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| Author | : Nicholas Grene |
| Publisher | : Cambridge University Press |
| Total Pages | : 302 |
| Release | : 2002-01-03 |
| Genre | : Literary Criticism |
| ISBN | : 9780521773416 |
A re-reading of the two sequences of Shakespeare's English history plays.
| Author | : Neema Parvini |
| Publisher | : Edinburgh University Press |
| Total Pages | : 256 |
| Release | : 2012-03-21 |
| Genre | : Literary Criticism |
| ISBN | : 0748654968 |
This important intervention in the critical and theoretical discourse of Shakespeare studies summarises, evaluates and ultimately calls time on the mode of criticism that has prevailed in Shakespeare studies over the past thirty years. It heralds a new, m
| Author | : A. J. Hoenselaars |
| Publisher | : Cambridge University Press |
| Total Pages | : 316 |
| Release | : 2004-09-23 |
| Genre | : Drama |
| ISBN | : 9780521829021 |
This volume, with a foreword by Dennis Kennedy, addresses a range of attitudes to Shakespeare's English history plays in Britain and abroad from the early seventeenth century to the present day. It concentrates on the play texts as well as productions, translations and adaptations of them. The essays explore the multiple points of intersection between the English history they recount and the experience of British and other national cultures, establishing the plays as genres not only relevant to the political and cultural history of Britain but also to the history of nearly every nation worldwide. The plays have had a rich international reception tradition but critics and theatre historians abroad, those practising 'foreign' Shakespeare, have tended to ignore these plays in favour of the comedies and tragedies. By presenting the British and foreign Shakespeare traditions side by side, this volume seeks to promote a more finely integrated world Shakespeare.
| Author | : Amy Lidster |
| Publisher | : Cambridge University Press |
| Total Pages | : 301 |
| Release | : 2022-03-17 |
| Genre | : Drama |
| ISBN | : 131651725X |
Showing how overlooked publication agents constructed and read early modern history plays, this book fundamentally re-evaluates the genre.
| Author | : Britannica Educational Publishing |
| Publisher | : Britannica Educational Publishing |
| Total Pages | : 114 |
| Release | : 2012-12-01 |
| Genre | : Juvenile Nonfiction |
| ISBN | : 1615309306 |
Before Shakespeare, few dramatists had used historical figures as characters in a play, or actual historical events as elements of a plot. Likewise, the Bard was a pioneer of the sonnet, which he took to new heights. Both literary form, including his two historical tetralogies, and his narrative poems, in addition to the particular form of sonnet that now bears his name are examined through engaging text. A brief treatise on the music within and accompanying productions of Shakespeares plays rounds out the coverage.
| Author | : Elisabeth Bronfen |
| Publisher | : Manchester University Press |
| Total Pages | : 260 |
| Release | : 2020-10-27 |
| Genre | : Literary Criticism |
| ISBN | : 1526142333 |
Shakespeare is everywhere in contemporary media culture. This book explores the reasons for this dissemination and reassemblage. Ranging widely over American TV drama, it discusses the use of citations in Westworld and The Wire, demonstrating how they tap into but also transform Shakespeare’s preferred themes and concerns. It then examines the presentation of female presidents in shows such as Commander in Chief and House of Cards, revealing how they are modelled on figures of female sovereignty from his plays. Finally, it analyses the specifically Shakespearean dramaturgy of Deadwood and The Americans. Ultimately, the book brings into focus the way serial TV drama appropriates Shakespeare in order to give voice to the unfinished business of the American cultural imaginary.
| Author | : Joseph Rosenblum |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 3141 |
| Release | : 2017-06-22 |
| Genre | : Drama |
| ISBN | : |
This expansive four-volume work gives students detailed explanations of Shakespeare's plays and poems and also covers his age, life, theater, texts, and language. Numerous excerpts from primary source historical documents contextualize his works, while reviews of productions chronicle his performance history and reception. Shakespeare's works often served to convey simple truths, but they are also complex, multilayered masterpieces. Shakespeare drew on varied sources to create his plays, and while the plays are sometimes set in worlds before the Elizabethan age, they nonetheless parallel and comment on situations in his own era. Written with the needs of students in mind, this four-volume set demystifies Shakespeare for today's readers and provides the necessary perspective and analysis students need to better appreciate the genius of his work. This indispensable ready reference examines Shakespeare's plots, language, and themes; his use of sources and exploration of issues important to his age; the interpretation of his works through productions from the Renaissance to the present; and the critical reaction to key questions concerning his writings. The book provides coverage of each key play and poems in discrete sections, with each section presenting summaries; discussions of themes, characters, language, and imagery; and clear explications of key passages. Readers will be able to inspect historical documents related to the topics explored in the work being discussed and view excerpts from Shakespeare's sources as well as reviews of major productions. The work also provides a comprehensive list of print and electronic resources suitable for student research.
| Author | : William Shakespeare |
| Publisher | : Castrovilli Giuseppe |
| Total Pages | : 142 |
| Release | : 1957 |
| Genre | : |
| ISBN | : |
| Author | : Isabel Karremann |
| Publisher | : Cambridge University Press |
| Total Pages | : 223 |
| Release | : 2015-10-20 |
| Genre | : Literary Criticism |
| ISBN | : 131642541X |
This book analyses the drama of memory in Shakespeare's history plays. Situating the plays in relation to the extra-dramatic contexts of early modern print culture, the Reformation and an emergent sense of nationhood, it examines the dramatic devices the theatre developed to engage with the memory crisis triggered by these historical developments. Against the established view that the theatre was a cultural site that served primarily to salvage memories, Isabel Karremann also considers the uses and functions of forgetting on the Shakespearean stage and in early modern culture. Drawing on recent developments in memory studies, new formalism and performance studies, the volume develops an innovative vocabulary and methodology for analysing Shakespeare's mnemonic dramaturgy in terms of the performance of memory that results in innovative readings of the English history plays. Karremann's book is of interest to researchers and upper-level students of Shakespeare studies, early modern drama and memory studies.
| Author | : D. Cavanagh |
| Publisher | : Springer |
| Total Pages | : 208 |
| Release | : 2003-12-12 |
| Genre | : Literary Criticism |
| ISBN | : 0230005837 |
Language and Politics in the Sixteenth-Century History Play examines a key preoccupation of historical drama in the period 1538-1600: the threat presented by uncivil language. 'Unlicensed' speech informs the presentation of political debate in Tudor history plays and it is also the subject of their most daring political speculations. By analyzing plays by John Bale, Thomas Norton, Thomas Sackville, and Robert Greene, as well as Shakespeare, this study also argues for a more inclusive approach to the genre.
