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Publications of the Municipal Art Society of Hartford, Connecticut, Vol. 1

Publications of the Municipal Art Society of Hartford, Connecticut, Vol. 1
Author: Charles Noel Flagg
Publisher: Forgotten Books
Total Pages: 570
Release: 2018-01-05
Genre: Reference
ISBN: 9780428391935

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Excerpt from Publications of the Municipal Art Society of Hartford, Connecticut, Vol. 1: Officers, Directors, Standing Committees, Constitution, by-Laws, and Members; What Is a Municipal Art Society? Finally, and more prosaically, their very site would then safe guard the public buildings from the intrusive elbowing of private structures that might dwarf them, that might screen them from view or might shut out their light. To recapitulate, then, the government buildings should be grouped. That is, there ought to be a civic center. If grouped they should not be strung along a street. A desirable lo cation would be ou a slight eminence where a public reservation might connect them. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


Publications of the Municipal Art Society of Hartford, Connecticut

Publications of the Municipal Art Society of Hartford, Connecticut
Author: Municipal Art Society of Hartford
Publisher: Palala Press
Total Pages: 74
Release: 2015-09-21
Genre:
ISBN: 9781343467101

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.


Picturing Victorian America

Picturing Victorian America
Author: Nancy Finlay
Publisher: Wesleyan University Press
Total Pages: 80
Release: 2009-08-10
Genre: Art
ISBN: 1881264092

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A landmark reference on 19th-century American lithographic production Winner of the Ewell L. Newman Award from the American Historical Print Collectors Society (2009) Winner of the Betty M. Linsley Award from the Association for the Study of Connecticut History (2010) This is the first book-length account of the pioneering and prolific Kellogg family of lithographers, active in Connecticut for over four decades. Daniel Wright Kellogg opened his print shop on Main Street in Hartford five years before Nathaniel Currier went into a similar business in New York and more than twenty-five years before Currier founded his partnership with James M. Ives, yet Daniel and his brothers Elijah and Edmund Kellogg have long been overshadowed by the Currier & Ives printmaking firm. Editor Nancy Finlay has gathered together eight essays that explore the complexity of the relationships between artists, lithographers, and print, map, and book publishers. Presenting a complete visual overview of the Kelloggs' production between 1830 and 1880, Picturing Victorian America also provides museums, libraries, and private collectors with the information needed to document the Kellogg prints in their own collections. The first comprehensive study of the Kellogg prints, this book demands reconsideration of this Connecticut family's place in the history of American graphic and visual arts. CONTRIBUTORS: Georgia B. Barnhill, Lynne Zacek Bassett, Candice C. Brashears, Nancy Finlay, Elisabeth Hodermarsky, Richard C. Malley, Sally Pierce, Michael Shortell, Kate Steinway.