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Shakespeare as a Dramatic Artist

Shakespeare as a Dramatic Artist
Author: Richard Green Moulton
Publisher:
Total Pages: 346
Release: 1885
Genre: Drama
ISBN:

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Shakespeare As a Dramatic Artist

Shakespeare As a Dramatic Artist
Author: Richard Green Moulton
Publisher: Nabu Press
Total Pages: 394
Release: 2014-02
Genre:
ISBN: 9781293592915

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This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.


Shakespeare as a Dramatic Artist. A Popular Illustration of the Principles of Scientific Criticism

Shakespeare as a Dramatic Artist. A Popular Illustration of the Principles of Scientific Criticism
Author: Richard G. Moulton
Publisher: Good Press
Total Pages: 226
Release: 2023-10-21
Genre: Literary Criticism
ISBN:

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Richard G. Moulton's 'Shakespeare as a Dramatic Artist' delves into the complex principles of scientific criticism through the lens of Shakespeare's work. Moulton carefully dissects the dramatic elements in Shakespeare's plays, illustrating how the Bard masterfully crafted his characters, plots, and themes. The book provides a scholarly analysis of Shakespeare's literary style, exploring how his use of language and dramatic techniques has influenced the world of literature. Moulton's insightful commentary offers readers a deeper appreciation for Shakespeare's genius. 'Shakespeare as a Dramatic Artist' is a must-read for anyone interested in Shakespearean studies and the art of literary criticism.


Shakespeare as a Dramatic Artist

Shakespeare as a Dramatic Artist
Author: Richard Green Moulton
Publisher:
Total Pages: 462
Release: 2015-07-09
Genre: Drama
ISBN: 9781331036845

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Excerpt from Shakespeare as a Dramatic Artist: A Popular Illustration of the Principles of Scientific Criticism The present edition is distinguished by two features. In the first place, the list of plays treated in Part First has been enlarged by three, - Othello, Love's Labour's Lost, and As You Like It. The Study of Othello has been made No. XI, to associate it with previous Studies of Julius C sar and Lear, since it connects Character and Plot as these had connected Passion and Movement. The Studies of Love's Labour's Lost and As You Like It (Nos. XIV, XV) are placed after those on The Tempest, and carry further the topics of Central Ideas and Dramatic Colouring. The new matter is the substance of papers read at various times before the New Shakspere Society of London. Such additions to Part First involve, according to the plan of the whole work, additions of detail and restatements of various points in Part Second. But besides these there is a change of a more general character in Part Second, which makes the other main feature of this edition. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."


Shakespeare as a Dramatic Artist

Shakespeare as a Dramatic Artist
Author: Richard Green Moulton
Publisher: Forgotten Books
Total Pages: 460
Release: 2017-11-23
Genre: Literary Collections
ISBN: 9780331758283

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Excerpt from Shakespeare as a Dramatic Artist: A Popular Illustration of the Principles of Scientific Criticism While the earlier chapters are taken up with these Studies, the rest of the work is an attempt, in very brief form, to present Dramatic Criticism as a regular Inductive Science. If I speak of this as a new branch of Scienbe I am not ignoring the great works on shakespeare-criticism which already exist, the later of which have treated their subject in an inductive Spirit. What these still leave wanting is a recognition of method in application to the study of the Drama my purpose is to claim for Criticism a position amongst the Inductive Sciences, and to sketch in outline a plan for the Dramatic side of such a Critical Science. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


Shakespeare As a Dramatic Artist; a Popular Illustration of the Principles of Scientific Criticism

Shakespeare As a Dramatic Artist; a Popular Illustration of the Principles of Scientific Criticism
Author: Richard Green Moulton
Publisher: Theclassics.Us
Total Pages: 110
Release: 2013-09
Genre: Drama
ISBN: 9781230208626

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This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1888 edition. Excerpt: ... XVI. Interest Of Plot. Ch. XVI. now come to the third great division of Dramatic, --7 V V Criticism--Plot, or the purely intellectual side of Idea of Plot as the action. Action itself has been treated above as the mutual application connection and interweaving of all the details in a work of of design to . human life. art so as to unite in an impression of unity. But we nave found it impossible to discuss Character and Passion entirely apart from such action and interworking: the details of human interest become dramatic by being permeated with action-force. When however this mutual relation of all the parts is looked at by itself, as an abstract interest of design, the human life being no more than the material to which this design is applied, then we get the interest of Plot. So defined, I hope Plot is sufficiently removed from the vulgar conception of it as sensational mystery, which has done so much to lower this element of dramatic effect in the eyes of literary students. If Plot be understood as the extension of design to the sphere of human life, threads of experience being woven into a symmetrical pattern as truly as varicoloured threads of wool are woven into a piece of woolwork, then the conception of it will come out in its true dignity. What else is such reduction to order than the meeting-point of science and art? Science is engaged in tracing rhythmic movements in the beautiful confusion of the heavenly bodies, or reducing the bewildering variety of external nature to regular species and nice gradations of life. Similarly, art continues the work of creation in calling ideal order out of the chaos of things as they are. And so the Ch. XVI. tangle of life, with its jumble of conflicting aspirations, its crossing and...


Shakespeare as a Dramatic Artist

Shakespeare as a Dramatic Artist
Author: Richard G. Moulton
Publisher:
Total Pages: 388
Release: 2020-09-13
Genre:
ISBN: 9783337990350

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Shakespeare as a Dramatic Artist

Shakespeare as a Dramatic Artist
Author: Richard Green 1849-1924 Moulton
Publisher: Legare Street Press
Total Pages: 368
Release: 2021-09-09
Genre:
ISBN: 9781013917998

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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.