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Slapping the Table in Amazement

Slapping the Table in Amazement
Author: Mengchu Ling
Publisher: University of Washington Press
Total Pages: 928
Release: 2018-01-22
Genre: Literary Collections
ISBN: 0295742143

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Slapping the Table in Amazement is the unabridged English translation of the famous story collection Pai�an jingqi by Ling Mengchu (1580�1644), originally published in 1628. The forty lively stories gathered here present a broad picture of traditional Chinese society and include characters from all social levels. We learn of their joys and sorrows, their views about life and death, and their visions of the underworld and the supernatural. Ling was a connoisseur of popular literature and a seminal figure in the development of Chinese literature in the vernacular, which paved the way for the late-imperial Chinese novel. Slapping the Table in Amazement includes translations of verse and prologue stories as well as marginal and interlinear comments.


Historian of the Strange

Historian of the Strange
Author: Judith T. Zeitlin
Publisher: Stanford University Press
Total Pages: 700
Release: 1993
Genre: Literary Collections
ISBN: 0804729689

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This is the first book in English on the seventeenth-century Chinese masterpiece Liaozhai's Records of the Strange (Liaozhai zhiyi) by Pu Songling, a collection of nearly five hundred fantastic tales and anecdotes written in Classical Chinese.


Reading for the Moral

Reading for the Moral
Author: Maria Franca Sibau
Publisher: SUNY Press
Total Pages: 246
Release: 2018-04-01
Genre: Literary Criticism
ISBN: 1438469896

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Reassesses didacticism in seventeenth-century Chinese vernacular fiction and challenges the view that the late Ming was a notoriously immoral time. Reading for the Moral offers an innovative reassessment of the nature of moral representation and exemplarity in Chinese vernacular fiction. Maria Franca Sibau focuses on two little-studied story collections published at the end of the Ming dynasty, Exemplary Words for the World (Xingshi yan, 1632) and Bell in the Still Night (Qingye zhong, c. 1645). Far from being tediously moralistic tales, these stories of loyal ministers, filial children, chaste widows, and selfless friends provide a deeper understanding of the five cardinal relationships central to Confucian ethics. They explore the inherent tension between what we might call textbook morality, on the one hand, and untidy everyday life, on the other. The stories often take a critical view of mechanical notions of retribution, countering it with the logic of virtue as its own reward. Conflict between passion and duty is typically resolved in favor of duty, a duty redefined with a palpable sense of urgency. In constructing vernacular representations of moral exemplars from the recent historical past rather than from remote or fictitious antiquity, the story compilers show how these virtues are not abstract or monolithic norms, but play out within the contingencies of time and space. “Reading for the Moral is an entertaining and insightful exploration of how seriously moralistic writers really were in a time that became notorious for its supposed immorality. Sibau’s encyclopedic knowledge of both original texts and relevant secondary literature make this an excellent source of inspiration for further research. This book is an outstanding accomplishment.” — Robert E. Hegel, author of Reading Illustrated Fiction in Late Imperial China


Crossing Boundaries and Confounding Identity

Crossing Boundaries and Confounding Identity
Author: Cheryl C. D. Hughes
Publisher: State University of New York Press
Total Pages: 369
Release: 2023-02-01
Genre: Social Science
ISBN: 1438492162

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Crossing Borders and Confounding Identity advances our understanding of the diversity of Chinese women's experiences and achievements, from the Han Dynasty to the present. With a particular emphasis on literature and the arts, the chapters offer insights into the work of current Chinese women artists as well as literary, historical, and cultural portrayals of women and women's issues. Taken together, they provide new perspectives on Chinese women, their lived experiences and fictional representations, across a broad spectrum of literature, theater, film, and the visual arts. Accessible to nonspecialists and general readers, this book will also be a valuable resource for faculty who teach Asian studies courses in history and in the humanities, as well as for students in interdisciplinary Asian studies courses.


A Historical Research Of Chinese Folk Songs

A Historical Research Of Chinese Folk Songs
Author: Shulu Chen
Publisher: World Scientific
Total Pages: 696
Release: 2023-12-04
Genre: Music
ISBN: 9811276102

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This book advances the study of Chinese folk songs through theoretical innovation in literature-based folk songs and methodological innovation in multidisciplinary cross-interaction. It describes the historical development of folk songs, makes an in-depth study of the intersection and integration of folk songs with other literature and art, as well as the relationship with merchants, folk customs and regional culture, and analyses the literature of folk songs in previous dynasties. It is not only significant for the preservation of cultural heritage, but also to the promotion of folk song research and related fields. This book is applicable to scholars and researchers who have in-depth research on Chinese folk songs.


The Chinese Vernacular Story

The Chinese Vernacular Story
Author: Patrick Hanan
Publisher: Harvard University Press
Total Pages: 298
Release: 1981
Genre: History
ISBN: 9780674125650

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The Chinese Virago

The Chinese Virago
Author: Yenna Wu
Publisher: BRILL
Total Pages: 323
Release: 2020-10-26
Genre: Literary Criticism
ISBN: 1684170206

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Drawing from a broad array of literary, historical, dramatic and anecdotal sources, Yenna Wu makes a rich exploration of an unusually prominent theme in premodern Chinese prose fiction and drama: that of jealous and belligerent wives, or viragos, who dominate their husbands and abuse other women. Focusing on Chinese literary works from the sixteenth to the eighteenth centuries, she presents many colorful perspectives on this type of aggression, reviewing early literary and historical examples of the phenomenon. Wu argues that although the various portraits of the virago often reveal the writers' insecurities about strong-willed women in general, the authors also satirize the kind of man whose behavioral patterns have been catalysts for female aggression. She also shows that, while the women in these works are to some extent male constructs designed to affirm the patriarchal system, various elements of these portraits constitute a subversive form of parody that casts a revealing light on the patriarchal hierarchy of premodern China.


Ming Dynasty Tales

Ming Dynasty Tales
Author: Victor H. Mair
Publisher: Bloomsbury Publishing
Total Pages: 201
Release: 2022-03-10
Genre: History
ISBN: 1350263303

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With commentary and annotations throughout, Ming Dynasty Tales: A Guided Reader presents for the first time in English 10 key stories from China's Ming Dynasty era. Casting new light on this significant period in Chinese literary history, these tales bring Ming era China vividly to life, from its chaotic beginnings to its imperial heyday. As well as bearing witness to social change across the 100-year life of the Yuan Dynasty from 1260 to 1368, these tales tackle key themes of war and peace and Confucian values of loyalty, filiality, chastity, and righteousness.


Towers in the Void

Towers in the Void
Author: S. E. Kile
Publisher: Columbia University Press
Total Pages: 229
Release: 2023-05-30
Genre: Literary Criticism
ISBN: 0231558244

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The maverick cultural entrepreneur Li Yu survived the tumultuous Ming-Qing dynastic transition of the mid-seventeenth century through a commercially successful practice founded on intermedial experimentation. He engaged an astonishingly broad variety of cultural forms: from theatrical performance and literary production to fashion and wellness; from garden and interior design to the composition of letters and administrative documents. Drawing on his nonliterary work to reshape his writing, he translated this wide-ranging expertise into easily transmittable woodblock-printed form. Towers in the Void is a groundbreaking analysis of Li Yu’s work across these varied fields. It uses the concept of media to traverse them, revealing Li Yu’s creative enterprise as a remaking of early modern media forms. S. E. Kile argues that Li Yu’s cultural experimentation exploits the seams between language and the tangible world. He draws attention to the materiality of particular media forms, expanding the scope of early modern media by interweaving books, buildings, and bodies. Within and across these media, Li Yu’s cultural entrepreneurship with the technology of the printed book embraced its reproducibility while retaining a personal touch. His literary practice informed his garden design and, conversely, he drew on garden design to transform the vernacular short story. Ideas for extreme body modification in Li Yu’s fiction remade the possibilities of real human bodies in his nonfiction writing. Towers in the Void calls for seeing books, bodies, and buildings as interlinked media forms, both in early modern China and in today’s media-saturated world, positioning the Ming and Qing as a crucial site of global early modern cultural change.


A Brief History of the Relationship Between Confucianism, Daoism, and Buddhism

A Brief History of the Relationship Between Confucianism, Daoism, and Buddhism
Author: Zhongjian Mou
Publisher: Springer Nature
Total Pages: 622
Release: 2023-01-01
Genre: Philosophy
ISBN: 9811972060

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Chinese traditions of Confucianism, Daoism, and Buddhism have a profoundly philosophical dimension. The three traditions are frequently referred to as three paths of moral teachings. In this book, Mou provides a clear account of the textual corpus that emerges to define each of these traditions and how this canonical axis was augmented by a continuing commentarial tradition as each generation reauthorized the written core for their own time and place. In his careful exegesis, Mou lays out the differences between the more religious reading of these traditions with their defining practices that punctuate the human journey through life, and the more intellectual and philosophical treatment of the texts that has and continues to produce a first-order culture of annotation that become integral to the traditions themselves. At the center of the alternative religious experience reflected throughout the teachings of Confucianism, Daoism, and Buddhism is the project of personal cultivation as it comes to be expressed as robust growth in family and communal relations. For Mou, these three highly distinctive and yet complementary ways of thinking and living constitute a kind of moral ecology, wherein each of them complements the others as they stand in service to a different dimension of the human need for an educated spirituality.