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Proportions and Their Music

Proportions and Their Music
Author: Karlheinz Schüffler
Publisher: Springer Nature
Total Pages: 293
Release:
Genre:
ISBN: 3662653362

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Proportions in Music

Proportions in Music
Author: Hugo Norden
Publisher:
Total Pages: 4
Release: 1964
Genre:
ISBN:

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Music Education

Music Education
Author: Robert Walker
Publisher: Charles C Thomas Publisher
Total Pages: 342
Release: 2007
Genre: Music
ISBN: 0398085447

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This is an important work that addresses the complex issues surrounding musical meaning and experience, and the Western traditional justification for including music in education. The chapters in this volume examine the important subjects of tradition, innovation, social change, the music curriculum, music in the twentieth century, social strata, culture and music education, psychology, science and music education, including musical values and education. Additional topics include the origins of mania, aesthetics and musical meaning related to concepts that are well-known to the ancient Greeks.


Proportions in Music

Proportions in Music
Author: Johannes Tinctoris
Publisher:
Total Pages: 66
Release: 1979
Genre: Music theory
ISBN:

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Musical Form and Analysis

Musical Form and Analysis
Author: Glenn Spring
Publisher: Waveland Press
Total Pages: 416
Release: 2013-08-29
Genre: Music
ISBN: 1478611731

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Understanding the way music unfolds to the listener is a major key for unlocking the secrets of the composer’s art. Musical Form and Analysis, highly regarded and widely used for two decades, provides a balanced theoretical and philosophical approach that helps upper-level undergraduate music majors understand the structures and constructions of major musical forms. Spring and Hutcheson present all of the standard topics expected in such a text, but their approach offers a unique conceptual thrust that takes readers beyond mere analytical terminology and facts. Evocative rather than encyclopedic, the text is organized around three elements at work at all levels of music: time, pattern, and proportion. Well-chosen examples and direct, well-crafted assignments reinforce techniques. A 140-page anthology of music for in-depth analysis provides a wide range of carefully selected works.


The Phi Factor

The Phi Factor
Author: James Austin Rothwell
Publisher:
Total Pages: 378
Release: 1977
Genre: Musical form
ISBN:

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Encyclopædia Britannica

Encyclopædia Britannica
Author:
Publisher:
Total Pages: 878
Release: 1810
Genre: Encyclopedias and dictionaries
ISBN:

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Fib and Phi in Music

Fib and Phi in Music
Author: Charles B. Madden
Publisher:
Total Pages: 366
Release: 2005
Genre: Music
ISBN: 9780967172767

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This study of the use of the golden proportion in classical music shows that 53 of the 70 composers studied used it to structure their works, some of them knowingly. Since this is seldom discussed in courses in music theory, this book should be a major contribution to our understanding of musical structure.


Wolfgang Rihm, a Chiffre

Wolfgang Rihm, a Chiffre
Author: Yves Knockaert
Publisher: Leuven University Press
Total Pages: 341
Release: 2017-11-21
Genre: Music
ISBN: 9462701237

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The elusive and ungraspable in Rihms’s music Wolfgang Rihm ( b. Karlsruhe, 1952) is the most performed living German composer. With his personal, expressive, and versatile music, he became the most prominent representative of his generation. His individual approach to music was established in the 1980s and he continues to explore and enlarge his original concepts today. His 1980s work is at the core of this book, more specifically his instrumental music: the Chiffre cycle and the string quartets. Thinking about Rihm includes reflecting on his interest in philosophy, his relation to fine arts, his awareness of principles found in nature, and his references to important composers from the past. His music is embedded in the past and the actuality in modernism and postmodernism. Notwithstanding Rihm’s generosity in essays and introductions to his works, many aspects of the ‘inner sound’ of his music stay an elusive, ungraspable ‘chiffre’: a challenge for the analyst. With Foreword by Richard McGregor (Professor Emeritus, University of Cumbria)