Musical Stages
Author | : Richard Rodgers |
Publisher | : New York : Random House |
Total Pages | : 382 |
Release | : 1975 |
Genre | : Composers |
ISBN | : |
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Author | : Richard Rodgers |
Publisher | : New York : Random House |
Total Pages | : 382 |
Release | : 1975 |
Genre | : Composers |
ISBN | : |
Author | : Oscar Hammerstein II |
Publisher | : Knopf |
Total Pages | : 450 |
Release | : 2008-11-25 |
Genre | : Music |
ISBN | : 0375413588 |
From every “beautiful mornin’” to “some enchanted evening,” the songs of Oscar Hammerstein II are part of our daily lives, his words part of our national fabric. Born into a theatrical dynasty headed by his grandfather and namesake, Oscar Hammerstein II breathed new life into the moribund art form of operetta by writing lyrics and libretti for such classics as Rose-Marie (music by Rudolf Friml), The Desert Song (Sigmund Romberg), The New Moon (Romberg) and Song of the Flame (George Gershwin). Hammerstein and Jerome Kern wrote eight musicals together, including Sweet Adeline, Music in the Air, and their masterpiece, Show Boat. The vibrant Carmen Jones was Hammerstein’s all-black adaptation of the tragic opera by Georges Bizet. In 1943, Hammerstein, pioneer in the field of operetta, joined forces with Richard Rodgers, who had for the previous twenty-five years taken great strides in the field of musical comedy with his longtime writing partner, Lorenz Hart. The first Rodgers and Hammerstein work, Oklahoma!, merged the two styles into a completely new genre—the musical play—and simultaneously launched the most successful partnership in American musical theater. Over the next seventeen years, Rodgers and Hammerstein wrote eight more Broadway musicals: Carousel, Allegro, South Pacific, The King and I, Me and Juliet, Pipe Dream, Flower Drum Song, and The Sound of Music. They also wrote a movie musical (State Fair) and one for television (Cinderella). Collectively their works have earned dozens of awards, including Pulitzers, Tonys, Oscars, Grammys, and Emmys. Throughout his career, Hammerstein created works of lyrical beauty and universal feeling, and he continually strove—sometimes against fashion—to seek out the good and beautiful in the world. “I know the world is filled with troubles and many injustices,” he once said. “But reality is as beautiful as it is ugly . . . I just couldn’t write anything without hope in it.” All of his lyrics are here—850, more than a quarter published for the first time—in this sixth book in the indispensable Complete Lyrics series that has also brought us the lyrics of Cole Porter, Lorenz Hart, Ira Gershwin, Irving Berlin, and Frank Loesser. From the young scribe’s earliest attempts to the old master’s final lyric—“Edelweiss”—we can see, read, and, yes, sing the words of a theatrical and lyrical genius.
Author | : Meryle Secrest |
Publisher | : Hal Leonard Corporation |
Total Pages | : 480 |
Release | : 2001 |
Genre | : Biography & Autobiography |
ISBN | : 9781557835819 |
Secrest, biographer of Frank Lloyd Wright, Stephen Sondheim, and Leonard Bernstein, brings her extraordinary skills to this full-scale life of composer Rodgers. She shows for the first time the complexities of his nature, his emotional fault lines, and, most important, the wellsprings of his art.
Author | : Todd S. Purdum |
Publisher | : Henry Holt |
Total Pages | : 400 |
Release | : 2018-04-03 |
Genre | : Biography & Autobiography |
ISBN | : 162779834X |
"Even before they joined forces, Richard Rodgers and Oscar Hammerstein II had written dozens of Broadway shows, but together they pioneered a new art form: the serious musical play. Their songs and dance numbers served to advance the drama and reveal character, a sharp break from the past and the template on which all future musicals would be built. [This is a portrait of that creative partnership]"--Amazon.com
Author | : Geoffrey Block |
Publisher | : Oxford University Press, USA |
Total Pages | : 378 |
Release | : 2006 |
Genre | : Biography & Autobiography |
ISBN | : 9780195313437 |
Richard Rodgers was one of America's most prolific and best-loved composers. A world without "My Funny Valentine," "The Lady is a Tramp," "Blue Moon," and "Bewitched," to name just a few of the songs he wrote with Lorenz Hart, is scarcely imaginable, and the musicals he wrote with his second collaborator, Oscar Hammerstein--Oklahoma!, Carousel, South Pacific, The King and I, and The Sound of Music--continue to enchant and entertain audiences. Arranged in four sections, Rodgers and Hart (1929-1943), Rodgers and Hammerstein (1943-1960), Rodgers After Hammerstein (1960-1979), and The Composer Speaks (1939-1971), The Richard Rodgers Reader offers a cornucopia of informative, perceptive, and stylish biographical and critical overviews. It also contains a selection of Rodgers's letters to his wife Dorothy in the 1920s, the 1938 Time magazine cover story and New Yorker profiles in 1938 and 1961, and essays and reviews by such noted critics as Brooks Atkinson, Eric Bentley, Leonard Bernstein, Lehman Engel, Walter Kerr, Ken Mandelbaum, Ethan Mordden, George Jean Nathan, and Alec Wilder. The volume features personal accounts by Richard Adler, Agnes de Mille, Joshua Logan, Mary Martin, and Diahann Carroll. The collection concludes with complete selections from more than thirty years of Rodgers's own writings on topics ranging from the creative process, the state of the Broadway theater, even Rodgers's bout with cancer, and a generous sample from the candid and previously unpublished Columbia University interviews. For anyone wishing to explore more fully the life and work of a composer whose songs and musicals have assumed a permanent--and prominent--place in American popular culture, The Richard Rodgers Reader will offer endless delights.
Author | : Richard Rodgers |
Publisher | : Vocal Score Series |
Total Pages | : 0 |
Release | : 1981-04 |
Genre | : Music |
ISBN | : 9780881880458 |
(Vocal Score). Complete vocal score to the 1955 musical with 22 pieces in all: All at Once You Love Her * All Kinds of People * Everybody's Got a Home but Me * How Long * The Man I Used to Be * Suzy Is a Good Thing * Sweet Thursday * Will You Marry Me * and more.
Author | : Oscar Hammerstein (II) |
Publisher | : Applause Theatre & Cinema |
Total Pages | : 0 |
Release | : 2014 |
Genre | : Music |
ISBN | : 9781480355552 |
RODGERS + HAMMERSTEIN'S CINDERELLA: THE COMPLETE BOOK AND LYRICS OF THE BROADWAY MUSICA
Author | : Richard Rodgers |
Publisher | : Hal Leonard Publishing Corporation |
Total Pages | : 240 |
Release | : 2002 |
Genre | : Music |
ISBN | : |
(Vocal Collection). The most accomplished composer in the history of the American musical theatre was Richard Rodgers (1902-1979), with a professional career on Broadway that spanned more than 50 years. In an edition designed especially for singers, 45 songs have been carefully chosen from both the Rodgers & Hart and Rodgers & Hammerstein output. Contents: Bewitched (PAL JOEY) * Climb Ev'ry Mountain (THE SOUND OF MUSIC) * Do I Love You Because You're Beautiful? (CINDERELLA) * Edelweiss (THE SOUND OF MUSIC) * Falling in Love with Love (THE BOYS FROM SYRACUSE) * Hello, Young Lovers (THE KING AND I) * I Could Write a Book (PAL JOEY) * I Didn't Know What Time It Was (TOO MANY GIRLS) * I Have Dreamed (THE KING AND I) * I Wish I Were in Love Again (BABES IN ARMS) * If I Loved You (CAROUSEL) * Isn't It Romantic? (LOVE ME TONIGHT) * It Might as Well Be Spring (STATE FAIR) * It Never Entered My Mind (HIGHER AND HIGHER) * The Lady Is a Tramp (BABES IN ARMS) * Love, Look Away (FLOWER DRUM SONG) * Manhattan (THE GARRICK GAIETIES) * My Favorite Things (THE SOUND OF MUSIC) * My Funny Valentine (BABES IN ARMS) * My Heart Stood Still (ONE DAM THING AFTER ANOTHER) * My Lord and Master (THE KING AND I) * My Romance (JUMBO) * No Other Love (ME AND JULET) * Nobody's Heart (BY JUPITER) * Oh, What a Beautiful Mornin' (OKLAHOMA!) * People Will Say We're in Love (OKLAHOMA!) * Some Enchanted Evening (SOUTH PACIFIC) * Something Wonderful (THE KING AND I) * The Sound of Music (THE SOUND OF MUSIC) * The Surrey with the Fringe on Top (OKLAHOMA!) * The Sweetest Sounds (NO STRINGS) * Ten Cents a Dance (SIMPLE SIMON) * There's a Small Hotel (ON YOUR TOES) * This Can't Be Love (THE BOYS FROM SYRACUSE) * This Nearly Was Mine (SOUTH PACIFIC)* Thou Swell (A CONNECTICUT YANKEE) * To Keep My Love Alive (A CONNECTICUT YANKEE) * Where or When (BABES IN ARMS) * With a Song in My Heart (SPRING IS HERE) * A Wonderful Guy (SOUTH PACIFIC) * You Are Never Away (ALLEGRO) * You Took Advantage of Me (PRESENT ARMS) * You'll Never Walk Alone (CAROUSEL) * You're Nearer (TOO MANY GIRLS) * Younger Than Springtime (SOUTH PACIFIC)
Author | : Sutthiya Lertyongphati |
Publisher | : |
Total Pages | : 246 |
Release | : 2021-01-30 |
Genre | : |
ISBN | : |
This is the much anticipated Third Edition of the original award-winning volume. Fully indexed and updated, this edition covers the same topics as the First and Second editions but with new information for 2021 onwards. The book begins by examining key mistakes teachers make in the 'direct realm' - i.e. when interacting face-to-face with students. These first three chapters cover rapport-building, active-engagement and behavior management as it applies in a high-school setting. Following this, the book expansively covers a range of tips, techniques and tools to engage advanced, exam-level learners and to effectively enhance the teaching process via the use of technology. The book concludes with an often overlooked sphere of teaching: how to work effectively with colleagues and parents (very powerful when strategized correctly). Bonus material on the unique challenges of teaching overseas is provided in a plenary chapter. This edition of the book has been exhaustively proofread and indexed, and is of a much-higher quality than can be attributed to the First and Second editions.
Author | : Geoffrey Block |
Publisher | : Yale University Press |
Total Pages | : 331 |
Release | : 2008-10-01 |
Genre | : Music |
ISBN | : 0300127545 |
Richard Rodgers was an icon of the musical theater, a prolific composer whose career spanned six decades and who wrote more than a thousand songs and forty shows for the American stage. In this absorbing book, Geoffrey Block examines Rodgers’s entire career, providing rich details about the creation, staging, and critical reception of some of his most popular musicals. Block traces Rodgers’s musical education, early work, and the development of his musical and dramatic language. He focuses on two shows by Rodgers and Hart (A Connecticut Yankee and The Boys from Syracuse) and two by Rodgers and Hammerstein (South Pacific and Cinderella), offering new insights into each one. He concludes with the first serious look at the five neglected and often maligned musicals that Rodgers composed in the 1960s and 1970s, after the death of Hammerstein.