically impossible (or unrewarding) for performers and entirely unsatisfying for listening audiences. For each composer, Songer provides information about the composer's educational background and compositional style, as well as commentary on representative vocal works supported by musical examples. The discussion is bolstered by interviews with renowned singers who supply advice for practice and performance. A catalog of selected songs featuring information on each work's poet, key, range, and German-English translation is also provided. Voice teachers and singers of varying levels will benefit from this book's practical content and format, and the exposure to under-appreciated works will enhance recital performance repertoire substantially.


Discordant Melody

Discordant Melody
Author: Lorraine Gorrell
Publisher: Praeger
Total Pages: 350
Release: 2002-09-30
Genre: Music
ISBN:

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Mezzo-soprano Gorrell (music, Winthrop U.) discusses Alexander Zemlinsky (1871-1942), who was highly regarded as a conductor, composer, pianist, and teacher by leading musicians of his age but whose music was hardly played for about 30 years after his death. Starting with his early years, she discusses his personal and musical life in light of artistic, political, and social events, as well as his associations with other composers, his relationship with Alma Schindler, his early and later unpublished songs, his symphonic songs, and Two Songs, Op. 27, the American songs. Annotation copyrighted by Book News, Inc., Portland, OR.


Discordant Melody

Discordant Melody
Author: Lorraine Gorrell
Publisher: Bloomsbury Publishing USA
Total Pages: 326
Release: 2002-09-30
Genre: Music
ISBN: 0313095787

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Esteemed by many of his most distinguished contemporaries, including Arnold Schoenberg , Alexander Zemlinsky (1871-1942) was a protégé of Brahms and Mahler. Despite this, he was overshadowed by the composers of the second Viennese school, and for many years after his death was remembered merely as the brother-in-law of Schoenberg. But with centenary celebrations of Zemlinsky's birth, scholars began a careful examination of his works and realized they had discovered a forgotten master. Zemlinsky's wonderful melodic gift was manifested in operas, choral works, chamber music, and symphonic pieces, but was realized most fully in his more than one hundred songs. In this important new study—the first such work in English—Lorraine Gorrell focuses on these songs, revealing the ways in which they represented a bridge between the 19th-century romantic lied and the 20th-century avant-garde. Of interest to scholars studying both the German art song and the development of the second Viennese school, Gorrell's work uses Zemlinsky's songs as a lens through which to examine an important, highly influential musical figure.


Schoenberg, Berg, and Webern

Schoenberg, Berg, and Webern
Author: Bryan R. Simms
Publisher: Greenwood
Total Pages: 432
Release: 1999-04-30
Genre: Music
ISBN:

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The Second Viennese School as a historical concept / Joseph Auner -- Musical culture in Vienna at the turn of the Twentieth Century / Margaret Notley -- Wiener Moderne and the tensions of Modernism / Dagmar Barnouw -- Arnold Schoenberg / Bryan R. Simms -- Alban Berg / David Schroeder -- Anton Webern / Anne C. Shreffler -- The legacy of the Second Viennese School / Jonathan W. Bernard.


Schoenberg and His School

Schoenberg and His School
Author: René Leibowitz
Publisher: Open Road Media
Total Pages: 413
Release: 2019-12-17
Genre: Music
ISBN: 1504060237

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The noted music theorist presents a brilliant and sweeping study of Schoenberg’s compositions and his influence on the generations that followed. A pioneering composer and leader of the Second Viennese School, Arthur Schoenberg was one of the most important figures in twentieth-century classical music. In Schoenberg and His School, composer, conductor, and music theorist René Leibowitz offers an authoritative analysis of Schoenberg’s groundbreaking contributions to composition theory and Western polyphony. In addition to detailing his subject’s major works, Leibowitz also explores Schoenberg’s influence on the works of his two great disciples, Alban Berg and Anton Webern. Leibowitz considers how the influences of all three men have, in turn, created new movements within contemporary music today.


The Lasalle Quartet

The Lasalle Quartet
Author: Robert Spruytenburg
Publisher: Boydell & Brewer Ltd
Total Pages: 422
Release: 2014
Genre: Art
ISBN: 1843838354

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The definitive study of the LaSalle Quartet, for forty years the premier exponent of 'the new music' for string quartet. The LaSalle Quartet (1946-1987) was the premier exponent of 'the new music' for string quartet. Founded in 1946 at the Julliard School in New York, it became famous for its performances of works by the Second Viennese School and its commissioning of many new pieces by contemporary post-war composers. As a result, the quartets by Lutoslawski, Ligeti and Nono have since entered the standard repertory, sitting comfortably next to those by Schoenberg, Berg andWebern. The LaSalle Quartet's brilliant advocacy of the quartets by Alexander Zemlinsky resulted in best-selling recordings for Deutsche Grammophon. In an informative and critical dialogue between new and old, the LaSalleQuartet was also an incisive interpreter of the classical quartet repertory; many of its recordings are still in print. Its record as a teaching quartet is equally impressive, numbering among its students at the University of Cincinnati the Alban Berg, Brahms, Prazak, Artis, Buchberger, Ponche and Vogler Quartets. The LaSalle Quartet's founder and first violinist, Walter Levin, is himself a highly influential teacher whose students have included the conductor James Levine and the violinist Christian Tetzlaff, as well as many third-generation string quartets. This book, based on extensive interviews with Walter Levin conducted by Robert Spruytenburg over five years, is in equal measure autobiography, history of the Quartet, reminiscences of the contemporary composers who figured so prominently in its career, and penetrating commentary on the LaSalle Quartet's wide-ranging repertory. All these aspectsare artfully woven into a uniquely valuable, informative and entertaining document of musical life in the twentieth century. ROBERT SPRUYTENBURG lives in Basel. He was introduced to Walter Levin in 1988 and took part inhis chamber music courses. Since 2003, Spruytenburg has been working on the LaSalle Quartet's archives located at the Paul Sacher Foundation in Basel. He is a frequent contributor to classical music programmes for Swiss radio.


The Norton/Grove Dictionary of Women Composers

The Norton/Grove Dictionary of Women Composers
Author: Julie Anne Sadie
Publisher: W. W. Norton & Company
Total Pages: 604
Release: 1995
Genre: Music
ISBN: 9780393034875

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Throughout history women have been composing music, but their achievements have usually gone unrecognized.


Listen to This

Listen to This
Author: Alex Ross
Publisher: Farrar, Straus and Giroux
Total Pages: 384
Release: 2010-09-28
Genre: Music
ISBN: 1429977612

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One of The Telegraph's Best Music Books 2011 Alex Ross's award-winning international bestseller, The Rest Is Noise: Listening to the Twentieth Century, has become a contemporary classic, establishing Ross as one of our most popular and acclaimed cultural historians. Listen to This, which takes its title from a beloved 2004 essay in which Ross describes his late-blooming discovery of pop music, showcases the best of his writing from more than a decade at The New Yorker. These pieces, dedicated to classical and popular artists alike, are at once erudite and lively. In a previously unpublished essay, Ross brilliantly retells hundreds of years of music history—from Renaissance dances to Led Zeppelin—through a few iconic bass lines of celebration and lament. He vibrantly sketches canonical composers such as Schubert, Verdi, and Brahms; gives us in-depth interviews with modern pop masters such as Björk and Radiohead; and introduces us to music students at a Newark high school and indie-rock hipsters in Beijing. Whether his subject is Mozart or Bob Dylan, Ross shows how music expresses the full complexity of the human condition. Witty, passionate, and brimming with insight, Listen to This teaches us how to listen more closely.


Musical Stimulacra

Musical Stimulacra
Author: Ivan Delazari
Publisher: Routledge
Total Pages: 288
Release: 2020-12-29
Genre: Literary Criticism
ISBN: 1000327809

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The title coinage of this book, stimulacra, refers to the fundamental capacity of literary narrative to stimulate our minds and senses by simulating things through words. Musical stimulacra are passages of fiction that readers are empowered to transpose into mental simulations of music. The book theorizes how fiction can generate musical experience, explains what constitutes that experience, and explores the musical dimensions of three American novels: William T. Vollmann’s Europe Central (2005), William H. Gass’s Middle C (2013), and Richard Powers’s Orfeo (2014). Musical Stimulacra approaches fiction’s music from a readerly perspective. Instead of looking at how novels forever fail to compensate for music’s physical, structural, and affective properties, the book concentrates on what literary narrative can do musically. Negotiating common grounds for cognitive audionarratology and intermediality studies, Musical Stimulacra builds its case on the assumption that, among other things, fiction urges us to listen—to musical words and worlds.