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Shakespeare's Sense of Character

Shakespeare's Sense of Character
Author: Michael W. Shurgot
Publisher: Routledge
Total Pages: 314
Release: 2016-04-01
Genre: Drama
ISBN: 1317056019

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Making a unique intervention in an incipient but powerful resurgence of academic interest in character-based approaches to Shakespeare, this book brings scholars and theatre practitioners together to rethink why and how character continues to matter. Contributors seek in particular to expand our notions of what Shakespearean character is, and to extend the range of critical vocabularies in which character criticism can work. The return to character thus involves incorporating as well as contesting postmodern ideas that have radically revised our conceptions of subjectivity and selfhood. At the same time, by engaging theatre practitioners, this book promotes the kind of comprehensive dialogue that is necessary for the common endeavor of sustaining the vitality of Shakespeare's characters.


Shakespeare's Settings and a Sense of Place

Shakespeare's Settings and a Sense of Place
Author: Ralph Berry
Publisher:
Total Pages: 0
Release: 2016
Genre:
ISBN: 9781783168088

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Published to coincide with the 400th anniversary of Shakespeare's death, this is an original and accessible synthesis of the author's conviction that many of Shakespeare's plays are powerfully shaped by their sense of place.


Of Human Kindness

Of Human Kindness
Author: Paula Marantz Cohen
Publisher: Yale University Press
Total Pages: 172
Release: 2021-02-09
Genre: Literary Criticism
ISBN: 0300258321

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An award-winning scholar and teacher explores how Shakespeare's greatest characters were built on a learned sense of empathy While exploring Shakespeare's plays with her students, Paula Marantz Cohen discovered that teaching and discussing his plays unlocked a surprising sense of compassion in the classroom. In this short and illuminating book, she shows how Shakespeare's genius lay with his ability to arouse empathy, even when his characters exist in alien contexts and behave in reprehensible ways. Cohen takes her readers through a selection of Shakespeare's most famous plays, including Hamlet, Othello, King Lear, and The Merchant of Venice, to demonstrate the ways in which Shakespeare thought deeply and clearly about how we treat "the other." Cohen argues that only through close reading of Shakespeare can we fully appreciate his empathetic response to race, class, gender, and age. Wise, eloquent, and thoughtful, this book is a forceful argument for literature's power to champion what is best in us.


Shakespeare

Shakespeare
Author: Harold Bloom
Publisher: HarperCollins UK
Total Pages: 774
Release: 2008-07
Genre: Literary Criticism
ISBN: 0007292848

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Harold Bloom, the doyen of American literary critics and author of 'The Western Canon', has spent a professional lifetime reading, writing about, and teaching Shakespeare. In this magisterial interpretation, Bloom explains Shakespeare's genius in a radical and provocative re-reading of the plays.


Characters of Shakespeare's Plays

Characters of Shakespeare's Plays
Author: William Hazlitt
Publisher: BoD – Books on Demand
Total Pages: 222
Release: 2020-07-28
Genre: Fiction
ISBN: 3752355557

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Reproduction of the original: Characters of Shakespeare's Plays by William Hazlitt


Characters of Shakespeare's Plays

Characters of Shakespeare's Plays
Author: William Hazlitt
Publisher: BoD – Books on Demand
Total Pages: 394
Release: 2023-02-03
Genre: Fiction
ISBN: 3368338560

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Reproduction of the original.


Perspective in Shakespeare's English Histories

Perspective in Shakespeare's English Histories
Author: Larry S. Champion
Publisher: University of Georgia Press
Total Pages: 236
Release: 2011-04-01
Genre: Literary Criticism
ISBN: 082033846X

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Larry S. Champion examines Shakespeare's English history plays and describes the structural devices through which Shakespeare controls the audience's angle of vision and its response to the pattern of historical events. Champion observes the experimentation between stage worlds and the significance of a dramatic technique unique to the history play—one that combines the detachment of a documentary necessary for a broad intellectual view of history and the simultaneous engagement between character and spectator. Champion sees a conscious bifurcation occurring in Shakespeare's dramaturgy after Richard II. In Julius Caesar, Shakespeare continues to focus on the psychological analysis and internalized protagonist which lead to his major tragic achievements. In King John and Henry IV, the playwright develops a middle ground between the polarities of Henry VI, in which the flat, onedimensional characters essentially serve the purposes of the narrative, and the tragedies, in which the spectator's consuming interest is in the developing centralfigure whose critical moments they share. Champion sees Henry V as the culmination of Shakespeare's e fforts in the English history play.


Shakespeare's Pluralistic Concepts of Character

Shakespeare's Pluralistic Concepts of Character
Author: Imtiaz H. Habib
Publisher: Susquehanna University Press
Total Pages: 264
Release: 1993
Genre: Drama
ISBN: 9780945636373

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The presentation of a complex character such as Shylock bears resemblance to the technique of anamorphic portraiture and trick perspective in the sense that, seen one way he appears a villain, but seen another way he appears a persecuted victim. The clashing and merging of opposed frames of ideological reference that cannot be held apart or resolved and that remain in a kind of uneasy balance may be a technique of comic characterization that exploits relativism and ambiguity in the presentation of human personality and self on stage. A similar technique can be seen at work in the Histories in the characters of Richard and Bolingbroke, who, as has long been noted, compete contrarily for the audience's ideological sympathies over the course of the play.