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Shakespeare Scriptorium

Shakespeare Scriptorium
Author: Joyce McPherson
Publisher: Createspace Independent Publishing Platform
Total Pages: 108
Release: 2017-12-09
Genre:
ISBN: 9781981587254

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An abridged version of "Twelfth Night" for student productions and reader's theater.


Shakespeare Scriptorium

Shakespeare Scriptorium
Author: Joyce McPherson
Publisher: Createspace Independent Publishing Platform
Total Pages: 92
Release: 2018-05-21
Genre:
ISBN: 9781719495882

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An abridged version of "The Taming of the Shrew" for student productions and reader's theater.


Shakespeare Scriptorium

Shakespeare Scriptorium
Author: Joyce McPherson
Publisher: Createspace Independent Publishing Platform
Total Pages: 86
Release: 2017-12-09
Genre:
ISBN: 9781981584765

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An abridged version of "The Tempest" for student productions and reader's theater.


Shakespeare Scriptorium

Shakespeare Scriptorium
Author: Joyce McPherson
Publisher: Createspace Independent Publishing Platform
Total Pages: 100
Release: 2017-12-08
Genre:
ISBN: 9781981558483

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An abridged version of "Hamlet" for student productions and reader's theater.


The Taming of the Shrew: Shakespeare Scriptorium

The Taming of the Shrew: Shakespeare Scriptorium
Author: Joyce McPherson
Publisher:
Total Pages: 92
Release: 2018-05-23
Genre:
ISBN: 9781719586214

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An abridged version of "The Taming of the Shrew" for student productions and reader's theater.


Is it Shakespeare?

Is it Shakespeare?
Author: Walter Begley
Publisher:
Total Pages: 416
Release: 1903
Genre:
ISBN:

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The Tragedy of King Lear

The Tragedy of King Lear
Author: William Shakespeare
Publisher: Createspace Independent Publishing Platform
Total Pages: 98
Release: 2018-08-13
Genre:
ISBN: 9781725597808

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An abridged version of "The Tragedy of King Lear" for student productions and reader's theater.


Shakespeare Scriptorium

Shakespeare Scriptorium
Author: Joyce McPherson
Publisher: Createspace Independent Publishing Platform
Total Pages: 100
Release: 2017-12-08
Genre:
ISBN: 9781981564576

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An abridged version of "Romeo and Juliet" for student productions and reader's theater.


The Routledge Handbook of Shakespeare and Memory

The Routledge Handbook of Shakespeare and Memory
Author: Andrew Hiscock
Publisher: Routledge
Total Pages: 504
Release: 2017-08-09
Genre: Literary Criticism
ISBN: 1317596846

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The Routledge Handbook of Shakespeare and Memory introduces this vibrant field of study to students and scholars, whilst defining and extending critical debates in the area. The book begins with a series of "Critical Introductions" offering an overview of memory in particular areas of Shakespeare such as theatre, print culture, visual arts, post-colonial adaptation and new media. These essays both introduce the topic but also explore specific areas such as the way in which Shakespeare’s representation in the visual arts created a national and then a global poet. The entries then develop into more specific studies of the genre of Shakespeare, with sections on Tragedy, History, Comedy and Poetry, which include insightful readings of specific key plays. The book ends with a state of the art review of the area, charting major contributions to the debate, and illuminating areas for further study. The international range of contributors explore the nature of memory in religious, political, emotional and economic terms which are not only relevant to Shakespearean times, but to the way we think and read now.


Shakespeare

Shakespeare
Author: Russell Fraser
Publisher: Routledge
Total Pages: 825
Release: 2017-07-28
Genre: Literary Criticism
ISBN: 1351491040

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Shakespeare: A Life in Art brings together in a single volume Fraser's previously published two-volume biography (Young Shakespeare, 1988, and Shakespeare: The Later Years, 1992). This volume includes a new introduction, which looks back on the author's lifelong commitment to Shakespeare's work and seeks to find the pattern in his carpet.Fraser's approach places Shakespeare's work first but shows how the life and art interpenetrate, like the yolk and white of one shell. What Shakespeare was doing in Stratford and London underlies what he was writing, or more exactly, the two flow together. Most of the book is devoted to Shakespeare the man and artist, but it simultaneously throws light on his literary and personal relations with contemporaries such as Jonson, Marlowe, and others known as the University Wits. His experience as an actor and man of theater is absorbingly recounted here, as well as his relations to well-born patrons like the Earl of Southampton and Henry Carey, Lord Hunsdon (England's Lord Chamberlain). In 1603 when James I ascended the throne, the Chamberlain's Men became the King's Men, passing under the sovereign's protection. How Shakespeare responded to his ambiguous role--he was both servant to the great and their remorseless critic--is another of Fraser's subjects. In short, Fraser's principal purpose is to advance our understanding of Shakespeare, at the same time throwing light on the work of the man who of all modern, and perhaps ancient poets had the largest and most comprehensive soul. John Dryden, Shakespeare's first great critic, said that, and Fraser tries to estimate what he meant.