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| Author | : Amanda Harris |
| Publisher | : |
| Total Pages | : 208 |
| Release | : 2020 |
| Genre | : Aboriginal Australians |
| ISBN | : 9781501362965 |
"A performance-centered history of the Australian "assimilation" era that centralizes auditory worlds and audio-visual evidence of Aboriginal music and dance"--
| Author | : Amanda Harris |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 251 |
| Release | : 2020-09-03 |
| Genre | : Music |
| ISBN | : 1501362941 |
Shortlisted for the 2021 Prime Minister's Literary Award for Australian History. Representing Australian Aboriginal Music and Dance 1930-1970 offers a rethinking of recent Australian music history. In this open access book, Amanda Harris presents accounts of Aboriginal music and dance by Aboriginal performers on public stages. Harris also historicizes the practices of non-Indigenous art music composers evoking Aboriginal music in their works, placing this in the context of emerging cultural institutions and policy frameworks. Centralizing auditory worlds and audio-visual evidence, Harris shows the direct relationship between the limits on Aboriginal people's mobility and non-Indigenous representations of Aboriginal culture. This book seeks to listen to Aboriginal accounts of disruption and continuation of Aboriginal cultural practices and features contributions from Aboriginal scholars Shannon Foster, Tiriki Onus and Nardi Simpson as personal interpretations of their family and community histories. Contextualizing recent music and dance practices in broader histories of policy, settler colonial structures, and postcolonizing efforts, the book offers a new lens on the development of Australian musical cultures. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 license on bloomsburycollections.com. Open access was funded by Australian Research Council.
| Author | : Katelyn Barney |
| Publisher | : Taylor & Francis |
| Total Pages | : 163 |
| Release | : 2022-12-22 |
| Genre | : Music |
| ISBN | : 1000813401 |
This book demonstrates the processes of intercultural musical collaboration and how these processes contribute to facilitating positive relationships between Indigenous and non-Indigenous peoples in Australia. Each of the chapters in this edited collection examines specific examples in diverse contexts, and reflects on key issues that underpin musical exchanges, including the benefits and challenges of intercultural music making. The collection demonstrates how these musical collaborations allow Indigenous and non-Indigenous people to work together, to learn from each other, and to improve and strengthen their relationships. The metaphor of the “third space” of intercultural music making is interwoven in different ways throughout this volume. While focusing on Indigenous Australian/non-Indigenous intercultural musical collaboration, the book will be of interest globally as a resource for scholars and postgraduate students exploring intercultural musical communication in countries with histories of colonisation, such as New Zealand and Canada.
| Author | : Sudiipta Dowsett |
| Publisher | : Taylor & Francis |
| Total Pages | : 244 |
| Release | : 2024-09-23 |
| Genre | : Music |
| ISBN | : 1040146031 |
This long-awaited volume is the first edited collection to focus entirely on Hip Hop in Australia. Bringing together both scholarly and practitioner perspectives, across 11 chapters, contributors explore the diversity of identities, communities, practices, and expressions that make-up Hip Hop in Australia, including Emceeing/ music production, Graffiti and Breaking. The theoretical and methodological frameworks used include ethnographic and autoethnographic research and writing, discourse analysis, Indigenous methodologies, textual analysis and archival research. Some authors present their contributions in academic chapters, while others use creative formats. The book showcases how Hip Hop is understood and lived across numerous settings in Australia, making important contributions to global Hip Hop studies and scholarship in related fields such as popular music, youth culture and First Nations Studies. It will prove essential reading for students, academics, and practitioners interested in Hip Hop, social justice, popular culture, music and dance in Australia.
| Author | : Ann McGrath |
| Publisher | : U of Nebraska Press |
| Total Pages | : 325 |
| Release | : 2023 |
| Genre | : Social Science |
| ISBN | : 1496234375 |
Everywhen is a groundbreaking collection about diverse ways of conceiving, knowing, and narrating time and deep history. Looking beyond the linear documentary past of Western or academic history, this collection asks how knowledge systems of Australia’s Aboriginals and Torres Strait Islanders can broaden our understandings of the past and of historical practice. Indigenous embodied practices for knowing, narrating, and reenacting the past in the present blur the distinctions of linear time, making all history now. Ultimately, questions of time and language are questions of Indigenous sovereignty. The Australian case is especially pertinent because Australian Aboriginal and Torres Strait Islander people are among the few Native peoples without a treaty with their colonizers. Appreciating First Nations’ time concepts embedded in languages and practices, as Everywhen does, is a route to recognizing diverse forms of Indigenous sovereignties. Everywhen makes three major contributions. The first is a concentration on language, both as a means of knowing and transmitting the past across generations and as a vital, albeit long-overlooked source material for historical investigation, to reveal how many Native people maintained and continue to maintain ancient traditions and identities through language. Everywhen also considers Indigenous practices of history, or knowing the past, that stretch back more than sixty thousand years; these Indigenous epistemologies might indeed challenge those of the academy. Finally, the volume explores ways of conceiving time across disciplinary boundaries and across cultures, revealing how the experience of time itself is mediated by embodied practices and disciplinary norms. Everywhen brings Indigenous knowledges to bear on the study and meaning of the past and of history itself. It seeks to draw attention to every when, arguing that Native time concepts and practices are vital to understanding Native histories and, further, that they may offer a new framework for history as practiced in the Western academy.
| Author | : Amanda Harris |
| Publisher | : ANU Press |
| Total Pages | : 276 |
| Release | : 2014-12-18 |
| Genre | : Social Science |
| ISBN | : 1925022218 |
Circulating Cultures is an edited book about the transformation of cultural materials through the Australian landscape. The book explores cultural circulation, exchange and transit, through events such as the geographical movement of song series across the Kimberley and Arnhem Land; the transformation of Australian Aboriginal dance in the hands of an American choreographer; and the indigenisation of symbolic meanings in heavy metal music. Circulating Cultures crosses disciplinary boundaries, with contributions from historians, musicologists, linguists and dance historians, to depict shifts of cultural materials through time, place and interventions from people. It looks at the way Indigenous and non-Indigenous performing arts have changed through intercultural influence and collaboration.
| Author | : Georgia Curran |
| Publisher | : Sydney University Press |
| Total Pages | : 382 |
| Release | : 2024-03 |
| Genre | : History |
| ISBN | : 1743329555 |
Warlpiri songs hold together the ceremonies that structure and bind social relationships, and encode detailed information about Warlpiri country, cosmology and kinship. Today, only a small group of the oldest generations has full knowledge of ceremonial songs and their associated meanings, and there is widespread concern about the transmission of these songs to future generations. While musical and cultural change is normal, threats to attrition driven by large-scale external forces including sedentarisation and modernisation put strain on the systems of social relationships that have sustained Warlpiri cultures for millennia. Despite these concerns, songs remain key to Warlpiri identity and cultural heritage. Vitality and Change in Warlpiri Songs draws together insights from senior Warlpiri singers and custodians of these song traditions, profiling a number of senior singers and their views of the changes that they have witnessed over their lifetimes. The chapters in this book are written by Warlpiri custodians in collaboration with researchers who have worked in Warlpiri communities over the last five decades. Spanning interdisciplinary perspectives including musicology, linguistics, anthropology, cultural studies, dance ethnography and gender studies, chapters range from documentation of well-known and large-scale Warlpiri ceremonies, to detailed analysis of smaller-scale public rituals and the motivations behind newer innovative forms of ceremonial expression. Vitality and Change in Warlpiri Songs ultimately uncovers the complexity entailed in maintaining the vital components of classical Warlpiri singing practices and the deep desires that Warlpiri people have to maintain this important element of their cultural identity into the future.
| Author | : Clare Wright |
| Publisher | : Text Publishing |
| Total Pages | : 636 |
| Release | : 2024-10-01 |
| Genre | : History |
| ISBN | : 1922459313 |
In this engaging narrative, Wright follows the story of petitions on bark created by the Yirrkala community in Arnhem Land in 1963, protesting bauxite mining on traditional lands
| Author | : Catherine J. Ellis |
| Publisher | : St. Lucia, Qld. : University of Queensland Press |
| Total Pages | : 266 |
| Release | : 1985 |
| Genre | : Music |
| ISBN | : |
South Australian music styles, cultural use, musical setting (dance, costume/make-up, terminology); song-forms, types, texts, the intoned story; Pitjantjatjara music system - structure and meaning; culture contact and changes to tribal music and its uses, incorporation into Western culture; Centre for Aboriginal Studies in Music; musics place in cross-cultural education.
| Author | : Georgia Curran |
| Publisher | : Taylor & Francis |
| Total Pages | : 201 |
| Release | : 2024-09-30 |
| Genre | : Music |
| ISBN | : 1040115454 |
Supporting Vulnerable Performance Traditions: Keeping it Going in Contexts of Continuity and Change explores endangered forms of performance from across the world, and the aspirations of practitioners, community members and researchers to keep these traditions going. Readers are provided with an ethnographically rich focus on specific performance contexts in diverse cultural worlds, including case studies that cover: Irish traditional song, ritual performances from southern India, Aboriginal ceremonial songs from northern and central Australia, Latin Catholic rites in multicultural Australia, and Asian-Portuguese syncretic dance in Sri Lanka. With contributors who are all scholars and/or practitioners of music, dance and other temporal arts, this book offers an inside view on the importance of these traditions for peoples' expressions of their distinct cultural identities and assertions of their uniqueness. Supporting Vulnerable Performance Traditions contains essential insights into musical cultures in the context of continuity and change, and will be of interest to researchers and postgraduates of ethnomusicology, anthropology, performance studies and Asian studies, as well as music historians and practitioners, and musicians and culture bearers across the world.
