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| Author | : Neill D. Hicks |
| Publisher | : |
| Total Pages | : 248 |
| Release | : 1999 |
| Genre | : Language Arts & Disciplines |
| ISBN | : |
This book provides writers with the tools necessary to create and market a successful screenplay.
| Author | : Karl Iglesias |
| Publisher | : Simon and Schuster |
| Total Pages | : 272 |
| Release | : 2011-10-15 |
| Genre | : Performing Arts |
| ISBN | : 144052789X |
Takes a look into the lives and workspaces of screenwriters, who share their best practices in their own writing careers.
| Author | : Eric Edson |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2011 |
| Genre | : Performing Arts |
| ISBN | : 9781615930845 |
Eric Edson has developed a new tool for bringing depth and passion to any screenplay - the ""23 Steps All Great Heroes Must Take."" It's an easy to understand paradigm that provides writers and filmmakers the interconnecting, powerful storytelling elements they need. With true insight, a master teacher of screenwriting pinpoints the story structure reasons most new spec scripts don't sell; then uses scores of examples from popular hit movies to present, step by step, his revolutionary Hero Goal Sequences blueprint for writing blockbuster movies.
| Author | : Paul Joseph Gulino |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 330 |
| Release | : 2013-09-23 |
| Genre | : Social Science |
| ISBN | : 1628922397 |
The great challenge in writing a feature-length screenplay is sustaining audience involvement from page one through 120. Screenwriting: The Sequence Approach expounds on an often-overlooked tool that can be key in solving this problem. A screenplay can be understood as being built of sequences of about fifteen pages each, and by focusing on solving the dramatic aspects of each of these sequences in detail, a writer can more easily conquer the challenges posed by the script as a whole. The sequence approach has its foundation in early Hollywood cinema (until the 1950s, most screenplays were formatted with sequences explicitly identified), and has been rediscovered and used effectively at such film schools as the University of Southern California, Columbia University and Chapman University. This book exposes a wide audience to the approach for the first time, introducing the concept then providing a sequence analysis of eleven significant feature films made between 1940 and 2000: The Shop Around The Corner / Double Indemnity / Nights of Cabiria / North By Northwest / Lawrence of Arabia / The Graduate / One Flew Over the Cuckoo's Nest / Toy Story / Air Force One / Being John Malkovich / The Fellowship of the Ring
| Author | : Barbara Morgan |
| Publisher | : University of Texas Press |
| Total Pages | : 197 |
| Release | : 2013-10-15 |
| Genre | : Performing Arts |
| ISBN | : 0292754604 |
Introduction / by Barbara Morgan -- 1. Inspiration. A conversation with Randall Wallace -- 2. Story. What makes a great story : a conversation with Bill Wittliff ; Steven Zaillian on where the story originates ; Peter Hedges on crafting story ; Lawrence Kasdan on story and theme -- 3. Process. A conversation with John Lee Hancock ; Sacha Gervasi on getting started ; The basics with Nicholas Kazan ; Advice from Bill Wittliff ; Anne Rapp's writing routine ; Caroline Thompson's writing process ; Lawrence Kasdan on the challenges of writing -- 4. Structure. Structure and format : a conversation with Frank Pierson, Whit Stillman, Robin Swicord, and Nicholas Kazan ; Caroline Thompson on structure ; Lawrence Kasdan on the rules of script formatting ; Visual storytelling : a conversation with John August, John Lee Hancock, and Randall Wallace -- 5. Character and dialogue. Building characters and mapping their journeys : a conversation with Lawrence Kasdan and Anne Rapp ; Nicholas Kazan on writing characters ; Crafting characters : a conversation with Lawrence Kasdan ; Dialogue and finding the voice : a conversation with John August and John Lee Hancock -- 6. Rewritng. Writer's block : a conversation with Bud Shrake and Bill Wittliff ; Bill Wittliff on when to let something go ; Steven Zaillian on defining scenes : what to keep in, what to leave out ; Anne Rapp on keeping writing fresh ; Nicholas Kazan's rewriting process ; On rewriting : a conversation with Daniel Petrie Jr., Peter Hedges, and Sacha Gervasi ; Lawrence Kasdan on how to know when you're done -- 7. Collaboration. A conversation with Steven Zaillian ; Peter Hedges on collaborating ; Lawrence Kasdan on writing with a partner ; Randall Wallace on working with other writers -- 8. Go forth.
| Author | : Ellen Sandler |
| Publisher | : Delta |
| Total Pages | : 306 |
| Release | : 2008-11-26 |
| Genre | : Performing Arts |
| ISBN | : 0307492214 |
Why is TV writing different from any other kind of writing? How will writing a spec script open doors? What do I have to do to get a job writing for TV? Writing for television is a business. And, like any business, there are proven strategies for success. In this unique hands-on guide, television writer and producer Ellen Sandler shares the trade secrets she learned while writing for hit shows like Everybody Loves Raymond and Coach. She offers concrete advice on everything from finding a story to getting hired on a current series. Filled with easy-to-implement exercises and practical wisdom, this ingenious how-to handbook outlines the steps for becoming a professional TV writer, starting with a winning script. Sandler explains the difference between “selling” and “telling,” form and formula, theme and plot. Discover: • A technique for breaking down a show style so you’re as close to being in the writing room as you can get without actually having a job there • The 3 elements for that essential Concept Line that you must have in order to create a story with passion and consequence • Mining the 7 Deadly Sins for fresh and original story lines • Sample scripts from hit shows • In-depth graphs, script breakdown charts, vital checkpoints along the way, and much, much more!
| Author | : John Truby |
| Publisher | : Farrar, Straus and Giroux |
| Total Pages | : 405 |
| Release | : 2008-10-14 |
| Genre | : Performing Arts |
| ISBN | : 1429923709 |
John Truby is one of the most respected and sought-after story consultants in the film industry, and his students have gone on to pen some of Hollywood's most successful films, including Sleepless in Seattle, Scream, and Shrek. The Anatomy of Story is his long-awaited first book, and it shares all of his secrets for writing a compelling script. Based on the lessons in his award-winning class, Great Screenwriting, The Anatomy of Story draws on a broad range of philosophy and mythology, offering fresh techniques and insightful anecdotes alongside Truby's own unique approach for how to build an effective, multifaceted narrative. Truby's method for constructing a story is at once insightful and practical, focusing on the hero's moral and emotional growth. As a result, writers will dig deep within and explore their own values and worldviews in order to create an effective story. Writers will come away with an extremely precise set of tools to work with—specific, useful techniques to make the audience care about their characters, and that make their characters grow in meaningful ways. They will construct a surprising plot that is unique to their particular concept, and they will learn how to express a moral vision that can genuinely move an audience. The foundations of story that Truby lays out are so fundamental they are applicable—and essential—to all writers, from novelists and short-story writers to journalists, memoirists, and writers of narrative non-fiction.
| Author | : William C. Martell |
| Publisher | : |
| Total Pages | : 240 |
| Release | : 2000-01-01 |
| Genre | : Motion picture authorship |
| ISBN | : 9780970067708 |
| Author | : Daniel John Carey |
| Publisher | : |
| Total Pages | : 588 |
| Release | : 2020-02-20 |
| Genre | : Performing Arts |
| ISBN | : 9781884702419 |
For both beginners and working screenwriters, Screenwriting Tribe Workshop Handbook provides a vast quantity of information to help writers polish their screenplays to the professional level. While working in the headquarters of a film studio, John saw how easily screenplays are dismissed because of formatting errors, badly written description, rambling dialogue, and other common script problems. One day, the studio president showed John a badly formatted script, and said, "Why should I spend time reading a script if the writer hasn't spent the time to polish it?" To help writers polish their scripts to be what is expected by managers, agents, studio readers, producers, directors, screenplay contests, writing labs, and mentorship and fellowship programs, John started the weekly workshop that he named Screenwriting Tribe. The membership quickly grew to include several hundred writers. Over the years, John compiled information helpful for those writing screenplays. At first, he was writing a booklet for his workshop, but it turned into the nearly 300-page first edition of Screenwriting Tribe Workshop Handbook with cover dimensions of 6x7. The first edition was picked up as a text by college and university film schools. This second edition is 582 pages with cover dimensions of 7x10. In addition to the Screenwriting Tribe workshop, John helps directors and producers polish scripts to get them ready for sale and/or production.
| Author | : Salva Rubio |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2017-04-04 |
| Genre | : Performing Arts |
| ISBN | : 9780984157662 |
In his best-selling book, Save the Cat!(R) Goes to the Movies, Blake Snyder provided 50 "beat sheets" to 50 films, mostly studio-made. Now his student, screenwriter and novelist Salva Rubio, applies Blake's principles to 50 independent, European and cult films (again with 5 beat sheets for each of Blake's 10 genres). From international sensations like The Blair Witch Project to promising debuts like Pi, from small films that acquired cult status like The Texas Chain Saw Massacre to Euro-blockbusters like The Full Monty, from unexpected gems like Before Sunrise to auteur classics such as The 400 Blows, from Dogville to Drive and Boogie Nights to Cinema Paradiso, here are 50 movies that fit both the "indie" label and Blake Snyder's 15 beats. You'll find beat sheets for works from Quentin Tarantino, Steven Soderbergh, David Lynch, Roman Polanski, Danny Boyle, David Mamet, Spike Jonze, Charlie Kaufman, Sofia Coppola, Lars Von Trier, Stanley Kubrick, Woody Allen, Wes Anderson, and the Coen Brothers, among other renowned writers and directors.
