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| Author | : Peter Holland |
| Publisher | : Cambridge University Press |
| Total Pages | : 326 |
| Release | : 2006-11-02 |
| Genre | : Literary Criticism |
| ISBN | : 0521863805 |
This collection by leading Shakespeare scholars, first published in 2006, brings together memory and performance.
| Author | : Lina Perkins Wilder |
| Publisher | : Cambridge University Press |
| Total Pages | : 231 |
| Release | : 2010-11-04 |
| Genre | : Drama |
| ISBN | : 0521764556 |
Wilder examines the excessive remembering of figures such as Romeo, Falstaff, and Hamlet as a way of defining Shakespeare's theatricality.
| Author | : Paul Edward Yachnin |
| Publisher | : Ashgate Publishing, Ltd. |
| Total Pages | : 232 |
| Release | : 2008 |
| Genre | : Literary Criticism |
| ISBN | : 9780754655855 |
Using the tools of theatre history in their investigation into the phenomenology of the performance experience, the essays here also consider the social, ideological and institutional contingencies that determine the production and reception of the living spectacle. The contributors strive to bring better understanding to Shakespeare's imaginative investment in the relationship between theatrical production and the emotional, intellectual and cultural effects of performance broadly defined in social terms.
| Author | : Joyce Green MacDonald |
| Publisher | : Springer Nature |
| Total Pages | : 183 |
| Release | : 2020-08-24 |
| Genre | : Literary Criticism |
| ISBN | : 3030506800 |
As readers head into the second fifty years of the modern critical study of blackness and black characters in Renaissance drama, it has become a critical commonplace to note black female characters’ almost complete absence from Shakespeare’s plays. Despite this physical absence, however, they still play central symbolic roles in articulating definitions of love, beauty, chastity, femininity, and civic and social standing, invoked as the opposite and foil of women who are “fair”. Beginning from this recognition of black women’s simultaneous physical absence and imaginative presence, this book argues that modern Shakespearean adaptation is a primary means for materializing black women’s often elusive presence in the plays, serving as a vital staging place for historical and political inquiry into racial formation in Shakespeare’s world, and our own. Ranging geographically across North America and the Caribbean, and including film and fiction as well as drama as it discusses remade versions of Othello, Romeo and Juliet, Antony and Cleopatra, and The Taming of the Shrew, Shakespearean Adaptation, Race, and Memory in the New World will attract scholars of early modern race studies, gender and performance, and women in Renaissance drama.
| Author | : Eric C. Brown |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 270 |
| Release | : 2014-08-11 |
| Genre | : Literary Criticism |
| ISBN | : 1443865796 |
The fourteen essays included in this collection offer a range of contributions from both new and well-established scholars to the topic of Shakespeare and performance. From traditional studies of theatrical history and adaptation to explorations of Shakespeare’s plays in the circus, musical extravaganzas, the cinema, and drama at large, the collection embraces a number of performance spaces, times, and media. Shakespeare in Performance includes essays looking not only at sixteenth- and seventeenth-century stagings of the plays in England, but at productions of Shakespeare across time in the United States, France, Italy, Hungary, and Africa, underscoring the multiple embodiments and voices of Shakespeare’s art and including a variety of cultural approaches. The work is ultimately occupied with a number of questions generated by these continual iterations of Shakespeare. How can we write and trace what is ephemeral? To what purpose do we maintain the memory of past performances? How does the transmediation of Shakespeare inform the most basic interpretive acts? What motivates Shakespearean theatre across political borders? What kinds of meaning are produced by décor, movement, the actor’s virtuosity, the producer’s choices, or the audience’s response? Each essay thus, to some degree, describes and voices the now unseen.
| Author | : Hester Lees-Jeffries |
| Publisher | : |
| Total Pages | : 244 |
| Release | : 2013-08-22 |
| Genre | : Literary Criticism |
| ISBN | : 0199674256 |
Shakespeare and Memory explores Shakespeare's plays and poems in the light of current interest in memory studies. It sets out key features of the historical, religious, and cultural context of Shakespeare's own time.
| Author | : Lina Perkins Wilder |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2018 |
| Genre | : Memory in literature |
| ISBN | : 9781138816763 |
The Routledge Handbook of Shakespeare and Memory introduces this vibrant field of study to students and scholars, whilst defining and extending critical debates in the area. Mapping memory in key areas of Shakespeare studies, the volume then goes on to look at the role of memory in individual plays.
| Author | : Irena Makaryk |
| Publisher | : University of Toronto Press |
| Total Pages | : 353 |
| Release | : 2012-09-18 |
| Genre | : Drama |
| ISBN | : 1442698381 |
Shakespeare’s works occupy a prismatic and complex position in world culture: they straddle both the high and the low, the national and the foreign, literature and theatre. The Second World War presents a fascinating case study of this phenomenon: most, if not all, of its combatants have laid claim to Shakespeare and have called upon his work to convey their society’s self-image. In wartime, such claims frequently brought to the fore a crisis of cultural identity and of competing ownership of this ‘universal’ author. Despite this, the role of Shakespeare during the Second World War has not yet been examined or documented in any depth. Shakespeare and the Second World War provides the first sustained international, collaborative incursion into this terrain. The essays demonstrate how the wide variety of ways in which Shakespeare has been recycled, reviewed, and reinterpreted from 1939–1945 are both illuminated by and continue to illuminate the War today.
| Author | : E. Tribble |
| Publisher | : Springer |
| Total Pages | : 200 |
| Release | : 2011-04-11 |
| Genre | : Literary Criticism |
| ISBN | : 0230118518 |
Early modern playing companies performed up to six different plays a week and mounted new plays frequently. This book seeks to answer a seemingly simple question: how did they do it? Drawing upon work in philosophy and the cognitive sciences, it proposes that the cognitive work of theatre is distributed across body, brain, and world.
| Author | : Andrew Hiscock |
| Publisher | : Routledge |
| Total Pages | : 504 |
| Release | : 2017-08-09 |
| Genre | : Literary Criticism |
| ISBN | : 1317596846 |
The Routledge Handbook of Shakespeare and Memory introduces this vibrant field of study to students and scholars, whilst defining and extending critical debates in the area. The book begins with a series of "Critical Introductions" offering an overview of memory in particular areas of Shakespeare such as theatre, print culture, visual arts, post-colonial adaptation and new media. These essays both introduce the topic but also explore specific areas such as the way in which Shakespeare’s representation in the visual arts created a national and then a global poet. The entries then develop into more specific studies of the genre of Shakespeare, with sections on Tragedy, History, Comedy and Poetry, which include insightful readings of specific key plays. The book ends with a state of the art review of the area, charting major contributions to the debate, and illuminating areas for further study. The international range of contributors explore the nature of memory in religious, political, emotional and economic terms which are not only relevant to Shakespearean times, but to the way we think and read now.
