Songs of Field and Flood
Author | : Charles Timothy Brooks |
Publisher | : |
Total Pages | : 58 |
Release | : 1853 |
Genre | : Newport (R.I.) |
ISBN | : |
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Author | : Charles Timothy Brooks |
Publisher | : |
Total Pages | : 58 |
Release | : 1853 |
Genre | : Newport (R.I.) |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : |
Release | : 1853 |
Genre | : |
ISBN | : |
Author | : Charles Timothy Brooks |
Publisher | : Forgotten Books |
Total Pages | : 50 |
Release | : 2017-12-21 |
Genre | : Poetry |
ISBN | : 9780484345293 |
Excerpt from Songs of Field and Flood On a landscape of beauty, far and wide Not Tempe's vale more fair might be Than seemed at that hour that vale to me. Each bird was singing his joyous tune. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author | : Charles Timothy 1813-1883 Brooks |
Publisher | : Wentworth Press |
Total Pages | : 54 |
Release | : 2016-08-29 |
Genre | : History |
ISBN | : 9781373637918 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author | : Sherwin Bitsui |
Publisher | : Copper Canyon Press |
Total Pages | : 90 |
Release | : 2016-06-13 |
Genre | : Poetry |
ISBN | : 1619321416 |
"Sherwin Bitsui's new poetry collection, Flood Song—a sprawling, panoramic journey through landscape, time, and cultures—is well worth the ride."—Poets & Writers “Bitsui’s poetry is elegant, probative, and original. His vision connects worlds.”—New Mexico Magazine “His images can tilt on the side of surrealism, yet his work can be compellingly accessible.”—Arizona Daily Star “Sherwin Bitsui sees violent beauty in the American landscape. There are junipers, black ants, axes, and cities dragging their bridges. I can hear Whitman's drums in these poems and I can see Ginsberg's supermarkets. But above all else, there is an indigenous eccentricity, ‘a cornfield at the bottom of a sandstone canyon,’ that you will not find anywhere else.”—Sherman Alexie Native traditions scrape against contemporary urban life in Flood Song, an interweaving painterly sequence populated with wrens and reeds, bricks and gasoline. Poet Sherwin Bitsui is at the forefront of a new generation of Native writers who resist being identified solely by race. At the same time, he comes from a traditional indigenous family and Flood Song is filled with allusions to Dine (Navajo) myths, customs, and traditions. Highly imagistic and constantly in motion, his poems draw variously upon medicine song and contemporary language and poetics. “I map a shrinking map,” he writes, and “bite my eyes shut between these songs.” An astonishing, elemental volume. I retrace and trace over my fingerprints Here: magma, there: shore, and on the peninsula of his finger pointing west— a bell rope woven from optic nerves is tethered to mustangs galloping from a nation lifting its first page through the man hole—burn marks in the saddle horn, static in the ear that cannot sever cries from wailing. Sherwin Bitsui’s acclaimed first book of poems, Shapeshift, appeared in 2003. He has earned many honors for his work, including fellowships from the Witter Bynner Foundation and Lannan Foundation, and he is frequently invited to poetry festivals throughout the world. He lives in Tucson, Arizona.
Author | : Ethelbert Sheb Ray |
Publisher | : |
Total Pages | : 390 |
Release | : 1909 |
Genre | : Kidnapping |
ISBN | : |
Author | : S. Alexander Reed |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 95 |
Release | : 2013-11-28 |
Genre | : Music |
ISBN | : 1623568293 |
For a few decades now, They Might Be Giants' album Flood has been a beacon (or at least a nightlight) for people who might rather read than rock out, who care more about science fiction than Slayer, who are more often called clever than cool. Neither the band's hip origins in the Lower East Side scene nor Flood's platinum certification can cover up the record's singular importance at the geek fringes of culture. Flood's significance to this audience helps us understand a certain way of being: it shows that geek identity doesn't depend on references to Hobbits or Spock ears, but can instead be a set of creative and interpretive practices marked by playful excess-a flood of ideas. The album also clarifies an historical moment. The brainy sort of kids who listened to They Might Be Giants saw their own cultural options grow explosively during the late 1980s and early 1990s amid the early tech boom and America's advancing leftist social tides. Whether or not it was the band's intention, Flood's jubilant proclamation of an identity unconcerned with coolness found an ideal audience at an ideal turning point. This book tells the story.
Author | : Robert Springer |
Publisher | : Univ. Press of Mississippi |
Total Pages | : 320 |
Release | : 2009-09-23 |
Genre | : Music |
ISBN | : 162846996X |
Musicians and music scholars rightly focus on the sounds of the blues and the colorful life stories of blues performers. Equally important and, until now, inadequately studied are the lyrics. The international contributors to Nobody Knows Where the Blues Come From explore this aspect of the blues and establish the significance of African American popular song as a neglected form of oral history. “High Water Everywhere: Blues and Gospel Commentary on the 1927 Mississippi River Flood,” by David Evans, is the definitive study of songs about one of the greatest natural disasters in the history of the United States. In “Death by Fire: African American Popular Music on the Natchez Rhythm Club Fire,” Luigi Monge analyzes a continuum of songs about exclusively African American tragedy. “Lookin’ for the Bully: An Enquiry into a Song and Its Story,” by Paul Oliver traces the origins and the many avatars of the Bully song. In “That Dry Creek Eaton Clan: A North Mississippi Murder Ballad of the 1930s,” Tom Freeland and Chris Smith study a ballad recorded in 1939 by a black convict at Parchman prison farm. “Coolidge’s Blues: African American Blues from the Roaring Twenties” is Guido van Rijn’s survey of blues of that decade. Robert Springer's “On the Electronic Trail of Blues Formulas” presents a number of conclusions about the spread of patterns in blues narratives. In “West Indies Blues: An Historical Overview 1920s-1950s,” John Cowley turns his attention to West Indian songs produced on the American mainland. Finally, in “Ethel Waters: ‘Long, Lean, Lanky Mama,’” Randall Cherry reappraises the early career of this blues and vaudeville singer
Author | : |
Publisher | : |
Total Pages | : 606 |
Release | : 1894 |
Genre | : |
ISBN | : |
Author | : Alan Cheuse |
Publisher | : Sourcebooks, Inc. |
Total Pages | : 459 |
Release | : 2012-07-01 |
Genre | : Fiction |
ISBN | : 1402263147 |
Lyrically told and impeccably researched, Song of Slaves in the Desert traces the story of Nathaniel Pereira, a young New Yorker who's called to revive his uncle's South Carolina plantation. Nathaniel is struck by the sobering reality of slavery as he becomes captivated by the young slave Liza. Liza's never known the meaning of freedom, and as Nathaniel plunges into the murky mysteries of slavery, she can see how he might change her life forever. A masterful writer, Cheuse traces the thread of slavery from sixteenth-century Timbuktu and grapples with the wild nature of love.