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| Author | : Ana Castillo |
| Publisher | : Bilingual Review Press (AZ) |
| Total Pages | : 328 |
| Release | : 1990 |
| Genre | : Fiction |
| ISBN | : |
A powerful, complex novel from the author of So Far From God. In the mythological land of Sapogonia--a metaphorical country where all mestizos (those of mixed European/Native Central or South American blood) come from--Maximo Madrigal becomes obsessed with a woman he can never control.
| Author | : Marissa K. López |
| Publisher | : NYU Press |
| Total Pages | : 269 |
| Release | : 2011-10-01 |
| Genre | : Social Science |
| ISBN | : 0814752632 |
Part of the American Literatures Initiative Series Chicano Nations argues that the transnationalism that is central to Chicano identity originated in the global, postcolonial moment at the turn of the nineteenth century rather than as an effect of contemporary economic conditions, which began in the mid nineteenth century and primarily affected the laboring classes. The Spanish empire then began to implode, and colonists in the “new world” debated the national contours of the viceroyalties. This is where Marissa K. López locates the origins of Chicano literature, which is now and always has been “postnational,” encompassing the wealthy, the poor, the white, and the mestizo. Tracing its long history and the diversity of subject positions it encompasses, Chicano Nations explores the shifting literary forms authors have used to write the nation from the nineteenth to the twenty-first centuries. López argues that while national and global tensions lie at the historical heart of Chicana/o narratives of the nation, there should be alternative ways to imagine the significance of Chicano literature other than as a reflection of national identity. In a nuanced analysis, the book provides a way to think of early writers as a meaningful part of Chicano literary history, and, in looking at the nation, rather than the particularities of identity, as that which connects Chicano literature over time, it engages the emerging hemispheric scholarship on U.S. literature.
| Author | : Patrick L. Hamilton |
| Publisher | : University of Texas Press |
| Total Pages | : 225 |
| Release | : 2011-04-01 |
| Genre | : Literary Criticism |
| ISBN | : 0292723636 |
Based on author's doctoral thesis (University of Colorado, 2006): Reading space.
| Author | : Christa Davis Acampora |
| Publisher | : SUNY Press |
| Total Pages | : 316 |
| Release | : 2008-06-05 |
| Genre | : Philosophy |
| ISBN | : 9780791471623 |
Explores the theme of aesthetic agency and its potential for social and political progress.
| Author | : Allison E. Fagan |
| Publisher | : Rutgers University Press |
| Total Pages | : 196 |
| Release | : 2016-07-14 |
| Genre | : Social Science |
| ISBN | : 0813583853 |
Chicana/o literature frequently depicts characters who exist in a vulnerable liminal space, living on the border between Mexican and American identities, and sometimes pushed to the edge by authorities who seek to restrict their freedom. As this groundbreaking new study reveals, the books themselves have occupied similarly precarious positions, as Chicana/o literature has struggled for economic viability and visibility on the margins of the American publishing industry, while Chicana/o writers have grappled with editorial practices that compromise their creative autonomy. From the Edge reveals the tangled textual histories behind some of the most cherished works in the Chicana/o literary canon, tracing the negotiations between authors, editors, and publishers that determined how these books appeared in print. Allison Fagan demonstrates how the texts surrounding the authors’ words—from editorial prefaces to Spanish-language glossaries, from cover illustrations to reviewers’ blurbs—have crucially shaped the reception of Chicana/o literature. To gain an even richer perspective on the politics of print, she ultimately explores one more border space, studying the marks and remarks that readers have left in the margins of these books. From the Edge vividly demonstrates that to comprehend fully the roles that ethnicity, language, class, and gender play within Chicana/o literature, we must understand the material conditions that governed the production, publication, and reception of these works. By teaching us how to read the borders of the text, it demonstrates how we might perceive and preserve the faint traces of those on the margins.
| Author | : Mario T. García |
| Publisher | : University of Texas Press |
| Total Pages | : 238 |
| Release | : 2000 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780292728295 |
Professor Luis Leal is one of the most outstanding scholars of Mexican, Latin American, and Chicano literatures and the dean of Mexican American intellectuals in the United States. He was one of the first senior scholars to recognize the viability and importance of Chicano literature, and, through his perceptive literary criticism, helped to legitimize it as a worthy field of study. His contributions to humanistic learning have brought him many honors, including Mexico’s Aquila Azteca and the United States’ National Humanities Medal. In this testimonio, or oral history, Luis Leal reflects upon his early life in Mexico, his intellectual formation at Northwestern University and the University of Chicago, and his work and publications as a scholar at the University of Illinois and the University of California, Santa Barbara. Through insightful questions, Mario García draws out the connections between literature and history that have been a primary focus of Leal’s work. He also elicits Leal’s assessment of many of the prominent writers he has known and studied, including Mariano Azuela, William Faulkner, Octavio Paz, Carlos Fuentes, Juan Rulfo, Gabriel García Márquez, Jorge Luis Borges, Tomás Rivera, Rolando Hinojosa, Rudolfo Anaya, Elena Poniatowska, Sandra Cisneros, Richard Rodríguez, and Ana Castillo.
| Author | : Ana Patricia Rodríguez |
| Publisher | : University of Texas Press |
| Total Pages | : 311 |
| Release | : 2009-08-17 |
| Genre | : Literary Criticism |
| ISBN | : 0292774583 |
In 1899, the United Fruit Company (UFCO) was officially incorporated in Boston, Massachusetts, beginning an era of economic, diplomatic, and military interventions in Central America. This event marked the inception of the struggle for economic, political, and cultural autonomy in Central America as well as an era of homegrown inequities, injustices, and impunities to which Central Americans have responded in creative and critical ways. This juncture also set the conditions for the creation of the Transisthmus—a material, cultural, and symbolic site of vast intersections of people, products, and narratives. Taking 1899 as her point of departure, Ana Patricia Rodríguez offers a comprehensive, comparative, and meticulously researched book covering more than one hundred years, between 1899 and 2007, of modern cultural and literary production and modern empire-building in Central America. She examines the grand narratives of (anti)imperialism, revolution, subalternity, globalization, impunity, transnational migration, and diaspora, as well as other discursive, historical, and material configurations of the region beyond its geophysical and political confines. Focusing in particular on how the material productions and symbolic tropes of cacao, coffee, indigo, bananas, canals, waste, and transmigrant labor have shaped the transisthmian cultural and literary imaginaries, Rodríguez develops new methodological approaches for studying cultural production in Central America and its diasporas. Monumental in scope and relentlessly impassioned, this work offers new critical readings of Central American narratives and contributes to the growing field of Central American studies.
| Author | : Bernadine Hernández |
| Publisher | : University of Pittsburgh Press |
| Total Pages | : 371 |
| Release | : 2021-06-15 |
| Genre | : Literary Criticism |
| ISBN | : 0822988127 |
For more than forty years, Chicana author Ana Castillo has produced novels, poems, and critical essays that forge connections between generations; challenge borders around race, gender, and sexuality; and critically engage transnational issues of space, identity, and belonging. Her contributions to Latinx cultural production and to Chicana feminist thought have transcended and contributed to feminist praxis, ethnic literature, and border studies throughout the Americas. Transnational Chicanx Perspectives on Ana Castillo is the first edited collection that focuses on Castillo’s oeuvre, which directly confronts what happens in response to cultural displacement, mixing, and border crossing. Divided into five sections, this collection thinks about Castillo’s poetics, language, and form, as well as thematic issues such as borders, immigration, gender, sexuality, and transnational feminism. From her first political poetry, Otro Canto, published in 1977, to her mainstream novels such as The Mixquiahuala Letters, So Far From God, and The Guardians, this collection aims to unravel how Castillo’s writing impacts people of color around the globe and works in solidarity with other third world feminisms.
| Author | : Andrew Lawson |
| Publisher | : Routledge |
| Total Pages | : 306 |
| Release | : 2014-03-14 |
| Genre | : Literary Criticism |
| ISBN | : 1136774246 |
This book refocuses current understandings of American Literature from the revolutionary period to the present-day through an analytical accounting of class, reestablishing a foundation for discussions of class in American culture. American Studies scholars have explored the ways in which American society operates through inequality and modes of social control, focusing primarily on issues of status group identities involving race/ethnicity, gender, sexuality, and disability. The essays in this volume focus on both the historically changing experience of class and its continuing hold on American life. The collection visits popular as well as canonical literature, recognizing that class is constructed in and mediated by the affective and the sensational. It analyzes class division, class difference, and class identity in American culture, enabling readers to grasp why class matters, as well as the economic, social, and political matter of class. Redefining the field of American literary cultural studies and asking it to rethink its preoccupation with race and gender as primary determinants of identity, contributors explore the disciplining of the laboring body and of the emotions, the political role of the novel in contesting the limits of class power and authority, and the role of the modern consumer culture in both blurring and sharpening class divisions.
| Author | : Ana Castillo |
| Publisher | : Anchor |
| Total Pages | : 370 |
| Release | : 1994-01-01 |
| Genre | : Fiction |
| ISBN | : 0385470800 |
A New York Times Notable Book • "A complex, engaging novel...Sapogonia will establish Castillo as one of our finest Chicana novelists." --Rudolfo Anaya The author of So Far From God, Ana Castillo confronts the complex issues of race and identity facing those of mixed heritage through the struggles of Máximo Madrigal, an expatriate of Sapogonia, the metaphorical homeleand of all mestizos. Subtly political, it demonstrates how warring blood within a single body resists any peaceful resolution.
