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| Author | : Margaret A. Rose |
| Publisher | : Cambridge University Press |
| Total Pages | : 234 |
| Release | : 1988-09-15 |
| Genre | : Art |
| ISBN | : 9780521369794 |
An original and challenging study of Marxist aesthetic theory from an art-historical perspective.
| Author | : W. David Carlson |
| Publisher | : |
| Total Pages | : 194 |
| Release | : 1977 |
| Genre | : Landscape architecture |
| ISBN | : |
| Author | : Hans Urs von Balthasar |
| Publisher | : Ignatius Press |
| Total Pages | : 823 |
| Release | : 2009-01-01 |
| Genre | : Religion |
| ISBN | : 1586173219 |
The work opens with a critical review of developments in Protestant and Catholic Theology since the Reformation which have led to the steady neglect of aesthetics in Christian theology. From here, von Balthasar turns to the central theme of the volume: the question of theological knowledge. He re-examines the nature of Christian believing (here he quickly draws widely on such theological figures as Anselm, Pascal and Newman) which gives due place to the particular kind of 'knowing' which develops within the personal relationship to the believer to the God mediated through the revelation-form of Jesus Christ.
| Author | : Lene M. Johannessen |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 235 |
| Release | : 2021-01-12 |
| Genre | : Literary Criticism |
| ISBN | : 1793633673 |
Aesthetic Apprehensions: Silences and Absences in False Familiarities is a scholarly conversation about encounters between habitual customs of reading and seeing and their ruptures and ossifications. In closely connected discourses, the thirteen essays collected here set out to carefully probe the ways our aesthetic immersions are obfuscated by deep-seated epistemological and ideological apprehensions by focusing on how the tropology carried by silence, absence, and false familarity crystallize to define the gaps that open up. As they figure in the subtitle of this volume, the tropes may seem straightforward enough, but a closer examination of their function in relation to social, cultural, and political assumptions and gestalts reveal troubling oversights. Aesthetic Apprehensions comes to name the attempt at capturing the outlier meanings residing in habituated receptions as well as the uneasy relations that result from aesthetic practices already in place, emphasizing the kinds of thresholds of sense and sensation which occasion rupture and creativity. Such, after all, is the promise of the threshold, of the liminal: to encourage our leap into otherness, for then to find ourselves and our sensing again, and anew in novel comprehensions.
| Author | : Inō Dan |
| Publisher | : |
| Total Pages | : 298 |
| Release | : 1928 |
| Genre | : Art |
| ISBN | : |
| Author | : Susan C. Power |
| Publisher | : University of Georgia Press |
| Total Pages | : 328 |
| Release | : 2007-01-01 |
| Genre | : Art |
| ISBN | : 9780820327662 |
"In addition to tracing the development of Cherokee art, Power reveals the wide range of geographical locales from which Cherokee art has originated. These places include the Cherokee's tribal homeland in the southeast, the tribe's areas of resettlement in the West, and abodes in the United States and beyond to which individuals subsequently moved. Intimately connected to the time and place of its creation, Cherokee art changed along with Cherokee social, political, and economic circumstances. The entry of European explorers into the Southeast, the Trail of Tears, the American Civil War, and the signing of treaties with the U.S. government are among the transforming events in Cherokee art history that Power discusses."--BOOK JACKET.
| Author | : Multiple Authors |
| Publisher | : NEWNMEDIA™ |
| Total Pages | : 40 |
| Release | : 2020-11-17 |
| Genre | : Performing Arts |
| ISBN | : |
Artograph is a bi-monthly bilingual e-magazine published by NEWNMEDIA™, focusing on dance, music, and arts in general. This is the 2020 Sep-Oct edition of the magazine.
| Author | : Michael Ann Williams |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 236 |
| Release | : 2010-04-08 |
| Genre | : Social Science |
| ISBN | : 1628468963 |
The Great Smoky Mountains, at the border of eastern Tennessee and western North Carolina, are among the highest peaks of the southern Appalachian chain. Although this area shares much with the cultural traditions of all southern Appalachia, the folklife here has been uniquely shaped by historical events, including the Cherokee Removal of the 1830s and the creation of the Great Smoky Mountain National Park a century later. This book surveying the rich folklife of this special place in the American South offers a view of the culture as it has been defined and changed by scholars, missionaries, the federal government, tourists, and people of the region themselves. Here is an overview of the history of a beautiful landscape, one that examines the character typified by its early settlers, by the displacement of the people, and by the manner in which the folklife was discovered and defined during the nineteenth and twentieth centuries. Here also is an examination of various folk traditions and a study of how they have changed and evolved.
| Author | : Steven Leuthold |
| Publisher | : University of Texas Press |
| Total Pages | : 260 |
| Release | : 2010-07-05 |
| Genre | : Art |
| ISBN | : 0292788347 |
What happens when a Native or indigenous person turns a video camera on his or her own culture? Are the resulting images different from what a Westernized filmmaker would create, and, if so, in what ways? How does the use of a non-Native art-making medium, specifically video or film, affect the aesthetics of the Native culture? These are some of the questions that underlie this rich study of Native American aesthetics, art, media, and identity. Steven Leuthold opens with a theoretically informed discussion of the core concepts of aesthetics and indigenous culture and then turns to detailed examination of the work of American Indian documentary filmmakers, including George Burdeau and Victor Masayesva, Jr. He shows how Native filmmaking incorporates traditional concepts such as the connection to place, to the sacred, and to the cycles of nature. While these concepts now find expression through Westernized media, they also maintain continuity with earlier aesthetic productions. In this way, Native filmmaking serves to create and preserve a sense of identity for indigenous people.
| Author | : |
| Publisher | : |
| Total Pages | : 302 |
| Release | : 1928 |
| Genre | : Art |
| ISBN | : |
