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Script as Image

Script as Image
Author: Jeffrey F. Hamburger
Publisher:
Total Pages: 0
Release: 2014
Genre: Christian art and symbolism
ISBN: 9789042930353

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In the Middle Ages, writing conveyed far more than information. In contradistinction to the modern separation of image and text and, by implication, form and content, which was reified with the invention of printing, illuminated manuscripts made images out of words. In consonance with Christian doctrine, which declared that the Word had become flesh, letters painted on parchment assumed bodily presence to create effects of power and persuasion. Painted letters elicited modes of performance, oral recitation and ritual action. Far from calligraphic ornament or a medium with prescribed boundaries, medieval lettering reveals itself as a flexible instrument in which various categories of human experience and expression -- the audible, the visible, the symbolic and the figurative -- come together. Among the topics touched on by this book are display scripts, monograms, nomina sacra and carmina figurata, epigraphic inscriptions, chrysography and color, speech scrolls, relationships among author, scribe and artist as expressed through scripts, the anthropomorphic dimensions of abstract lettering, and the impact of iconic scripts on the reader.


Script and Image

Script and Image
Author: Götz Adriani
Publisher:
Total Pages:
Release: 1979
Genre:
ISBN:

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Cursive Script Text Recognition in Natural Scene Images

Cursive Script Text Recognition in Natural Scene Images
Author: Saad Bin Ahmed
Publisher: Springer Nature
Total Pages: 121
Release: 2019-11-21
Genre: Computers
ISBN: 9811512973

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This book offers a broad and structured overview of the state-of-the-art methods that could be applied for context-dependent languages like Arabic. It also provides guidelines on how to deal with Arabic scene data that appeared in an uncontrolled environment impacted by different font size, font styles, image resolution, and opacity of text. Being an intrinsic script, Arabic and Arabic-like languages attract attention from research community. There are a number of challenges associated with the detection and recognition of Arabic text from natural images. This book discusses these challenges and open problems and also provides insights into the complexities and issues that researchers encounter in the context of Arabic or Arabic-like text recognition in natural and document images. It sheds light on fundamental questions, such as a) How the complexity of Arabic as a cursive scripts can be demonstrated b) What the structure of Arabic text is and how to consider the features from a given text and c) What guidelines should be followed to address the context learning ability of classifiers existing in machine learning.


Writing in Pictures

Writing in Pictures
Author: Joseph McBride
Publisher: Vintage
Total Pages: 386
Release: 2012-02-28
Genre: Performing Arts
ISBN: 030774292X

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Writing in Pictures is a refreshingly practical and entertaining guide to screenwriting that provides what is lacking in most such books: a clear, step-by-step demonstration of how to write a screenplay. Seasoned screenwriter and writing teacher Joseph McBride breaks down the process into a series of easy, approachable tasks, focusing on literary adaptation as the best way to learn the basics and avoiding the usual formulaic approach. With its wealth of useful tips, along with colorful insights from master screenwriters past and present, this book is invaluable for anyone who wants to learn the craft of screen storytelling. CONTENTS Introduction: Who Needs Another Book on Screenwriting? Part I: Storytelling 1: So Why Write Screenplays? 2: What Is Screenwriting? 3: Stories: What They Are and How to Find Them 4: Ten Tips for the Road Ahead Part II: Adaptation 5: Breaking the Back of the Book: or, The Art of Adaptation STEP 1: THE STORY OUTLINE 6: Research and Development STEP 2: THE ADAPTATION OUTLINE 7: The Elements of Screenwriting STEP 3: THE CHARACTER BIOGRAPHY 8: Exploring Your Story and How to Tell It STEP 4: THE TREATMENT Part III: Production 9: Who Needs Formatting? 10: Actors Are Your Medium 11: Dialogue as Action STEP 5: THE STEP OUTLINE 12: The Final Script 13: Epilogue: Breaking into Professional Filmmaking Appendix A: The Basic Steps in the Screenwriting Process Appendix B: “To Build A Fire” by Jack London Selected Bibliography Acknowledgments Index


Document Image Processing

Document Image Processing
Author: Ergina Kavallieratou
Publisher: MDPI
Total Pages: 217
Release: 2018-10-03
Genre: Technology & Engineering
ISBN: 3038971057

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This book is a printed edition of the Special Issue "Document Image Processing" that was published in J. Imaging


Words Script and Pictures the Semiotics of Visual Language

Words Script and Pictures the Semiotics of Visual Language
Author: Meyer Schapiro
Publisher: George Braziller Publishers
Total Pages: 212
Release: 1996
Genre: Art
ISBN:

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This volume contains two of Professor Meyer Schapiro's most important works on the complex and provocative relationships between writing and images. In "Words and Pictures: On the Literal and the Symbolic in the Illustration of a Text", Professor Schapiro examines the relationship between images and the texts that it is their function to illustrate. This relationship is far from simple, and lends itself to all sorts of variations, transformations, displacements, overflowings, and even contradictions that are ultimately symbols of "changing ideas and ways of thought". The second text, "Script in Pictures: Semiotics of Visual Language", is published here for the first time. For generations, medieval book art served as a prime field for the invention of styles of art and as the expression of individual sensibilities. Against this background, Schapiro elaborates on the intricate ways in which medieval artists transformed writing and images in their books, often integrating them to convey, in highly concise formats, their powerful messages. In some cases, a physical bond with language even determined pictorial factors. While Professor Schapiro focuses on medieval examples, he extends his investigation to modern art by analyzing script in the works of Goya, Picasso, Homer, and Manet.


Script Changers

Script Changers
Author: Kylie Peppler
Publisher: MIT Press
Total Pages: 351
Release: 2014-10-10
Genre: Computers
ISBN: 0262027828

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Helping students create interactive and animated stories about positive change in their communities.


The Iconicity of Script

The Iconicity of Script
Author: Jeffrey F. Hamburger
Publisher:
Total Pages: 13
Release: 2011
Genre: Paleography
ISBN:

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Sign and Design

Sign and Design
Author: Brigitte Bedos-Rezak
Publisher: Dumbarton Oaks Research Library & Collection
Total Pages: 0
Release: 2016
Genre: Calligraphy
ISBN: 9780884024071

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Sign and Design addresses the pictorial dimension of writing systems from cross-cultural and multidisciplinary perspectives. Historians, paleographers, and anthropologists engage with pictographic, ideographic, and logographic writing systems and alphabetic scripts, examining diverse examples of cross-pollination between language and art.


Middle-earth from Script to Screen

Middle-earth from Script to Screen
Author: Daniel Falconer
Publisher: Harper Design
Total Pages: 480
Release: 2017-11-21
Genre: Performing Arts
ISBN: 9780062486141

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For the first time ever, the epic, in-depth story of the creation of one of the most famous fantasy worlds ever imagined—an illustrious compendium that reveals the breathtaking craftsmanship, artistry, and technology behind the magical Middle-earth of the blockbuster film franchises, The Lord of the Rings Motion Picture Trilogy and The Hobbit Trilogy, directed by Peter Jackson. The Making of Middle-Earth tells the complete story of how J. R. R. Tolkien’s magic world was brought to vivid life on the big screen in the record-breaking film trilogies The Lord of the Rings Motion Picture Trilogy and The Hobbit Motion Picture Trilogy. Drawing on resources, stories, and content from the archives of the companies and individuals behind the films, much of which have never appeared in print before, as well as interviews and a foreword by director Peter Jackson and key members of the Art Department, Shooting Crews, Park Road Post, and Weta Digital teams who share their personal insights on the creative process, this astonishing resource reveals: How the worlds were built, brick by brick and pixel by pixel; How environments were extended digitally or imagined entirely as computer generated spaces; How the multiple shooting units functioned; How cast members and characters interacted with their environments. Daniel Falconer takes fans from storyboard concepts to deep into the post-production process where the films were edited, graded, and scored, explaining in depth how each enhanced the films. He also discusses how the processes involved in establishing Middle-earth for the screen have evolved over the fifteen years between the start and finish of the trilogies. Going region by region and culture by culture in this fantasy realm, The Making of Middle-Earth describes how each area created for the films was defined, what made it unique, and what role it played in the stories. Illustrated with final film imagery, behind-the-scenes pictures and conceptual artwork, including places not seen in the final films, this monumental compilation offers unique and far-reaching insights into the creation of the world we know and love as Middle-earth.