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| Author | : Donny Cates |
| Publisher | : Image Comics |
| Total Pages | : 32 |
| Release | : 2018-11-28 |
| Genre | : Comics & Graphic Novels |
| ISBN | : |
You're invited to the wedding of a lifetime! Witness the union of two vampire families as Bartlett and July tie the knot! IÕm sure absolutely nothing will go wrong
| Author | : Trae Crowder |
| Publisher | : Simon and Schuster |
| Total Pages | : 352 |
| Release | : 2017-10-10 |
| Genre | : Humor |
| ISBN | : 1501160400 |
"The Liberal Rednecks--a three-man stand-up comedy group doing scathing political satire--celebrate all that's good about the South while leading the Redneck Revolution and standing proudly blue in a sea of red. Smart, hilarious, and incisive, the Liberal Rednecks confront outdated traditions and intolerant attitudes, tackling everything people think they know about the South--the good, the bad, the glorious, and the shameful--in a laugh-out-loud funny and lively manifesto for the rise of a New South. Home to some of the best music, athletes, soldiers, whiskey, waffles, and weather the country has to offer, the South has also been bathing in backward bathroom bills and other bigoted legislation that Trae Crowder has targeted in his Liberal Redneck videos, which have gone viral with over 50 million views. Perfect for fans of Stuff White People Like and I Am America (And So Can You), The Liberal Redneck Manifesto skewers political and religious hypocrisies in witty stories and hilarious graphics--such as the Ten Commandments of the New South--and much more! While celebrating the South as one of the richest sources of American culture, this entertaining book issues a wake-up call and a reminder that the South's problems and dreams aren't that far off from the rest of America's"--
| Author | : David Fillingim |
| Publisher | : Mercer University Press |
| Total Pages | : 196 |
| Release | : 2003 |
| Genre | : Juvenile Nonfiction |
| ISBN | : 9780865548411 |
In this unique book, David Fillingim explores country music as a mode of theological expression. Following the lead of James Cone's classic, "The Spirituals and the Blues, Fillingim looks to country music for themes of theological liberation by and for the redneck community. The introduction sets forth the book's methodology and relates it to recent scholarship on country music. Chapter 1 contrasts country music with Southern gospel music--the sacred music of the redneck community--as responses to the question of theodicy, which a number of thinkers recognize as the central question of marginalized groups. The next chapter "The Gospel according to Hank," outlines the career of Hank Williams and follows that trajectory through the work of other artists whose work illustrates how the tradition negotiates Hank's legacy. "The Apocalypse according to Garth" considers the seismic shifts occuring during country music's popularity boom in the 1980s. Another chapter is dedicated to the women of country music, whose honky-tonky feminism parallels and intertwines with mainstream country music, which was dominated by men for most of its history. Written to entertain as well as educate and advance, "Redneck Liberation will appeal to anyone who is interested in country music, Southern religion, American popular religiosity, or liberation theology.
| Author | : William Matthew McCarter |
| Publisher | : Algora Publishing |
| Total Pages | : 215 |
| Release | : 2012 |
| Genre | : Philosophy |
| ISBN | : 0875869211 |
Homo Redneckus is a critical reflection on the cultural experience of being a different type of "other" in America -- specifically, a redneck, white-trash, hillbilly cracker. An academic treatise and a good story at the same time, the book traces the plight of those who are "Not Qwhite" through history, popular culture, and personal experience.
| Author | : Irwin Stambler |
| Publisher | : Macmillan |
| Total Pages | : 758 |
| Release | : 2000-07-14 |
| Genre | : Music |
| ISBN | : 9780312264871 |
A comprehensive reference source on the history, impact, and current state of country music, offering portraits of figures in the country music world.
| Author | : Lee Hollis |
| Publisher | : Kensington Books |
| Total Pages | : 319 |
| Release | : 2012-11-06 |
| Genre | : Fiction |
| ISBN | : 075826738X |
Local food and drink writer Haley Powell thinks she's done solving murders in scenic Bar Harbor, Maine. But when a taste of the South comes to New England, Haley's following another recipe for disaster. . . As a single mom, Hayley Powell already has a full plate--she's got deadlines to make and a teenage daughter with eyes for an aspiring singer-songwriter. But when country music superstar Wade Springer rolls into town, Hayley spies an irresistible side gig: personal chef to her all-American idol. After he tries her home cooking, Wade's so impressed that he hires her on the spot--and invites her to dine with him alone. Hayley and Wade are hitting all the right notes. . .until a body turns up. Wade's tour bus was torched overnight and a roadie named Mickey Pritchett came out well-done. But the real cause of death isn't barbecue: Mickey was shot, his mouth stuffed with one of Hayley's trademark chicken legs. An ornery drunk, Mickey had already made plenty of enemies in town, but Wade's reputation is on the rocks. Hayley reckons it's up to her to settle this mess--a charbroiled mystery with all the fixin's. Includes seven delectable recipes from Hayley's kitchen! Praise for Death of a Kitchen Diva "Delicious and satisfying. Another course, please." --Carolyn Hart "Readers will be calling for a second round from author Lee Hollis." --Leslie Meier, author of Chocolate Covered Murder
| Author | : Jason Mellard |
| Publisher | : University of Texas Press |
| Total Pages | : 396 |
| Release | : 2013-10-01 |
| Genre | : Social Science |
| ISBN | : 0292754671 |
Winner, Coral Horton Tullis Memorial Prize, Texas State Historical Association, 2014 During the early 1970s, the nation’s turbulence was keenly reflected in Austin’s kaleidoscopic cultural movements, particularly in the city’s progressive country music scene. Capturing a pivotal chapter in American social history, Progressive Country maps the conflicted iconography of “the Texan” during the ’70s and its impact on the cultural politics of subsequent decades. This richly textured tour spans the notion of the “cosmic cowboy,” the intellectual history of University of Texas folklore and historiography programs, and the complicated political history of late-twentieth-century Texas. Jason Mellard analyzes the complex relationship between Anglo-Texan masculinity and regional and national identities, drawing on cultural studies, American studies, and political science to trace the implications and representations of the multi-faceted personas that shaped the face of powerful social justice movements. From the death of Lyndon Johnson to Willie Nelson’s picnics, from the United Farm Workers’ marches on Austin to the spectacle of Texas Chic on the streets of New York City, Texas mattered in these years not simply as a place, but as a repository of longstanding American myths and symbols at a historic moment in which that mythology was being deeply contested. Delivering a fresh take on the meaning and power of “the Texan” and its repercussions for American history, this detail-rich exploration reframes the implications of a populist moment that continues to inspire progressive change.
| Author | : Brandon Thomas |
| Publisher | : Image Comics |
| Total Pages | : 32 |
| Release | : 2017-12-20 |
| Genre | : Comics & Graphic Novels |
| ISBN | : |
Lincoln is here to teach the Valians an important lesson: you never know as much as you think you do a lesson Zhia Malen must learn at a cost.
| Author | : Matthew J. Ferrence |
| Publisher | : Univ. of Tennessee Press |
| Total Pages | : 209 |
| Release | : 2014-03-30 |
| Genre | : Literary Collections |
| ISBN | : 1621900746 |
In contemporary culture, the stereotypical trappings of “redneckism” have been appropriated for everything from movies like Smokey and the Bandit to comedy acts like Larry the Cable Guy. Even a recent president, George W. Bush, shunned his patrician pedigree in favor of cowboy “authenticity” to appeal to voters. Whether identified with hard work and patriotism or with narrow-minded bigotry, the Redneck and its variants have become firmly established in American narrative consciousness. This provocative book traces the emergence of the faux-Redneck within the context of literary and cultural studies. Examining the icon’s foundations in James Fenimore Cooper’s Natty Bumppo—“an ideal white man, free of the boundaries of civilization”—and the degraded rural poor of Erskine Caldwell’s Tobacco Road, Matthew Ferrence shows how Redneck stereotypes were further extended in Deliverance, both the novel and the film, and in a popular cycle of movies starring Burt Reynolds in the 1970s and ’80s, among other manifestations. As a contemporary cultural figure, the author argues, the Redneck represents no one in particular but offers a model of behavior and ideals for many. Most important, it has become a tool—reductive, confining, and (sometimes, almost) liberating—by which elite forces gather and maintain social and economic power. Those defying its boundaries, as the Dixie Chicks did when they criticized President Bush and the Iraq invasion, have done so at their own peril. Ferrence contends that a refocus of attention to the complex realities depicted in the writings of such authors as Silas House, Fred Chappell, Janisse Ray, and Trudier Harris can help dislodge persistent stereotypes and encourage more nuanced understandings of regional identity. In a cultural moment when so-called Reality Television has turned again toward popular images of rural Americans (as in, for example, Duck Dynasty and Moonshiners), All- American Redneck reveals the way in which such images have long been manipulated for particular social goals, almost always as a means to solidify the position of the powerful at the expense of the regional.
| Author | : Charles L. Hughes |
| Publisher | : UNC Press Books |
| Total Pages | : 277 |
| Release | : 2015-03-23 |
| Genre | : Music |
| ISBN | : 1469622440 |
In the sound of the 1960s and 1970s, nothing symbolized the rift between black and white America better than the seemingly divided genres of country and soul. Yet the music emerged from the same songwriters, musicians, and producers in the recording studios of Memphis and Nashville, Tennessee, and Muscle Shoals, Alabama--what Charles L. Hughes calls the "country-soul triangle." In legendary studios like Stax and FAME, integrated groups of musicians like Booker T. and the MGs and the Muscle Shoals Rhythm Section produced music that both challenged and reconfirmed racial divisions in the United States. Working with artists from Aretha Franklin to Willie Nelson, these musicians became crucial contributors to the era's popular music and internationally recognized symbols of American racial politics in the turbulent years of civil rights protests, Black Power, and white backlash. Hughes offers a provocative reinterpretation of this key moment in American popular music and challenges the conventional wisdom about the racial politics of southern studios and the music that emerged from them. Drawing on interviews and rarely used archives, Hughes brings to life the daily world of session musicians, producers, and songwriters at the heart of the country and soul scenes. In doing so, he shows how the country-soul triangle gave birth to new ways of thinking about music, race, labor, and the South in this pivotal period.
