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The Artificial and the Natural

The Artificial and the Natural
Author: Bernadette Bensaude-Vincent
Publisher: MIT Press
Total Pages: 341
Release: 2007
Genre: Philosophy
ISBN: 0262026201

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These essays - written by specialists of different periods and various disciplines - reveal that the division between nature and art has been continually challenged and reassesed in Western thought. Nature and art, the essays suggest, are mutually constructed, defining and redifining themselves.


Erik Satie: Music, Art and Literature

Erik Satie: Music, Art and Literature
Author: Caroline Potter
Publisher: Routledge
Total Pages: 368
Release: 2016-05-13
Genre: Music
ISBN: 1317141792

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Erik Satie (1866-1925) was a quirky, innovative and enigmatic composer whose impact has spread far beyond the musical world. As an artist active in several spheres - from cabaret to religion, from calligraphy to poetry and playwriting - and collaborator with some of the leading avant-garde figures of the day, including Cocteau, Picasso, Diaghilev and René Clair, he was one of few genuinely cross-disciplinary composers. His artistic activity, during a tumultuous time in the Parisian art world, situates him in an especially exciting period, and his friendships with Debussy, Stravinsky and others place him at the centre of French musical life. He was a unique figure whose art is immediately recognisable, whatever the medium he employed. Erik Satie: Music, Art and Literature explores many aspects of Satie's creativity to give a full picture of this most multifaceted of composers. The focus is on Satie's philosophy and psychology revealed through his music; Satie's interest in and participation in artistic media other than music, and Satie's collaborations with other artists. This book is therefore essential reading for anyone interested in the French musical and cultural scene of the late nineteenth and early twentieth century.


Twice Upon a Time

Twice Upon a Time
Author: Elizabeth Wanning Harries
Publisher: Princeton University Press
Total Pages: 234
Release: 2003-09-22
Genre: Literary Criticism
ISBN: 9780691115672

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Harries introduces the stories written by 17th century French women, or conteuses, female storytellers. Their stories omitted from the traditional, largely male-authored, fairy tale "canon."


The Romantic Agony

The Romantic Agony
Author: Mario Praz
Publisher:
Total Pages: 532
Release: 1956
Genre: Devil in literature
ISBN:

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Oedipus at Thebes

Oedipus at Thebes
Author: Bernard Knox
Publisher: Yale University Press
Total Pages: 304
Release: 1998-01-01
Genre: Literary Criticism
ISBN: 9780300074239

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Examines the way in which Sophocles' play "Oedipus Tyrannus" and its hero, Oedipus, King of Thebes, were probably received in their own time and place, and relates this to twentieth-century receptions and interpretations, including those of Sigmund Freud.


French Opera at the Fin de Siècle

French Opera at the Fin de Siècle
Author: Steven Huebner
Publisher: Oxford University Press
Total Pages: 552
Release: 2006-02-02
Genre: Music
ISBN: 9780199719921

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This is the first book-length study of the rich operatic repertory written and performed in France during the last two decades of the nineteenth century. Steven Huebner gives an accessible and colorful account of such operatic favorites as Manon and Werther by Massenet, Louise by Charpentier, and lesser-known gems such as Chabrier's Le Roi malgré lui and Chausson's Le Roi Arthus.


Fabulous Identities

Fabulous Identities
Author: Patricia Hannon
Publisher: Rodopi
Total Pages: 230
Release: 1998
Genre: Authors, French
ISBN: 9789042005228

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Fabulous Identities revises traditional interpretations of the fairy-tale vogue which was dominated by salon women in the last decade of the French seventeenth century. This study of women's tale narratives is set into an investigation of how aristocratic identity was transformed by political and social realignments forced by royal absolutism or ambitious materialism. Women's distinctive contributions to the genre are defined by drawing upon various texts that articulated the century's moral, cultural, and aesthetic values, as well as upon contemporary critical perspectives including seventeenth-century historical and cultural studies. Caught up in the philosophical, political and social controversy over woman's nature, seventeenth-century women writers benefited from salon culture and their access to writing through the literary genres of fairy tales and novels, to explore new identities and expand representations of subjectivity. Women's tales can be seen as a theater for staging an authorial persona at odds with their portrait as presented in male-authored didactic treatises and in the fairy tales of Charles Perrault. At a time when the pressures of social conformity weighed heavily upon them, the conteuses highlight through metamorphosis the affective dimension together with its impact on evolving notions of personal autonomy.


Metamorphoses

Metamorphoses
Author: Emanuele Coccia
Publisher: John Wiley & Sons
Total Pages: 180
Release: 2021-06-09
Genre: Philosophy
ISBN: 1509545689

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We are all fascinated by the mystery of metamorphosis – of the caterpillar that transforms itself into a butterfly. Their bodies have almost nothing in common. They don’t share the same world: one crawls on the ground and the other flutters its wings in the air. And yet they are one and the same life. Emanuele Coccia argues that metamorphosis – the phenomenon that allows the same life to subsist in disparate bodies – is the relationship that binds all species together and unites the living with the non-living. Bacteria, viruses, fungi, plants, animals: they are all one and the same life. Each species, including the human species, is the metamorphosis of all those that preceded it – the same life, cobbling together a new body and a new form in order to exist differently. And there is no opposition between the living and the non-living: life is always the reincarnation of the non-living, a carnival of the telluric substance of a planet – the Earth – that continually draws new faces and new ways of being out of even the smallest particle of its disparate body. By highlighting what joins humans together with other forms of life, Coccia’s brilliant reflection on metamorphosis encourages us to abandon our view of the human species as static and independent and to recognize instead that we are part of a much larger and interconnected form of life.