Quartet No. 58 in F Major, Op. 74, No. 2 (Violin 2).
| Author | : Haydn |
| Publisher | : |
| Total Pages | : 6 |
| Release | : 2002 |
| Genre | : |
| ISBN | : |
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Quartet No. 58 in F Major, Op. 74, No. 2 (Violin 2).
| Author | : Haydn |
| Publisher | : |
| Total Pages | : 6 |
| Release | : 2002 |
| Genre | : |
| ISBN | : |
Download Quartet No. 58 in F Major, Op. 74, No. 2 (Violin 2). Book in PDF, ePub and Kindle
Analysis of 18th- and 19th-Century Musical Works in the Classical Tradition
| Author | : David Beach |
| Publisher | : Routledge |
| Total Pages | : 385 |
| Release | : 2012-05-04 |
| Genre | : Music |
| ISBN | : 1136329765 |
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Analysis of 18th- and 19th-Century Musical Works in the Classical Tradition is a textbook for upper-level undergraduate and graduate courses in music analysis. It outlines a process of analyzing works in the Classical tradition by uncovering the construction of a piece of music—the formal, harmonic, rhythmic, and voice-leading organizations—as well as its unique features. It develops an in-depth approach that is applied to works by composers including Haydn, Mozart, Beethoven, Schubert, Schumann, and Brahms. The book begins with foundational chapters in music theory, starting with basic diatonic harmony and progressing rapidly to more advanced topics, such as phrase design, phrase expansion, and chromatic harmony. The second part contains analyses of complete musical works and movements. The text features over 150 musical examples, including numerous complete annotated scores. Suggested assignments at the end of each chapter guide students in their own musical analysis.
Classical Form
| Author | : William E. Caplin |
| Publisher | : Oxford University Press |
| Total Pages | : 320 |
| Release | : 2000-12-28 |
| Genre | : Music |
| ISBN | : 0199881758 |
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Building on ideas first advanced by Arnold Schoenberg and later developed by Erwin Ratz, this book introduces a new theory of form for instrumental music in the classical style. The theory provides a broad set of principles and a comprehensive methodology for the analysis of classical form, from individual ideas, phrases, and themes to the large-scale organization of complete movements. It emphasizes the notion of formal function, that is, the specific role a given formal unit plays in the structural organization of a classical work.
Arthur Foote
| Author | : Nicholas E. Tawa |
| Publisher | : Scarecrow Press |
| Total Pages | : 518 |
| Release | : 1997 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780810832954 |
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Gathers all the available information on Arthur Foote (1853-1937), one of the most important American composers who worked creatively in the late 19th and early 20th centuries. With bibliography and musical examples.
Bending the Rules of Music Theory
| Author | : Timothy Cutler |
| Publisher | : Routledge |
| Total Pages | : 314 |
| Release | : 2019-02-04 |
| Genre | : Music |
| ISBN | : 1351069152 |
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For students learning the principles of music theory, it can often seem as though the tradition of tonal harmony is governed by immutable rules that define which chords, tones, and intervals can be used where. Yet even within the classical canon, there are innumerable examples of composers diverging from these foundational "rules." Drawing on examples from composers including J.S. Bach, Mozart, Beethoven, Schubert, Mendelssohn, Chopin, Brahms, and more, Bending the Rules of Music Theory seeks to take readers beyond the basics of music theory and help them to understand the inherent flexibility in the system of tonal music. Chapters explore the use of different rule-breaking elements in practice and why they work, introducing students to a more nuanced understanding of music theory.
Nineteenth-Century Chamber Music
| Author | : Stephen Hefling |
| Publisher | : Routledge |
| Total Pages | : 404 |
| Release | : 2004-03-01 |
| Genre | : Music |
| ISBN | : 1135887624 |
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Nineteenth Century Chamber Music proceeds chronologically by composer, beginning with the majestic works of Beethoven, and continuing through Schubert, Spohr and Weber, Mendelssohn, Schumann, Brahms, the French composers, Smetana and Dvorák, and the end-of-the-century pre-modernists. Each chapter is written by a noted authority in the field. The book serves as a general introduction to Romantic chamber music, and would be ideal for a seminar course on the subject or as an adjunct text for Introduction to Romantic Music courses. Plus, musicologists and students of 19th century music will find this to be an invaluable resource.
Madam Butterfly
| Author | : Giacomo Puccini |
| Publisher | : |
| Total Pages | : 56 |
| Release | : 1906 |
| Genre | : Operas |
| ISBN | : |
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The Gramophone
| Author | : Compton Mackenzie |
| Publisher | : |
| Total Pages | : 64 |
| Release | : 1996 |
| Genre | : Audio equipment industry |
| ISBN | : |
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Dvorák: Cello Concerto
| Author | : Jan Smaczny |
| Publisher | : Cambridge University Press |
| Total Pages | : 134 |
| Release | : 1999-09-28 |
| Genre | : Music |
| ISBN | : 9780521669030 |
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Dvorák's Cello Concerto, composed during his second stay in America, is one of the most popular works in the orchestral repertoire. This guide explores Dvorák's reasons for composing a concerto for an instrument which he at one time considered unsuitable for solo work, its relationship to his American period compositions and how it forms something of a bridge with his operatic interests. A particular focus is the concerto's unique qualities: why it stands apart in terms of form, melodic character and texture from the rest of Dvorák's orchestral music. The role of the dedicatee of the work, Hanus Wihan, in its creation is also considered, as are performing traditions as they have developed in the twentieth century. In addition the guide explores the extraordinary emotional background to the work which links it intimately to the woman who was probably Dvorák's first love.
