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Robert Goldstein and "The Spirit of '76"

Robert Goldstein and
Author: Robert Goldstein
Publisher: Scarecrow Filmmakers Series
Total Pages: 286
Release: 1993
Genre: Biography & Autobiography
ISBN:

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An essay and collection of primary documents on the making of the 1917 film The Spirit of ^76 and the arrest and trial of its producer, Goldstein, for treason. The US government had no use for the glorification of rebellion as it plunged into World War I. Publishes for the first time Goldstein's own 1927 account of the film, the trial, the prison term, and his later suffering. Annotation copyright by Book News, Inc., Portland, OR


The Memory of ’76

The Memory of ’76
Author: Michael D. Hattem
Publisher: Yale University Press
Total Pages: 361
Release: 2024-06-11
Genre: History
ISBN: 0300277350

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The surprising history of how Americans have fought over the meaning and legacy of the Revolution for nearly two and a half centuries Americans agree that their nation’s origins lie in the Revolution, but they have never agreed on what the Revolution meant. For nearly two hundred and fifty years, politicians, political parties, social movements, and a diverse array of ordinary Americans have constantly reimagined the Revolution to fit the times and suit their own agendas. In this sweeping take on American history, Michael D. Hattem reveals how conflicts over the meaning and legacy of the Revolution—including the Declaration of Independence and the Constitution—have influenced the most important events and tumultuous periods in the nation’s history; how African Americans, women, and other oppressed groups have shaped the popular memory of the Revolution; and how much of our contemporary memory of the Revolution is a product of the Cold War. By exploring the Revolution’s unique role in American history as a national origin myth, Hattem shows how the meaning of the Revolution has never been fixed, how remembering the nation’s founding has often done far more to divide Americans than to unite them, and how revising the past is an important and long‑standing American political tradition.


American History through Hollywood Film

American History through Hollywood Film
Author: Melvyn Stokes
Publisher: A&C Black
Total Pages: 313
Release: 2013-12-05
Genre: History
ISBN: 1441177477

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American History through Hollywood Film offers a new perspective on major issues in American history from the 1770s to the end of the twentieth century and explores how they have been represented in film. Melvyn Stokes examines how and why representation has changed over time, looking at the origins, underlying assumptions, production, and reception of an important cross-section of historical films. Chapters deal with key events in American history including the American Revolution, the Civil War and its legacy, the Great Depression, and the anti-communism of the Cold War era. Major themes such as ethnicity, slavery, Native Americans and Jewish immigrants are covered and a final chapter looks at the way the 1960s and 70s have been dealt with by Hollywood. This book is essential reading for anyone studying American history and the relationship between history and film.


Film Study

Film Study
Author: Frank Manchel
Publisher: Fairleigh Dickinson Univ Press
Total Pages: 988
Release: 1990
Genre: Art
ISBN: 9780838631867

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The four volumes of Film Study include a fresh approach to each of the basic categories in the original edition. Volume one examines the film as film; volume two focuses on the thematic approach to film; volume three draws on the history of film; and volume four contains extensive appendices listing film distributors, sources, and historical information as well as an index of authors, titles, and film personalities.


Beyond Free Speech and Propaganda

Beyond Free Speech and Propaganda
Author: Jay Douglas Steinmetz
Publisher: Lexington Books
Total Pages: 217
Release: 2017-11-24
Genre: Political Science
ISBN: 1498556817

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In Beyond Free Speech and Propaganda: The Political Development of Hollywood, 1907–1927, Jay Douglas Steinmetz provides an original and detailed account of the political developments that shaped the American Film Industry in the silent years. In the 1900s and 1910s, the American film industry often embraced the arguments of film free speech and extolled the virtues of propagandistic cinema—the visual art of persuasion seen as part and parcel of deliberative democracy. The development of American cinema in these years was formatively shaped by conflicts with another industry of cultural consumption: liquor. Exhibitors battled with their competitors, the ubiquitous saloon, while film producers often attacked the immorality of drink with explosive propaganda on the screen. But the threat of censorship and economic regulation necessitated control and mastery over the social power of the cinema (its capacity to influence the public through the visualization of ideas) not an open medium of expression or an explicitly political instrument of molding public opinion. By the early 1920s, big producer-distributors based in Southern California sidelined arguments for film free speech and tamped down the propagandistic possibilities of the screen. Through their trade association, the Motion Picture Producers and Distributors of America, headed by Republican insider Will H. Hays, the emerging moguls of Hollywood negotiated government regulation, prohibition, and the insurgency of the Ku Klux Klan in the turbulent 1920s. A complex and interconnected work of political history, this volume also uncovers key aspects in the development of modern free speech, propaganda in American political culture, the modern Republican Party, cultural developments leading up to prohibition, and the rise and fall of the Ku Klux Klan in the 1920s. This work will be of particular interest to film and political historians interested in social movements, economic development, regulation, and the evolution of consumer capitalism in the early 20th century.


You Can't Always Say What You Want

You Can't Always Say What You Want
Author: Dennis Baron
Publisher: Cambridge University Press
Total Pages: 305
Release: 2023-02-28
Genre: Political Science
ISBN: 1009198920

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The freedom to think what you want and to say what you think has always generated a pushback of regulation and censorship. This raises the thorny question: to what extent does free speech actually endanger speech protection? This book examines today's calls for speech legislation and places it into historical perspective, using fascinating examples from the past 200 years, to explain the historical context of laws regulating speech. Over time, the freedom to speak has grown, the ways in which we communicate have evolved due to technology, and our ideas about speech protection have been challenged as a result. Now more than ever, we are living in a free speech paradox: powerful speakers weaponize their rights in order to silence those less-powerful speakers who oppose them. By understanding how this situation has developed, we can stand up to these threats to the freedom of speech.


A History of Horrors

A History of Horrors
Author: Denis Meikle
Publisher: Scarecrow Press
Total Pages: 476
Release: 2001
Genre: Performing Arts
ISBN: 9780810841895

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New in paperback! Most critics, historians, and filmmakers agree that no single entity has had more influence over the genre of horror and fantasy film than Hammer Film Productions, a small independent British film company. This volume traces the life and spirit of the 'House of Hammer' from its fledging days of the late 1940s, through its successes of the 1950s and 60s, to its decline in the 1970s. Paperback edition available 2001.


Body and Soul

Body and Soul
Author: Tony Williams
Publisher: Scarecrow Press
Total Pages: 396
Release: 2004
Genre: Performing Arts
ISBN: 9780810849938

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Body and Soul explores the work of Robert Aldrich, a producer and director responsible for several notable films, including The Flight of the Phoenix, The Dirty Dozen, Too Late the Hero, The Longest Yard and Whatever Happened to Baby Jane? Author Tony Williams examines the relationship of Aldrich's films to the Cultural Front movement of the 1930s as well as to the blacklist of the 1950s. He also delineates Aldrich's attempts to follow the progressive ideals of such mentors as Jean Renoir, Lewis Milestone, and Charlie Chaplin. From the noir classic Kiss Me Deadly to the controversial thriller Twilight's Last Gleaming, Body and Soul focuses on the dilemmas--both personal and political--that affect individuals in all of Aldrich's films.


D.W. Griffith's the Birth of a Nation

D.W. Griffith's the Birth of a Nation
Author: Melvyn Stokes
Publisher: Oxford University Press
Total Pages: 424
Release: 2008-01-15
Genre: Performing Arts
ISBN: 0198044364

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In this deeply researched and vividly written volume, Melvyn Stokes illuminates the origins, production, reception and continuing history of this ground-breaking, aesthetically brilliant, and yet highly controversial movie. By going back to the original archives, particularly the NAACP and D. W. Griffith Papers, Stokes explodes many of the myths surrounding The Birth of a Nation (1915). Yet the story that remains is fascinating: the longest American film of its time, Griffith's film incorporated many new features, including the first full musical score compiled for an American film. It was distributed and advertised by pioneering methods that would quickly become standard. Through the high prices charged for admission and the fact that it was shown, at first, only in "live" theaters with orchestral accompaniment, Birth played a major role in reconfiguring the American movie audience by attracting more middle-class patrons. But if the film was a milestone in the history of cinema, it was also undeniably racist. Stokes shows that the darker side of this classic movie has its origins in the racist ideas of Thomas Dixon, Jr. and Griffith's own Kentuckian background and earlier film career. The book reveals how, as the years went by, the campaign against the film became increasingly successful. In the 1920s, for example, the NAACP exploited the fact that the new Ku Klux Klan, which used Griffith's film as a recruiting and retention tool, was not just anti-black, but also anti-Catholic and anti-Jewish, as a way to mobilize new allies in opposition to the film. This crisply written book sheds light on both the film's racism and the aesthetic brilliance of Griffith's filmmaking. It is a must-read for anyone interested in the cinema.


The State and the People

The State and the People
Author: Diane M. T. North
Publisher:
Total Pages: 776
Release: 2001
Genre:
ISBN:

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