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| Author | : William Froug |
| Publisher | : |
| Total Pages | : 184 |
| Release | : 1992 |
| Genre | : Language Arts & Disciplines |
| ISBN | : |
Unlocks the mysteries of commercially successful screen drama.
| Author | : Kate Wright |
| Publisher | : Penguin |
| Total Pages | : 292 |
| Release | : 2004-10-05 |
| Genre | : Performing Arts |
| ISBN | : 1101161620 |
While most screenwriting books focus on format and structure, Kate Wright explains how to put story at the center of a screenplay. A compelling story, complete with intriguing characters and situations created with these screenwriting tricks of the trade can become a box office blockbuster film. Screenwriters will learn: - Developing themes within the plot - Using structure to define the story - Creating memorable characters - Establishing moral dilemmas and conflicts - Achieving classic elements of storytelling in a three-act dramatic structure - Mastering different genres
| Author | : William Froug |
| Publisher | : |
| Total Pages | : 360 |
| Release | : 2000 |
| Genre | : Performing Arts |
| ISBN | : |
A tapestry of Froug's essays and interviews with top screenwriters, producers, and directors. Once again, Froug proves that he can skilfully pull engaging thoughts from his interviewees and, with his own essays, can use both novice and seasoned screenwriters to rethink what they do. The essays are wide-ranging, covering such diverse subjects as creating your own talent, getting your scripts read, avoiding story-structure gurus, entering screenplay contests, a scene-by-scene look at the film Body Heat, Hollywood's rewrite panic, Hollywood's ephemeral enthusiasms, why rooting interest isn't necessary, the stop-start method for studying films, guarding your surprises, reinventing old ideas, and guilt as a writer's tool.
| Author | : Xander Bennett |
| Publisher | : Taylor & Francis |
| Total Pages | : 224 |
| Release | : 2013-05-02 |
| Genre | : Performing Arts |
| ISBN | : 1136038663 |
Screenwriting Tip #99 Voice-over usually feels like scaffolding. You know-something you left in there when you were constructing the first draft, but really should have torn out after it served its purpose. Screenwriting Tip #120 Always remember that funny trumps everything. Your script could be written in crayon with your name spelled wrong on the cover, but if it's genuinely funny, none of that matters. Screenwriting Tip #156 The easiest way to write kick-ass protagonists is to make them incredibly good at what they do. Confused at the outline stage? Stuck in the swamp of Act Two? Don't know who your protagonist is or where she's going? You might feel like a hack. But don't worry-you're not alone. Even the most experienced writers feel like this at times. Sometimes we just need a few short pointers and reminders to set us on the path again. Xander Bennett worked as a script reader in the trenches of Hollywood, reading and covering hundreds of mediocre screenplays. After months of reading about heroic Sea World trainers, transgendered circus detectives and crime-fighting chupacabras, he couldn't take it any more. Xander started a blog called 'Screenwriting Tips, You Hack', a place designed to provide short, witty tips on screenwriting for amateur writers all the way up to journeymen scribes. This book is the evolution of that blog. Dozens of the best scripts (along with many brand-new ones) have been expanded into bite-sized chapters full of funny, insightful, highly usable advice. Let Xander's pain be your gain as you learn about the differences between film and television structure, how to force yourself to write when you really don't want to, and why you probably shouldn't base your first spec script around an alien invasion.
| Author | : Barry Turner |
| Publisher | : Macmillan |
| Total Pages | : 356 |
| Release | : 2008-01-08 |
| Genre | : Performing Arts |
| ISBN | : 9780312379544 |
Encompassing thousands of entries that cover every aspect of the screenwriter's trade, a valuable resource features articles, essays, advice, and insider's tips from leading scriptwriters on topics including British and U.S. film and TV companies, agents, contracts, copyrights, markets, and more. Original. 20,000 first printing.
| Author | : J. T. Clark |
| Publisher | : Written by Clark, Publishing |
| Total Pages | : 0 |
| Release | : 2007 |
| Genre | : Performing Arts |
| ISBN | : 9780979510205 |
Written in a simple, straight-forward, witty style by a professional in the field, "The Bare Bones Book of Screenwriting" is a treasure chest for anyone interested in the screenwriting trade.
| Author | : David J Greenberg |
| Publisher | : Routledge |
| Total Pages | : 179 |
| Release | : 2021-11-29 |
| Genre | : Performing Arts |
| ISBN | : 1000508900 |
Screenwriting for micro-budget films can present its own challenges and this book takes the reader through all the considerations that need to be made to write an effective screenplay for a low-budget film. Drawing on his own experience, case studies from films such as Primer, Coherence and Reservoir Dogs, as well as the perspectives of working screenwriters such as Joe Swanberg and Alex Ross-Perry, Greenberg explores common pitfalls screenwriters face and suggests practical solutions. This book lays the groundworks of the realities of low-budget filmmaking and also talks through the practical aspects, such as story structure and genre considerations. Greenberg makes the process of writing a screenplay for a low-budget film accessible and creative, allowing student and independent filmmakers to tailor their writing for their films. This book is ideal for aspiring screenwriters, independent filmmakers and students of screenwriting.
| Author | : Lance Lee |
| Publisher | : University of Texas Press |
| Total Pages | : 164 |
| Release | : 2010-01-01 |
| Genre | : Performing Arts |
| ISBN | : 029277804X |
Writing successful screenplays that capture the public imagination and richly reward the screenwriter requires more than simply following the formulas prescribed by the dozens of screenwriting manuals currently in print. Learning the "how-tos" is important, but understanding the dramatic elements that make up a good screenplay is equally crucial for writing a memorable movie. In A Poetics for Screenwriters, veteran writer and teacher Lance Lee offers aspiring and professional screenwriters a thorough overview of all the dramatic elements of screenplays, unbiased toward any particular screenwriting method. Lee explores each aspect of screenwriting in detail. He covers primary plot elements, dramatic reality, storytelling stance and plot types, character, mind in drama, spectacle and other elements, and developing and filming the story. Relevant examples from dozens of American and foreign films, including Rear Window, Blue, Witness, The Usual Suspects, Virgin Spring, Fanny and Alexander, The Godfather, and On the Waterfront, as well as from dramas ranging from the Greek tragedies to the plays of Shakespeare and Ibsen, illustrate all of his points. This new overview of the dramatic art provides a highly useful update for all students and professionals who have tried to adapt the principles of Aristotle's Poetics to the needs of modern screenwriting. By explaining "why" good screenplays work, this book is the indispensable companion for all the "how-to" guides.
| Author | : Christopher Keane |
| Publisher | : Three Rivers Press |
| Total Pages | : 321 |
| Release | : 2009-11-04 |
| Genre | : Performing Arts |
| ISBN | : 0307567745 |
Christopher Keane has spent 20 years in the business, learning the truths--and the tricks--of writing a selling screenplay. In How to Write a Selling Screenplay, he takes writers through the entire process, from developing a story to finding the best agent. Using an annotated version of an often-optioned screenplay of his own, and citing examples from movies ranging from Casablanca and Lethal Weapon to Sling Blade and The English Patient, he discusses how to create three-dimensional characters, find a compelling story, build an airtight plot structure, fine-tune dialogue, and much more. Keane's tips on the difference between writing for film and television, as well as his advice on dealing with Hollywood movers and shakers, make this an essential companion for people writing their first--or their fortieth--screenplay. From the Trade Paperback edition.
| Author | : Mark Evan Schwartz |
| Publisher | : |
| Total Pages | : |
| Release | : 2007 |
| Genre | : Motion picture authorship |
| ISBN | : 9781501340390 |
This is a screenwriting manual which is written in the form of a screenplay. Our hero, the aspiring screenwriter Danny, is hopelessly in love with Bebe, a hot young starlet. But Bebe won't go out with Danny until he proves that he can write a brilliant screenplay for her. Helped along the way by a mysterious guide (Virgil) with seemingly magical powers, Danny travels to Screenwriting Hell to see what happens to writers who never make the grade. Virgil teaches him the tricks of the trade, the fundamental techniques that all screenwriters have to master, no matter how great their ideas. But there's something a little strange about Virgil, and Danny is never sure whether to trust him or not.
